Harlem Renaissance Historiography
The lives and careers of gays and lesbians from the era of the Harlem Renaissance have been discussed at length. Numerous works have been published on the lives and careers of Alberta Hunter, Ma Rainey, Bessie Smith, Langston Hughes, Alaine Locke, Richard Bruce Nugent, and Countee Cullen. Eric Garber’s 1989 article “A Spectacle in Color,” explores the gay and lesbian subculture during the Harlem Renaissance. He underscores the ways in which black gays and lesbians created social and intellectual spaces not only in private but public places as well. Henry Louis Gates, Jr. describes the Harlem Renaissance as being “as gay as it was black, not that it was exclusively either of these.” Most of the work produced on this era has focused on the
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Alaine Locke was amongst those who embraced while W.E.B DuBois rejected it. In her essay, “Styling, Profiling, and Pretending,” Gloria Joseph argues that during the era of the Harlem Renaissance, black male homosexuality was “not categorically ostracized, nor did he become totally invisible. The extent of derision and/or acceptance depended to a great extent how much he manifested his homosexuality.” George Chauncey argues that lines were drawn between “queer/fairies” and “men.” He asserts that homosexual behaviors became the label marker of “queer” around the middle of the century after World War II. For gay and bisexual black men, the Harlem Renaissance was a watershed moment because sexual identities and behaviors were more fluid than in the coming decades. For black women, respectability politics greatly affected their sexual expressions and behaviors. Whereas, Nugent openly wrote from a homosexual perspective, Dunbar-Nelson and other women of the time hid themselves, deciding not to write about homosexual lifestyles, behaviors, and relationships. This has contributed to their marginalization on the discourse on the intersectionality of race, gender, and
Harlem Renaissance, an African American cultural movement of the 1920s and early 1930s that was centered in the Harlem neighborhood of New York City. According to Wintz:
The Harlem Renaissance was a time for racial uprising and change. However, sexuality is rarely discussed when researching and reflecting on this time. Many of the leaders in the Harlem Renaissance identified somewhere along the LGBTQIA+ (lesbian, gay, bisexual, transgender, queer, intersex, and asexual) spectrum. “Claude McKay, Wallace Thurman, Alain Locke, Richard Bruce Nugent, Angelina Weld Grimké, Alice Dunbar-Nelson and Langston Hughes, all luminaries of the New Negro literary movement, have been identified as anywhere from openly gay (Nugent) to sexually ambiguous or mysterious (Hughes). In a 1993 essay, “The Black Man’s Burden,” Henry Louis Gates Jr., The Root‘s editor-in-chief, notes that the Renaissance ‘was surely as gay as it was black.’”
The Harlem Renaissance was a time of racism, injustice, and importance. Somewhere in between the 1920s and 1930s an African American movement occurred in Harlem, New York City. The Harlem Renaissance exalted the unique culture of African-Americans and redefined African-American expression. It was the result of Blacks migrating in the North, mostly Chicago and New York. There were many significant figures, both male and female, that had taken part in the Harlem Renaissance. Ida B. Wells and Langston Hughes exemplify the like and work of this movement.
There were many notable events taking place in the years 1900-1940, some being Pablo Picasso painting one of the first cubist paintings is 1907 , the sinking of the Titanic in 1912 , the 18th Amendment being added to the Constitution (prohibiting the use of intoxicating liquors) and then being repealed in 1933 , the 19th Amendment guaranteeing women the right to vote in 1920 , Amelia Earhart becoming the first woman to fly across the Atlantic in 1928 , and the list continues. Undoubtedly one of the most influential of events during this time was the Harlem Renaissance. Even with its many leaders and innovators, it wouldn’t have been nearly as effective had it not been for Alain LeRoy Locke: black writer, philosopher, and teacher who influenced black artists to look to African sources for pride and inspiration. Without Locke’s contribution, the Renaissance would not have flourished as much as it did, and black pride would have taken longer to develop and accept.
The Harlem Renaissance was an intellectual and literary period of growth promoting a new African American cultural identity in the United States. The years of 1920 and 1990 and “were clear peak periods of African American cultural production.” During these years blacks were able to come together and form a united group that expressed a desire for enlightenment. “It is difficult not to recognize the signs that African Americans are in the midst of a cultural renaissance” (English 807). This renaissance allowed Blacks to have a uniform voice in a society based upon intellectual growth. The front-runners of this revival were extremely focused on cultural growth through means of intellect, literature, art and music. By using these means
Second, there was an event that occurred from the Roaring Twenties or the Jazz Age, which was called the Harlem Renaissance. During the Harlem Renaissance, a numerous amount of African American put forth their talents and intellect. This is a prime example of a form of expression or cultural expression because a trend was set for more African Americans to start “Expanding their horizons and embracing the concept of the “new Negro” movement (P. Scott Corbett, et al). Even though discrimination was still around, this progressive movement helped African Americans contribute to literature, music, politics and more. In which helped shape and form a path for African-Americans to rediscover their black culture, for African American artists, writers, and other famous leaders to “formulated an independent black culture and encouraged racial pride, rejecting any emulation of white American culture” (P. Scott Corbett, et al).
Harlem Renaissance 2015, Wikipedia, accessed 23 August 2015, . Harlem Renaissance n.d., History, accessed 23 August 2015, . Harlem Renaissance n.d., Encyclopedia Britannica, accessed 23 August 2015, . Great Migration 2015, Wikipedia, accessed 23 August 2015, . Claude McKay 2015, Wikipedia, accessed 24 August 2015, .
The early 1900s was a time marked with tragedy in America. Started and ended with the Great Depression in between, it was not America 's finest moment. Prohibition was in place, the Klu Klux Klan was still marching, and the Lost Generation was leaving for Paris. But despite the troubling times, people still found beauty and meaning in the world around them. They still created art and celebrated life. The Harlem Renaissance was an artistic and literary movement that developed a new black cultural identity through artistic expression. It fused African traditions with slave history and American culture, and revealed to the world what life was like as a black person in America.
The 1920’s were a period or rapid growth and change in America. After World War I American’s were introduced to a lifestyle of lavishness they had never encountered before. It was a period of radical thought and ideas. It was in this time period that the idea of the Harlem Renaissance was born. The ideology behind the Harlem Renaissance was to create the image of the “New Negro”. The image of African-American’s changed from rural, uneducated “peasants” to urban, sophisticated, cosmopolites. Literature and poetry abounded. Jazz music and the clubs where it was performed at became social “hotspots”. Harlem was the epitome of the “New Negro”. However, things weren’t as sunny as they appeared. Many felt that the Harlem Renaissance itself
In Harlem between the 1920’s and 1930’s the African American culture flourished, especially in areas such as music, art, literature, dance, and even in film. This soon became known as the Harlem Renaissance. With the entire positive and the negative situations of this time period the African Americans still seemed to have it all. The Harlem Renaissance came about because of the changes that had taken place in the African American community after the abolition of slavery because of World War I and the social and cultural changes in early 20th century in the United States. After harsh conditions for African Americans after the Plessy vs. Ferguson Trial many of them decided to move to the North to New York. By
A group of people who had at one point held no power and position in society were now thriving in the nation, as they spread their culture and ideas. It was the start of an era known as the Harlem Renaissance. This was a more than a literary movement, it was a cultural movement based on pride in the Africa-American life. They were demanded civil and political rights (Stewart). The Harlem Renaissance changed the way African Americans were viewed by society. It, “changes the image of the African-American from rural, undereducated peasants to one of urban, cosmopolitan sophistication”. This era expanded from the early 1920s to the mid 1930s (Wikipedia). It generated great pride in the people
The Harlem Renaissance represents the rebirth and flowering of African-American culture. Although the Harlem Renaissance was concentrated in the Harlem district of New York City, its legacy reverberated throughout the United States and even abroad, to regions with large numbers of former slaves or blacks needing to construct ethnic identities amid a dominant white culture. The primary means of cultural expression during the Harlem Renaissance were literature and poetry, although visual art, drama, and music also played a role in the development of the new, urban African-American identity. Urbanization and population migration prompted large numbers of blacks to move away from the Jim Crow south, where slavery had only transformed into institutionalized racism and political disenfranchisement. The urban enclave of Harlem enabled blacks from different parts of the south to coalescence, share experiences, and most importantly, share ideas, visions, and dreams. Therefore, the Harlem Renaissance had a huge impact in framing African-American politics, social life, and public institutions.
During the 1920’s a new movement began to arise. This movement known as the Harlem Renaissance expressed the new African American culture. The new African American culture was expressed through the writing of books, poetry, essays, the playing of music, and through sculptures and paintings. Three poems and their poets express the new African American culture with ease. (Jordan 848-891) The poems also express the position of themselves and other African Americans during this time. “You and Your Whole Race”, “Yet Do I Marvel”, and “The Lynching” are the three poems whose themes are the same. The poets of these poems are, as in order, Langston Hughes, Countee Cullen, and Claude Mckay.
From the 1920’s to the mid 1930’s a literary, intellectual, and artistic movement occurred that kindled the African Americans a new cultural identity. This movement became known as the Harlem Renaissance, which is also known as the “New Negro Movement”. With this movement, African Americans sought out to challenge the “Negro” stereotype that they had received from others while developing innovation and great cultural activity. The Harlem Renaissance became an artistic explosion in the creative arts. Thus, many African Americans turned to writing, art, music, and theatrics to express their selves.
I always found the 1920’s a very interesting decade as it went from a lively moment to a depressing and struggling one within a split second. Therefore, I believe that I learned all of the concepts pretty well. For instance, I learned about the Harlem Renaissance, the cause and effect of The Dust Bowl, and the lasting political argument of the New Deal in the United States. First of all, the Harlem Renaissance was a time period where African Americans began to embrace their roots and create art/works to reflect their experience living in US society. However, during the Great Depression many Americans were left unemployed. In addition to drastic unemployment rates, the environmental disaster, also known as the Dust Bowl, contributed to many