Gustave Caillebotte's Paris Street; Rainy Day Essay

The lifestyle in France, just like in all other European countries, has changed dramatically since the early 1700’s. People went from farmers to factory owners to all of the professions of today’s society. The main reason for the great changes in lifestyle that occurred in France was the Industrial Revolution, which urbanized most of France. But the Industrial Revolution was not the only thing that changed France. The monarchy fell the church changed, and the role people had in their jobs and family life change drastically.

Le Chateau is a leading Canadian specialty retailer that offers contemporary fashion apparel, accessories and footwear. Founded in 1959 by Hershel Segal, the retailer was originally named “Le Chateau Men’s Wear”. The name was

Throughout history, symbols have had an overwhelming presence among citizens. The French Revolution had many symbols that represented power. Did the events leading up to the storming of the Bastille persuade the French citizens to believe that it was a symbol of power? There are many reasons why the French citizens would believe the Bastille to be a symbol of power. It was a very overwhelming stone structure, which stood robust, surrounded by small villages along with farmland. The architecture and placement of this fortress gave itself a reputation of strength and impregnation. It stood by itself, being the most intimidating structure of its time.

New Orleans was founded in 1718 by Jean-Baptiste Le Moyne, Sieur de Bienville. Forty-five years later, in 1763, France signed treaties ceding Louisiana to Spain to whom it remained for the next forty years. Due to Mexican, Cuban and Spanish influence, the race rules in New Orleans were more liberal, allowing for a class of free people of color. In 1803 Louisiana was sold back to the French, who then twenty days later sold it to the United States in the Louisiana Purchase. New Orleans had become the largest city in the Confederacy by the start of the Civil War in 1861.

Between the end of the First World War and Hitler's seizure of power a cultural explosion occurred in Paris that altered our notions of art and reality and shaped our way of viewing the world ever since. In the 1920's, Paris became the undisputed international capital of pleasure and was regarded as the cultural and artistic center of Europe with a reputation for staging one of its most glamorous eras, as well as some of the most spectacular revues in the world. Imagine for a moment, that it really is 1920's Paris. You are leisurely strolling through the gas lit promenades. World War I is over and the exuberance of jazz musicians, symbolist painters, and American expatriates

Journal Question: How does Momaday use adjectives and descriptive phrases to show profound respect for Rainy Mountain?

In the modern Paris, society is divided into different classes of people, different jobs, and different features of modern life. The Belly of Paris, written by, Émile Zola is about a man named Florent who was wrongly put in prison from Louis-Napoleon’s coup-d’etat. He escapes from prison and returns from the countryside to find an unrecognizable Paris. The Belly of Paris describes the class differences in the 1870s - there is the bourgeoisie, which is defined as the middle class, typically with reference to its perceived materialistic values or conventional attitudes; the capitalist class who own most of society's wealth and means of production contrasted with the lower working class. By portraying and describing characters as the food

Shel Silverstein, the author of, “Where the Sidewalk Ends”, was a musician and poet known for writing children books such as, “The Giving Tree” (Shel Silverstein). He was born on September 25, 1930 and died on May 8, 1999 (Shel Silverstein). Throughout his life Mr.Silverstein, worked in many diverse occupations ranging from the military to becoming an author (Shel Silverstein). Because majority of his books and poems were for children, they (the books and poems) often incorporated positive imagery, metaphors, etc. In the poem, “Where The Sidewalk Ends”, Shel Silverstein uses imagery, shift, and personal pronouns to identify that adults must forget about the materialistic things in their lives to achieve a greater sense of happiness and joy.

Michael Miller’s book, The Bon Marché: Bourgeois Culture and the Department Store, 1869-1920, is an expansive and interesting look back on a era of Parisian history that is best represented by its then-current trend and social innovation, the department store. The book gives a fascinating account of the store from its beginning to eventual common place status in 1914. The book gives an insight on the factors in which the store saw success, such as the management, the labor, and new marketing. It also gives light to the social factors that made the store possible (i.e education and economy).

arguably the best poem of all time. In just three short but powerful stanzas, Silverstein is able to

Henri Rousseau, born in May 21, 1844, was a self-taught artist who started his artistic career when he was forty. He began his life working as a clerk, then he joined the French army after being accused of stealing money from his employer. He later moved to Paris and obtained a job working for the French Customs Office, and it was there that he began painting part-time. It was really this background of his that allowed his paintings to be original and uninfluenced by traditional painting techniques. Since he was a self-taught artist and had no significant experience with painting, he had the freedom to paint as he perceived and as he imagined. Henri Rousseau was a man who liked to exaggerate his life to make himself seem adventurous and exciting. He made up stories about his time in the military and overstated his importance in the Customs office where he worked. This was also reflected in his artwork where manipulated the painting to emphasize beauty and excitement.

Artist and people viewing the art work have always had a fascination with the female nude. Even when I was a child my attention was captured by the nude art not because I was a kid and I saw a nude lady , but it forced me to wonder more about why the female nude was so amazing as a tool for art and why this is repeated so many times throughout the centuries. One female nude painting in particular was the subject of controversy and exposed the syncretism and or the power of the female nude painting.

The art and beauty in this painting is exemplified through the eyes of Boucher. It starts with a beautiful couple taking a rest after picking up some followers. Their clothing looks very elegant and colorful which shows that they are aristocrats. The man’s eyes are gazing at a shepherdess who gathered her own flowers. Their eyes are locked despite the man having his own woman right in front of him. The light brushstrokes of the dresses, flowers, and trees

In the memoirs, A Moveable Feast and The Autobiography of Alice B. Toklas, Ernest Hemingway and Gertrude Stein explain their experience with the artwork of Paul Cézanne. Both writers find that Cézanne’s innovative post-impressionist and fauvist style held a greater meaning that applied to writing. For Hemingway, this idea manifests in his use of true sentences, which ultimately assisted him in writing more compelling short stories. This idea of using Cézanne as artistic inspiration came from Hemingway’s friendship with Gertrude Stein. Hemingway’s introduction to Cezanne coming from Gertrude Stein reveals the impact that the artist had on both of their writing styles.

Let’s first begins with who Jean Desire Gustave Courbet was. Gustave Courbet was a famous French painter. Courbet was born in Ornans, France on June 10th of 1819. Ornans, France is a filled with forests and pasture’s perfect for realist paintings. At the age of 14 Courbet was already in art training receiving lessons from Pere Baud a former student of a neo-classical painter named Baron Gros. Courbet’s parents hoped he would go off and study law when he moved out in 1837. To there misfortune he had enrolled in at the art academy. At the art academy Courbet received lessons from Flajoulot another famous neo-classicist. At twenty years old Gustave Courbet went to Paris, the European center for art, political,