Herbert F. Lubalin: An Influential Graphic Designer

Les Mason was born in California, USA in 1924. He studied painting and interior design at the Choinard Art Institute in Los Angeles, California. Prior to moving to Melbourne in 1961, he worked in commercial art and advertising. At the time printing companies and agencies made decisions on how packaging, advertising and branding was designed. He changed this and revolutionized the industry by establishing graphic design as a professional practice.

      Born on February 28, 1977 in Los Angeles, CA, African American Painter Kehnide Wiley grew up in an environment that was driven by some of the defining elements of “hip-hop, the violence, antisocial behavior, and streets on firestreets on fire” (Whiley Studio). . These environmental factors never stopped Wiley from pushing his career. Both him and his twin brother were constantly motivated by their mother to pursue their dreams. On weekends, she would send them to art classes at a conservatory and after school she would have them on lockdown in order to keep them away from the influences in the environment they lived.

It is almost impossible to imagine how many lives Seymour Chwast has touched with his work. Chwast was and still is the driving force behind the creation of countless advertisements, book covers, magazines, and other works of art. It would be difficult to imagine the field of graphic design without his influence.

David Carson had such an impact on the graphic design scene throughout the 90’s that he was nicknamed “The Godfather of Grunge.” Having a highly specialized style of contemporary work he is considered to be one of the greats of this field. His career first started to take flight with a magazine called “Ray Gun” this is where he started getting recognition for his distinct layouts and innovative typographies. September 8, 1954, You could say a legend was born, Carson excelled at many things over his life in 1989 he was considered to be in the top 10 surfers in the world. Which ironically enough led him to graphic design.

A personal favorite of mine and a film that made me want to pursue my career in Graphic Design. Following on from Helvetica, Gary Hustwit’s second film looks at the world of design and the creative concepts behind objects used every day such as toothbrushes to tech gadgets.

After the abolishment of Slavery by President Lincoln, previous slaves were now able to live their lives as free people but were still constantly faced with difficulties. The main cause of those difficulties were their white neighbors. While African-American were making their ways by earning leadership roles in their communities, they were constantly persecuted, lynched and senselessly killed by white American. White fear had become a pretense to retain their dominance over blacks and lynching and other violence was the most satisfying way of maintaining control . Not only were they continuously brought down by the physical abuse of the whites, they were also unfairly abused by their current court system run the whites.

Graphic design set its first roots in Germany in 1455 with the introduction of the Blackletter typeface and Johannes Gutenberg’s Gutenberg Bible. Coined as the godfather of printing Gutenberg helped to spread Blackletter in popularity. With the advent of Martin Luther’s New Testament, however, a schism was created between those that chose to use

The influential typeface Helvetica, a neo-grotesque1 sans serif type design, came into being in the early 1950s - after the Second World War. The expectation of the designers, Edouard Hoffman and Max Miedinger was to create a neutral typeface that had great clarity, no intrinsic meaning in its form and could be used on a wide variety of signage to remake a new identity apart from the past (). Originally named as Neue Haas Grotesk, the typeface was changed to Helvetica in 1960. Today, Helvetica, as an aesthetics constant, although not perfect, mastered the quantum leap in 1957 from metal type to the digital age of word processing. Axel Langer, a curator of Islamic Near Eastern Art, mentioned it as ‘an impersonal typeface for today and tomorrow ().’

Herb Lubalin was an American graphic designer, born in New York, March 17, 1918 and died March 17, 1981. He entered Cooper Union at age of 17 and he became entranced in the possibilities presented by typography (history graphic design). He practiced his considerable skills and attracted an array of designs when he worked with Sudler and Hennessey for 18 years. Lubalin had his own private studio in 1964 and this gave him the freedom to do a range of projects. Also, he created his first typeface called Pistilli Roman in1964. He worked for magazines published by Ralph Ginzburg: Eros, Fact, and Avant Garde (history graphic design). The International Typeface Corporation was a type manufacturer founded in New York in 1970 by Aaron Burns, Herb Lubalin, and Edward Rondthaler.

Yulia Brodskaya, a highly regarded paper artist and illustrator, was born in 1983 and is from Moscow, Russia. After she arrived at the United Kingdom, she started working as a freelace graphic designer, where she is currently based out of. Yulia moved there where she continued her education in art. She learned that she had a “second love” for Typography after paper, where she worked as a graphic designer and illustrator. She attended University of Hertfordshire, where she studied Graphic Communication. She left computer programming because of how much she discovered she loved paper art; not long after this, she started drawing with paper instead of drawing on the paper. She always uses two materials that consists of paper and glue. Her original

The historical issue that impacted Celie throughout the book is racial. According to https://blablawriting.com/the-color-of-purple-by-alice-walker-essay paragraph 3 "Celie – the main character – is presented as an African American woman being uneducated and unintelligent". This piece of evidence connects by stating that Celie is uneducated being that she is a black female. According to https://blablawriting.com/the-color-of-purple-by-alice-walker-essay paragraph 4 "Celie is oppressed by lack of proper education and lowered-self-esteem". The text stated above proves that Celie is sad, depressed, or mad that she cannot get a good education or any education at that.

Milton Glaser: Taking inspiration from the history of art and graphic design, Glaser created a new style of graphic communication that combines visual and intellectual concepts.

Paul Rand, a top influence in the field of design brought America into the modern era of design. This study will give a background to Rands life and how his upbringing impacted his future endeavors. It will then cover his primary works and discuss work that became a defining part of his career and the industry. Following that, it will discuss how Rands work in advertising and Corporate Identity set the groundwork for today design thinking. Finally, the thesis will examine modern designers that sought out Rand as a source of inspiration. This thesis will look at why Paul Rand is said to be one of the most influential graphic designers in history, and why his principles translate into good design that resonates for generations to follow.

only a supporting role to the Police and Metropolitan Guards in the counterinsurgency, was ordered into action. They relied on mass arrests, torture to allegedly gain info on Tupamaros, and large cordon-and-search operations, where warrants weren’t needed. This was done to those allegedly accused of politically motivated crimes. The tortures consisted of: deprivation of water and food, prohibition to take care of psychological needs in the usual places, wrenching of limbs, use of handcuff and even having their heads submerged under water until they began to suffocate. The use of electrical needles, burning genital organs and anus, with cigarettes, were other accounts of torture. These brutalities had been practiced on innocent people who had yet to be tried in court.

It is expensive because analysis, allocation and absorption of overheads require considerable amount of additional work.