Throughout history, race has been commonly defined by the complexion of one’s skin. The term “race” is a multifaceted, complex topic that has been scrutinized and investigated over the period of Reconstruction in America through the lens of historical and literary representations. The ideals driven by the white American people have defined, and re-defined the origin of race and all the components that encompass it. From making advancements following the Civil War to drawbacks during the passing of the Jim Crow Laws, the ideology of race drove race relations in America. Politicians, artists, and scientists have distinctly conveyed race as a socially constructed expression constantly altering throughout the events of history. The social construction of race was founded in the establishment of slavery in the South. Slavery inevitably separated the white Americans from the black Americans, and created a division of power and freedom. It was a way for white Americans to establish inequality towards the blacks based upon the complexion of their skin. In Edgar Allan Poe’s The Black Cat, Poe treats the cat as if it was his slave. When he carved the cat’s eye out, he did not feel any remorse, which coincides with a master and his slave. Poe constructs the ideas that owners love their slaves yet see them as pets. This constructs the idea of race by showing that there is an inequality between the black and white Americans that is metaphorically and universally accepted. A way that
The book has as its principal thesis the consideration of race as “a folk classification, a product of popular beliefs about human differences that evolved from 16th to 19th centuries” (Smedley, 2007, pag.24). The book also specifies three characteristics that distinguish the racial ideology in America: the absence of a category for biracial people, the homogenization of the black or African American Americans, and the impossibility to change a person’s race. (Smedley, 2007, pag.7)
Romanticism is an intellectual, spiritual, and literary movement that begins at the start of the nineteenth century and concludes at the beginning of the twentieth century. Of the many characteristics that are associated with Romanticism, the characteristics that are most evident in literature from this period are the characteristics of individuality and imagination. The author Edgar Allen Poe exhibits these characteristics in his works “The Black Cat”, and the “The Raven”.
Racial Formation in the United States by Michael Omi and Howard Winant made me readjust my understanding of race by definition and consider it as a new phenomenon. Through, Omi and Winant fulfilled their purpose of providing an account of how concepts of race are created and transformed, how they become the focus of political conflict, and how they shape and permeate both identities and institutions. I always considered race to be physical characteristic by the complexion of ones’ skin tone and the physical attributes, such as bone structure, hair texture, and facial form. I knew race to be a segregating factor, however I never considered the meaning of race as concept or signification of identity that refers to different types of human bodies, to the perceived corporal and phenotypic makers of difference and the meanings and social practices that are ascribed to these differences, in which in turn create the oppressing dominations of racialization, racial profiling, and racism. (p.111). Again connecting themes from the previous readings, my westernized influences are in a direct correlation to how to the idea of how I see race and the template it has set for the rather automatic patterns of inequalities, marginalization, and difference. I never realized how ubiquitous and evolving race is within the United States.
The events that unfolded in Edgar Allen Poe’s, “The black Cat,” are all due to one person, the narrator. It is because of his Mental state, being an alcoholic, and being abusive to his wife and pets that the fault lies heavily on the narrator. What this paper will entail is all three of the reasons why it is the narrator's fault for what happens in the story and it will come to a conclusion based off the findings in the story.
Gothic literature usually brings to mind Edgar Allen Poe and dark foggy London streets but that's not all gothic literature is. Gothic literature usually has themes of mystery and eerie settings or characters. Themes such as physical and mental decay and isolation, abandonment, and entrapment are very prominent in Prey by Richard Matheson, The Feather Pillow by Horacio Quiroga and The Black Cat by Edgar Allen Poe.
The deaths of his parents, sister and brother, all taken by tuberculosis, lead to Edgar Allan Poe’s obsession around the subject of death. This obsession enterprises historically ingenious writings, that did not just scare the reading population by inducing a death at the climax or tying in a death to create a gasp worthy ending. Poe’s historic greatness was his ability to use death as a catalyst, not an end. His stories, specifically short stories, strengthened the idea that the end of a life, has so much more meaning, than just the end. This precision was formed by how Poe ingeniously used the knowledge to not only comprise stories involving the subject of death, but used the stories to create deep ideas of the phantom of fatality. The short stories “The Black Cat,” “The Facts in the Case of M.Valdemar,” “The Fall of the House of Usher,” and “The Tell-Tale Heart,” all feature the inventive writing skills of Poe, that have enthralled populations since their publications.
Have you ever thought about why people choose to make the choices they make? There is controversy over if people are able to make their own choices. Almost all of the time you have full control over your decisions. You have the ability to follow the rules if you want to and know that there could be a good or bad consequence to what you do. An individual has the power to choose their response in any situation.
Introduction: Race has always been a major topic in American history, and it continues to be today. People are constantly fighting about race, but why? Why and how did race become such a big part of the United States of America’s political, economic, and social culture? And why is does it cause so much sectional division within the United States? Race has been such a controversial and major topic that, in order to end racial problems, a war had to be fought, court cases had to be won, and laws had to be passed banning it. The topic can be traced back to beginning of America’s history as the colonies, and can be followed through past the Civil War.
The book explains that people whom Americans consider as white today weren’t considered white over a century ago. A newspaper clipping, the book talks about, from nineteenth century America says that Ohio citizens were complaining about Germans “driving white people” out of the work field, in contrast, citizens of the twenty-first century now consider Germans white. Is race something that can be seen? No, race is not something that can be seen. However, society has taught us that certain physical traits such as skin color, facial features, among other things can be assigned to specific racial groups.
Many are unaware of the effects that race has played in their lives over the years. Some may not understand its implications, but are very oblivious to it. Race can influence such things like attitude and behavior. Nowadays being white or black means something more than just a Crayola color. No longer are they just colors, they are races with their own rules and regulations. People of color have been inferior to the white race for centuries. In their own way Zora Neale Hurston shows this concept in her story “How it feels to be Colored Me” as does Richard Wright in his autobiographical sketch “The Ethics of Living Jim Crow”.
Throughout all the short stories and poems wrote by Edgar Allan Poe, some connections can be made on the content. The Black Cat, and The Raven, are two narratives wrote by Poe, that unveil the themes and symbols he often uses in his work. Poe is on the mysterious side, but he is also taking the life he is given, and making his narratives raw and realist by some degree. Poe uses techniques that left him express his imagination through writing. There are many different ideas and questions rising from all his work. The Black Cat and The Raven, are two narratives that use similar themes and symbols that allow readers to receive a small connection of the madness inside of the narrators.
When Edgar Allan Poe wrote “The Black Cat” in 1843, the word “paranoia” was not in existence. The mental illness of paranoia was not given its name until the twentieth century. What the narrator is suffering from would be called paranoia today. The definition of paranoia is psychosis marked by delusions and irrational decisions. This definition could best be described in the nineteenth century as being superstitious and believing that supernatural powers are affecting our decisions. Superstition and being taken over by the supernatural is a recurring metaphor for paranoia in Poe’s story.
Although now seen as the father of the modern horror story, Edgar Allan Poe was previously viewed as a drunken failure. Within Poe’s writings much of his own life riddled with guilt, anxiety, alcohol, depression and death shines through resulting in works that appear unrelated yet once dissected prove similar. This is true for Poe’s works “The Raven” and “The Black Cat”. Poe’s examples of gothic fiction share the use of the color black and a rapid digression of the narrator 's sanity while seemingly unveiling Poe’s internal pain. Despite these similarities, Poe’s works also differ immensely. “The Black Cat” focuses around death while “The Raven” is fixed around discovering the reasoning for a bird 's arrival. Moreover, gothic themes seen within “The Raven” do not necessarily remain constant when compared to “The Black Cat”.
Edgar Allan Poe is well-known for his captivating tales of the macabre through eloquence and wit. In many of his short stories, Poe was able to exploit his audience's fears through allegory and descriptive details of murder and madness. One of Poe's captivating, yet mad, narrators helms "The Black Cat," a tale of paranoia, alcoholism, and murder. There are several things that make the narrator an intriguing character including his psychological state, the imp of the perverse, and the effect that alcoholism has on him.
The title of Edgar Allan Poe’s “The Black Cat” leads the reader to believe the short story is about one black cat. However, almost in the middle of the story, a second cat emerges. Since the title suggest there is only one cat, and the narrator hints the second cat is one of the first cat’s nine lives, comparison of the cats become necessary to see if they are one and the same. For example, both cats desire to be around the narrator and both are missing an eye, but each cat has a major difference in the color of their fur.