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Mozart Classical Style Essay

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Introduction:
In the classical period most people only described the 18th century music as classical music (style) but it was carefully divided between 3 main styles namely the Gallante style, the Empfindsam style and Sturm und Drang and finally the Classical style. Later during the 17th century the music styles became more important and because of the large number of instrumental players in the orchestra and most of the growth took place in the orchestra field. The first genre that came to rise was the style gallant around the 1720s to the 1770s it was also known and described as “sophisticated” and elegant (Burkholder, Grout & Palisca 2010).
2 composers came to rise early in their lives during the Classical period, Wolfgang Amadeus Mozart …show more content…

But what was known, was that Haydn and Mozart helped create the classical style by developing elements from other styles and enriching them. The music became more serious and formal.
Mozart being one of the composers considered in the “classical” style, he used a lot of information from other composers to use in his compositions. All the knowledge and ideas he got from Haydn, Beethoven, Bach and many more stayed with him through his life, all the new techniques “growing in his head and later further use them. In most of his works, like his sonatas, concerto forms, piano concertos and so on, you can see many influences from all the known composers. (Burkholder, Grout & Palisca 2010). Some techniques he learned from other composers include his piano sonatas (K. 309 - 311) where he shows many techniques like a wide variety of key changes, content and form he learnt from Schobert.

Opening of Mozart’s Piano Sonata in F Major, K. …show more content…

He started to compose them in a three-movement form, but later he used the standard four – movements. According to Burkholder Mozart’s symphonies “served as models for the older composers”. (Burkholder, Grout & Palisca 2010:559).What made Mozart and Haydn’s symphonies similar, they both were more serious in their music and with the complexity and the climatic ending made Mozart’s music more popular and in high demand for public concerts. The difference between these two great composers was the fact that Haydn’s finales left the audience with a more cheerful mind than Mozart. (Gretchen:1991 and

String Quartet in E-flat major, Op. 33, Russian, No. 2, Hob.III:38, Joke

Haydn was referred as the father of string quartets and this particular one, String quartet in E-flat major, Op.33, composed in 1781, shows great examples of all the different element he used in his string quartets. The name, The Joke originated because of the fact that Haydn replaced the normal minuet into a scherzo, which meant playfulness. (Gretchen:1991)

In this composition, he introduces the theme several times, which played in his advantage, because it would help the audience remember the theme. And his dance – like rhythm and pulse was regular and he used abrupt changes in his meter, tempo and dynamics.

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