Hamlet by William Shakespeare Essay

As one of the four Shakespeare’s great tragedies, Hamlet has always been comment by people all around the world. Hamlet, the son of the last king of Denmark, after knowing the truth of his father’s death, begins planning revenge. Hamlet has been racked with grief after his father’s death, and it makes him like a person with crazy behaviors. Except Hamlet, there are several characters play an important role and lead this story to a tragic end, such as Polonius, councilor to King Claudius and father of Ophelia and Laertes. His distrust of other people, sense of self-important makes him a dislikable person, but if we read the play carefully, it is not difficult to find out that Polonius has been suffering from several psychological disorders. It is useful for us to understand what kind of psychological disorders drive Polonius to act so impolitely and conceitedly, and what are his personality traits and the motivation of his actions. Polonius’s overconfident and usage of others shows his Narcissistic Personality Disorder, which causes he trusts himself but distrusts and suspicion others, and it proves Polonius also have Paranoid Personality Disorder.

Polonius had an evil plot. Polonius always spies on others to gain secret and private information. Polonius and Claudius together, work against Hamlet, and try to verify his sanity. Polonius performs as if he would do anything that Claudius asks of him, or anything that satisfies Claudius. Polonius willingly uses his daughter to assist Claudius in their plot against Hamlet. He even plans to ruin his son Laertes’ reputation and drive him from Denmark. Despite Polonius’ death, his unethical ways are still evident through Claudius’s actions. Claudius requests that Laertes fight with Hamlet, and he tries to poison him.

How does the use of comic relief best contrast the tragedy of Hamlet? In great works of literature a comic relief is used as contrast to a serious scene to intensify the overall tragic nature of the play or to relieve tension. As illustrated in Shakespeare’s tragedy Hamlet, intense scenes are joined with character’s banter and vacuous actions as to add a comic relief. In Hamlet, Polonius acts as a comic relief by his dull and windy personality, Hamlet uses his intelligence and his negativity toward the king and queen to create humor, while on the other hand Rosencrantz and Guildenstern are a comic relief by their senseless actions and naïve natures. Polonius, Hamlet, Rosencrantz and Guildenstern are all used as a comic relief to

In Shakespeare’s Hamlet, Laertes and Hamlet both lose a father by unnatural and sudden death. The unnatural death of the father is brought on by someone close to the son. When Laertes discovers that his father is dead, he is outraged. When Hamlet learns from the ghost of his father’s murder, he weeps, and promises action, though he delivers none. Both Laertes and Hamlet grieve deeply for their fathers, but Laertes acts upon this grief while Hamlet carefully plots his revenge and waits for the perfect moment to avenge King Hamlet. Laertes’ unplanned action causes his death by his own sword, while Hamlet’s apparent inaction finally gets him the revenge that Laertes has attempted. Though Laertes’ grief at his father’s death causes his

Prior to this we discover Polonius' rancor for the prince when he warns Ophelia of Hamlet's feigned affections: "Do not believe his vows" (1.3, 127). As with Claudius, there exists little cordiality, less true affection and even less of an attempt to disguise the relationship. The king fears his nephew's grief-enraged condition and the dutiful advisor mirrors these suspicions. Hamlet, meanwhile, casts an equal contempt at the pair in protest of Claudius' unnatural ascension to the roles of both father and husband.

Issues of power are foremost in Polonius' mind. He immediately seeks the King in order to legitimate his accusations concerning Hamlet. By doing this, not only does Polonius gain power over Hamlet, but also with the King himself. Polonius tries to control the way Hamlet is seen around the court so as to rise in stature himself. Through his manipulation of Ophelia, Polonius becomes a character not as much concerned with familial ties as one whose concern rests within the world of court intrigue and position.

Hamlet is categorized as one of the greatest plays ever written. In the play the main character Prince Hamlet has a very complicated character. As the play goes along Hamlet displays a wide range of emotions through his actions and his words. With doing this, it creates controversy amongst the critics and readers of the play. They find it difficult to come to a conclusion of whether Hamlet 's “madness” is sincere or if he is simply a fake. However there is evidence in order to support one side of this debate. The answer simply lies in the actor 's performance. In William Shakespeare’s tragedy, Hamlet, it is clearly evident Prince Hamlet is feigning madness in an effort to outsmart his enemies and avenge his father’s murder.

As with many plays, actors in Shakespeare’s, The Tragedy of Hamlet, Prince of Denmark, are at liberty to alter the portrayal of their characters. Because of this, the significance and subtleties of various characters can be lost in varying adaptations of the play. This holds true for the character Polonius, who is often incorrectly portrayed as a oblivious and foolish yet caring father. Rather, Shakespeare implicitly and explicitly establishes Polonius as a character in full control of his wits. Polonius’ interaction with other characters throughout the play highlights his cunning, wit, and selfishness.

Shakespeare juxtaposes the trust and respect implied in familial relationships with depictions of father figures repeatedly betraying the supposedly inherent trust between them and their sons to demonstrate the pervasiveness of dishonesty and the inherent evil of man. Newly crowned King Claudius claims he professes a “nobility of love” for his nephew Hamlet as a “father bears his son,” but is not faithful to his claim and sends spies after Hamlet (1.2.114,115).A typical, selfish human, he is willing to betray the trust implied in their relationship to stay in power, since Hamlet is the main challenger to the throne. The relationship between Hamlet and Claudius is one of mutual mistrust, since neither can trust the other to be acting in the other’s best interests. From Act I, Shakespeare reveals Claudius to be the murderer of his brother, a perpetrator of the greatest betrayal of trust. Usually, family members implicitly trust each other, but Shakespeare demonstrates that the opposite is the grim reality. Deception within the family is so pervasive that it trickles down to the king’s advisor, Polonius, who sends spies to follow his son, Laertes. Polonius instructs a servant to imply to those who might know Laertes in France that he is of dubious moral character, to not hesitate to use “a bait of falsehood” to besmirch his son’s reputation

as these lines relate back to the development of Ophelia’s character, as well as play an important role in the plot of the play, and a major conflict that is portrayed.

will.” ( III I, 179-181) The fear of what will happen after death deters him.

A lot about a character shows when that character steps back and says what they are thinking aloud. This is the case for Prince Hamlet. William Shakespeare’s play “Hamlet” features Prince Hamlet, who is depressed about his father’s death and his mother remarrying so soon. Hamlet is visited by the ghost of his father and is ordered to get revenge for his father’s death. Hamlet devotes himself to the task, but because of his nature,he enters deep melancholy and even apparent madness. Throughout the play, Hamlet can be seen being very noble but indecisive at the same time. Hamlet’s soliloquies reveal a lot about his character. However, they mainly show the readers how he can be noble but is indecisive. He can also be viewed as someone in a deep state of depression. These values are shown through his actions of insulting himself for not acting upon what he believes in and continuously reassuring himself that what he does is correct, as well as his word choice and feelings that are expressed out loud to himself during the seven soliloquies.

One of the more subtle elements of corruption in the play is the manner in which the court of Denmark functions. It is a game of favors, a constant play, with the director as the King, his subjects the players, and none more prominent than Polonius, the royal advisor. Polonius' two main faults lie in his ingratiating manner and his incessant spying. While he tells his daughter Ophelia that Hamlet is not true in his affections, he explains to the King that he warned Ophelia against Hamlet because the Prince it far above her station in life. Polonius perceives himself to be witty and tries to weasel his way around with actions and words to best fit the situation and above all benefit himself. His inclination to spy on people is obvious for he sends a man to France to find out how his son is behaving, he spies on his daughter while she is with Prince Hamlet, and he hides behind the arras to listen to the confrontation between the Queen and Hamlet. Rosencrantz and Guildenstern also try to win favor with the King, foregoing any friendship they once had with Hamlet, to 'play upon [him] . . . pluck out the heart of [his] mystery,' acting as little more than spies for the King, feigning friendship to obtain Hamlet's secrets (3.2.372-374).

Hamlet uses Polonius’s initial interactions within a domestic setting and the royal court to establish Polonius’s character. When Polonius notarizes Reynaldo to spy on Laertes, Polonius lauds his method with such rhetorical flourishes as “wisdom and of reach” and “with windlasses and assays of bias,” to ensure that his ‘grand’ scheme is not lost on Reynaldo (2.1.61-62). The text chooses to show Polonius strutting such ornate rhetoric to commend himself, even when there is no one to impress beyond his own servant, to illustrate how Polonius is by his very nature pompous. When Polonius subsequently hears Ophelia relay her encounter with a deranged Hamlet, Polonius’s first instinct is to “go see the king,” rather than to comfort Ophelia beyond simply saying he’s sorry (2.1.114). Polonius’s primal instinct to serve his lord reveals a servile disposition baked into his very being. These intrinsic tendencies are hyperbolized through Polonius’s interaction with the royal family. Upon entering the court, Polonius immediately professes to “hold my duty … both to my God

In the play Hamlet the character Polonius is a courtier to the king Claudius. He is the epitome of everything that Hamlet hates in the court of Denmark. Polonius’s character is at many points in the play is a comic character who contradicts himself constantly and finds incredibly long winded ways to embellish his points. Shakespeare uses the persona of Polonius, as a satirical figure and as a foil, to show what is wrong with the court of the time. Polonius is also the father of Laertes and Ophelia who are integral to the final downfall of the Danish kingdom. The tensions that arise from the death of Polonius is prevalent throughout the remainder of the play, and his passing