Helen, Biseis In The Iliad : Helen And Briseis

Agency is a term describing one's ability to reason and to act freely. Back in the time of the Trojan War, women were not considered to possess full agency as Aristotle once illustrated in his Politics “The deliberative part of the soul is entirely missing from a slave, a woman has it but it lacks authority.” In Book 3 of the Iliad, Homer illustrated the enticement of Aphrodite luring Helen to the bed of Paris and Helen’s corresponding resistance. From Helen’s dispute with Aphrodite, we can see that women in the Homeric world attempted to achieve agency through defying their fate of being materialized as mere sex partners, but eventually all the attempts were conquered under the mental compulsion from gods.

Anger can always incite irrational actions. The sight of Helen seeking shelter at the altar, causes Aeneas to remember the crimes she committed driving him to furious anger. This anger drives him to contemplate an ignoble and uncharacteristic act of revenge by murdering Helen as she sought protection from the gods. Despite being depicted as a virtuous hero, Aeneas’ strong, visceral reaction to seeing Helen shows that he is subject to the same passionate feelings all humans feel, especially when something raises his anger.

Agamemnon’s rage, cowardliness and bad leadership also plays some parts of his refusal. Just like Helen, Bresies also had an effect on Achilles to judgement to refusing Agamemnon’s ransom. He was in love with her and Agamemnon dishonors him and takes her away and that makes Achilles angry. In the Iliad, beautiful women are the main reason to war and rage. Achilles has nothing to lose because “son of Atreus” (9.369) already took his honor, reputation and his Bresies. Even if Achilles “let[s] [his] heart-devouring anger go!” (9.316) for his companions that would never restore what he already lost. “Obviously, all religions fall far short of their own ideals.” (Ernest Becker, The Denial of

The repercussions of beauty and the actions provoked through desires are illustrated through the character Helen within the Iliad.

The Iliad and The Odyssey are tales written by Homer centered on the drama of the Trojan War. First poem deals with the time during the end of the war, while the latter, which occurs roughly ten years later, explains the disastrous journey of Odysseus fighting his way back home. The character of women in the Odyssey is to exhibit the many and diverse roles that women play in the lives of men. These functions vary from characters such as the goddess ' that help them to the nymphs who trick them. Women in the Iliad exhibit their significance in the lives of the ancient Greeks because they are so prominent in a world so dominated with military relations.

     In addition to the previously mentioned character flaws, one could argue that Achilles was also a kidnapper, rapist and murderer. Briseis herself was a love-slave. She was taken as a spoil of war from one of the Greeks previous successful military campaigns. Even if she went willingly and made love to Achilles willingly, it would be absolutely ludicrous to think that all of his other love-slaves (he had many) had such a “good” time. No one likes to be

When the men of Agamemnon come to take Briseis, Achilles gives her up without a fight, despite how heavy his heart is at the thought of losing her. Once she is gone, Achilles withdraws from his companions and sobs, praying to his mother to understand why he is treated the way he is, why he isn’t treated with respect. His mother, hearing his laments, comes to console him, telling him that she will visit Zeus and try to sway him towards helping the Trojans and destroying the Achaeans, to make them pay for disrespecting the son of Thetis.

Homer’s epic, The Iliad, highlights the influence and jurisdiction that beauty provides. The prizes and glory a man accumulates from war measure his power, while beauty measures a woman’s power. Since conquering a woman is the ultimate prize to a man, her beauty represents ultimate power. Though the beauty of mortal women has the power to turn men against each other, mortal women have no influence over this power and are instead objectified by men. Immortal women, however, have authority over their beauty and are able to control men with their power. Helen, on the other hand, though mortal, has the beauty of a goddess. Yet, Helen is bound by her fate to Paris, making her power obsolete. By presenting Helen’s hopeless power and supplying the reader with insight on her suffering through her thoughts, Helen is portrayed as a tragic hero.

A name does not define who you were, who you are, or who you will become. It is just a sounds others use to get your attention. Some of these “sounds” have a famous (or infamous) history that make the name difficult to live up to or break away from. In the case of Helen of Omeros, the narrator is constantly trying to fit her into the box created the legacy of Helen of Tory/Odyssey. However, Helen of Omeros’ strong will and personality and overall uniqueness is still able to shine through, despite the narrator’s biases, and we are able to see the individual differences between the two women and their connection to the evolution of Helen throughout history.

Achilleus recognizes Lykaon, one of Priam’s many offspring, emerging naked from the river (21.27). He had captured Lykaon only twelve days prior and sold him into slavery, but he was ransomed. Unfortunately, he fell back into the hands of his captor. Lykaon, on his knees, begs Achilleus to spare his life, but he shows no mercy this time as he strikes Lykaon with his sword to avenge Patroklos’ death. He then desecrates Lykaon’s body by throwing it into the river, which carries his body to the sea where Achilleus insists he’ll be feasted on by fish (21.34-21.135). The gruesome act of slinging Lykaon’s body into the river and feeding it to the fish portrays the drastic change in Achilleus character.

not free to leave. At no point in the poem is it even hinted that Helen

The ease with which he could dispatch his enemy seemed to give Achilles pleasure, not the wealth and power which came with ruling his small kingdom. His war-brides would have undoubtedly given him the pleasurable attention he needed, but unfortunately even this luxury was denied him. The circumstances surrounding Chryseis and Briseis (two war-brides captured in an attack on a town allied with Troy) led to the unsteady relationship between Achilles and Agamemnon. When Agamemnon took Achilles' war-bride Briseis for himself, Achilles withdrew himself from battle. The result of Achilles' withdrawal was that Patroclus went into battle posing as Achilles in order to bolster the spirit of the Achaean army. This unfortunately led the death of Patroclus. This only helped to

Women in ancient Greece had very few rights in comparison to male citizens. Women were unable to vote, own property, or inherit wealth. A woman’s place was in the home and her purpose in life was to rear children. Considering this limited role in society, we see a diverse cast of female characters in Greek mythology. We are presented with women that are powerful and warlike, or sexualized, submissive and emotionally unstable. In many myths, we encounter subversive behavior from women, suggesting, perhaps, the possibility of female empowerment. While produced in an ostensibly misogynistic and oppressive society, these myths consider the possibility for a collapse of male power and the patriarchal system. In Homer’s epic poem The Odyssey,

In The Iliad, the first of many quarrels between Agamemnon and Achilles is ignited by Briseis and Chryseis. Because Agamemnon is forced to relinquish his prize,

Homer’s Iliad is undoubtedly focused on its male characters: Achilles, primarily, but also Hector and Agamemnon. Nevertheless, it seems that the most crucial characters in the epic are female. Homer uses the characters of Thetis, Andromache, and Helen as a basis for comparison to the male characters. Homer wants his audience to see and understand the folly of his male characters in choosing war over peace, aggression over kindness, and honor over family. While the behavior of these characters clearly speaks for itself, the contrasting attitudes and behaviors of the female characters proffer an alternative; in comparison, the reader can hardly fail to concur with Homer’s message that war, aggression,