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Harlem Renaissance Historiography Essay

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Harlem Renaissance Historiography
The lives and careers of gays and lesbians from the era of the Harlem Renaissance have been discussed at length. Numerous works have been published on the lives and careers of Alberta Hunter, Ma Rainey, Bessie Smith, Langston Hughes, Alaine Locke, Richard Bruce Nugent, and Countee Cullen. Eric Garber’s 1989 article “A Spectacle in Color,” explores the gay and lesbian subculture during the Harlem Renaissance. He underscores the ways in which black gays and lesbians created social and intellectual spaces not only in private but public places as well. Henry Louis Gates, Jr. describes the Harlem Renaissance as being “as gay as it was black, not that it was exclusively either of these.” Most of the work produced on this era has focused on the …show more content…

Alaine Locke was amongst those who embraced while W.E.B DuBois rejected it. In her essay, “Styling, Profiling, and Pretending,” Gloria Joseph argues that during the era of the Harlem Renaissance, black male homosexuality was “not categorically ostracized, nor did he become totally invisible. The extent of derision and/or acceptance depended to a great extent how much he manifested his homosexuality.” George Chauncey argues that lines were drawn between “queer/fairies” and “men.” He asserts that homosexual behaviors became the label marker of “queer” around the middle of the century after World War II. For gay and bisexual black men, the Harlem Renaissance was a watershed moment because sexual identities and behaviors were more fluid than in the coming decades. For black women, respectability politics greatly affected their sexual expressions and behaviors. Whereas, Nugent openly wrote from a homosexual perspective, Dunbar-Nelson and other women of the time hid themselves, deciding not to write about homosexual lifestyles, behaviors, and relationships. This has contributed to their marginalization on the discourse on the intersectionality of race, gender, and

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