Essay on Hamlet, Act 1 Scene 1

murder in a rash mood. It is not seen by Gertrude. It tries to urge

Hamlet’s “To be or not to be” soliloquy is conceivably the most prominent soliloquy in the archive of the theatre. Even now, more than 400 years after it was originally written there is still an air of familiarity that reaches others even if they do not know the play itself in detail. In act 3, scene 1, Hamlet’s “To be or not to be” Soliloquy is critical in developing the plot because this is when Hamlet discusses his most suicidal thoughts.

In “Act 5” the listener get to seen into the growing theatre program in a prison. These prison inmates were putting on an intimate production of Shakespeare’s Hamlet, a story of a man arguing with the idea of murdering his uncle and avenging his father. While this story itself is not something the inmates related to directly, they related to that struggle and those ideas in a way many, if not most, actors could not. The purpose of “Act 5” was to show the heavy influence of an actor on a character and as a result the effects of specific characters and stories on us on humans. Experiences shape how we see the characters and the story but, not just our personal experiences this includes the experiences of the creatives working on the

How does the use of comic relief best contrast the tragedy of Hamlet? In great works of literature a comic relief is used as contrast to a serious scene to intensify the overall tragic nature of the play or to relieve tension. As illustrated in Shakespeare’s tragedy Hamlet, intense scenes are joined with character’s banter and vacuous actions as to add a comic relief. In Hamlet, Polonius acts as a comic relief by his dull and windy personality, Hamlet uses his intelligence and his negativity toward the king and queen to create humor, while on the other hand Rosencrantz and Guildenstern are a comic relief by their senseless actions and naïve natures. Polonius, Hamlet, Rosencrantz and Guildenstern are all used as a comic relief to

Hamlet is a suspenseful play that introduces the topic of tragedy. Throughout the play, Hamlet displays anger, uncertainty, and obsession with death. Although Hamlet is unaware of it, these emotions cause the mishaps that occur throughout the play. These emotions combined with his unawareness are the leading basis for the tragic hero’s flaws. These flaws lead Hamlet not to be a bad man, but a regular form of imperfection that comes along with being human.

By so doing it was believed that the sins of the dead person would be

Far too often we see men and women with noble causes lose their motive because of their emotional behavior. Their emotions cause them to lose track. We see no finer example of a man with a noble cause whose emotions cause him to lose sight of his noble cause: the character of Laertes in the play Hamlet. Laertes has a vendetta against Hamlet for killing his father. Although Laertes meant well in avenging his father’s death, his emotional behavior overtook him in the process. If we look at other characters in the play, we find a similar struggle between a noble goal and one’s emotions. Hamlet fights the same battle as Laertes does; however, Hamlet is better able to control his emotions. To maintain a noble goal without faltering,

Hamlet fascinates many readers and the first thing to point out about him is that he is mysterious. Shakespeare's work demonstrates Hamlet's dilemma as the role of revenger showing a man of thought forced to be a man of action. Hamlet is extremely philosophical and introspective. He is particularly drawn to difficult questions or questions that cannot be answered with any certainty. Faced with evidence that his uncle murdered his father, Hamlet becomes obsessed with proving his uncle's guilt before trying to act. He is equally overwhelmed with questions about the afterlife, about the wisdom of suicide, and about what happens to bodies after they die.

if these weeds are not dug up they will go to seed and spread more

as he was always off at war…who else to warm the royal bed than the

The story opens in the cold and dark of a winter night in Denmark, while the guard is being changed on the battlements of the royal castle of Elsinore. For two nights in succession, just as the bell strikes the hour of one, a ghost has appeared on the battlements, a figure dressed in complete armor and with a face like that of the dead king of Denmark, Hamlet’s

as these lines relate back to the development of Ophelia’s character, as well as play an important role in the plot of the play, and a major conflict that is portrayed.

will.” ( III I, 179-181) The fear of what will happen after death deters him.

One aspect that makes William Shakespeare’s Hamlet alluring is how he broke the limiting mold of the one-dimensional character by representing characters in all of their human complexity. Hamlet, for example, is a compelling character because he is complicated. As Hamlet himself observes early in the play in, “Tis not alone my inky cloak/nor customary suits of solemn black, /Nor…forced breath/No, nor the fruitful river in the eye, /Nor the dejected ‘havior of the visage…/with all forms, moods, and shapes of grief, /That can denote me truly” (1.2.80-86). Hamlet insists that he is an individual with many psychological and philosophical facets, though he

A lot about a character shows when that character steps back and says what they are thinking aloud. This is the case for Prince Hamlet. William Shakespeare’s play “Hamlet” features Prince Hamlet, who is depressed about his father’s death and his mother remarrying so soon. Hamlet is visited by the ghost of his father and is ordered to get revenge for his father’s death. Hamlet devotes himself to the task, but because of his nature,he enters deep melancholy and even apparent madness. Throughout the play, Hamlet can be seen being very noble but indecisive at the same time. Hamlet’s soliloquies reveal a lot about his character. However, they mainly show the readers how he can be noble but is indecisive. He can also be viewed as someone in a deep state of depression. These values are shown through his actions of insulting himself for not acting upon what he believes in and continuously reassuring himself that what he does is correct, as well as his word choice and feelings that are expressed out loud to himself during the seven soliloquies.