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Healing Spaces In Toni Morrison's Beloved

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In the novel Beloved, author Toni Morrison uses different settings to symbolize traumatic, holding, and healing spaces that function as thresholds into the past and allow the characters to re-experience their trauma. While 124 Bluestone and the Clearing initially function as healing spaces for the black community, the invasion of Sweet Home and the institution of slavery forces these characters to re-experience their trauma. The holding space of Denver’s Emerald Closet functions as a threshold between the traumatic and healing spaces. Before Denver can heal herself through the reintegration with her community, she must use this holding space to reflect on her individual pleasure and imagination. The creation of healing spaces within the novel …show more content…

While the house belongs to Mr. Bodwin, a white abolitionist, he allows Baby Suggs to live here and reclaim the space as a safe haven for the black community. The narrator explains, “124 had been a cheerful, buzzing house where Baby Suggs, holy, loved, cautioned, fed, chastised, and soothed. Where not one but two pots simmered on the stove; where the lamp burned all night long” (Morrison 102). The house functions as a healing space because it allows former slaves to feel “loved” and soothed” by their community. The “lamp burning all night long” functions as a guiding light that welcomes the former slaves into a soothing space. However, they are also “chastised” and “cautioned” that this house does not guarantee protection while the larger systematic institution of slavery still remains outside the doors. Therefore, 124 contributes to the idea of a healing space because it allows the people of the community to feel comfort without ignoring their trauma. For Baby Suggs and Sethe, this safe haven functions as their opportunity to repay the sacrifice that Halle makes to ensure their freedom. As scholar Nancy Jesser mentions in her article “Violence, Home, and Community in Toni Morrison’s Beloved,” 124 symbolizes the commodification of Halle’s labor to allow his mother, wife, and children to escape slavery. Jesser mentions, “Baby Suggs acknowledges the …show more content…

The entrance of the ghost causes a haunting that causes the characters to re-experience the trauma of slavery. When Paul D arrives at 124, he claims that he can feel the sadness of the house. The narrator mentions, “Now the iron was back but the face, softened by hair, made him trust her enough to step inside her door smack into a pool of pulsing red light. She was right. It was sad. Walking through it, a wave of grief soaked him so thoroughly he wanted to cry” (Morrison 11). The red is symbolic of the wrath and danger of the ghost, whose presence reminds the family both of the baby’s death, as well as the institution of slavery that caused Sethe to make this sacrifice. Unlike the light of the lamp which initially guided and protected the former slaves to 124, the red light is a physical representation of the trauma that haunts them. The mention that the grief “soaks” Paul D implies that it consists of a liquid consistency that surrounds him entirely. This red liquid of grief is similar to the blood of Beloved that — literally and figuratively — soaks Sethe’s hands and reminds her of her sacrifice. As scholar Florian Bast mentions her article “Reading Red: The Troping of Trauma in Toni Morrison's Beloved,” the symbolism of the color red is used to emphasize the consequences of slavery that infiltrate the house and cause the characters to

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