Nic Schellin MGF 1107 History Project 1 Wagering Pascal Born in Clermont-Ferrand, France on June 19, 1623, Blaise Pascal was among the most variously gifted philosophers, artists, and physicists of the 17th century. His most notable achievements include the inventions of a roulette wheel and the Pascaline, one of the earliest examples of mathematical calculators; as well as the publishing of various scientific and theoretical works such as Les Provinciales (Provincial Letters), a collection of letters which defended his Jansenist beliefs and criticized those of the Jesuits, while at the same time providing an innovative writing style, and Pensées, a posthumously published series of theological notes regarding his thoughts on personal faith.
Blaise Pascal was a brilliant mathematician and experimenter, and he was the voice that still protested against the new science and the materialism of Descartes. His investigations of probability in games of chance produce his very own theorem, and his research in conic sections helped lay the foundations for integral calculus.
In this philosophical paper I will be referencing the works of Blaise Pascal’s, “The Wager”, Simon Blackburn’s “Pascal’s Wager”, and Linda Zagzebski’s “Pascal’s Wager: An Assessment”. I will be comparing Pascal’s beliefs with the beliefs of Blackburn and Zagzebski as they discuss different ways to believe in God and if believing in God is a gamble on ones after-life, or simply just religious preference. I will discuss the works of these three philosophers and explain how their works may correlate and differ. The question presented in Pascal’s work is still relevant, being over 350 years old, and still left unsolved. Even though times are much different and technology is much more advanced than when Pascal presented this work in the mid 1600’s.
The hazards of following tradition or living according to society norms; doing things just because society accepts and follows.
While both short stories can be considered entertaining, W. W. Jacobs’ “The Monkey’s Paw” does an overall better job at using characterization, irony and foreshadowing to create the long-lasting effect of suspense. Throughout the story, Jacobs creates a theme which can be interpreted in many ways such as: “Be careful what you wish for.” or “Evil can come in the most unexpected forms,“ (such as the paw). If the theme of evil and regret is present before the story is even introduced, the reader is automatically pulled into this preconceived idea that there will be a great amount of suspense. This idea continues to be confirmed as the story develops.
How do our relationships with others define who we are? Others affect us greatly. The people who surround us everyday have a great impact on our own life. Friends and family are the people who create you, and are part of the reason of who you are today. For example, when there’s a new trend, or when someone says a mean comment, you might change something about you at one point or another. Who affects your life?
Both “The Lottery” and “Charles” have many similarities and differences. I will only talk about 3 major similarities and 3 major differences. The three similarities are Dialogue, foreshadowing, and plot twist. The three differences are setting, plot, and tone of story.
Pascal’s wager is indeed a unique piece of philosophical argument and it sure has an enormous impact on countless philosophers as well as believers. Its historical achievement can never be unrecognized. However, after having read through and analyzing his wager, I actually found it less persuasive in a logic manner and somehow discriminatory from my personal point of view.
Nebeker, Helen E. “The Lottery’: Symbolic Touch De Force” Short Story Criticism, edited by Jenny Cromie, vol. 39, Gale Group, 2000, 75 vols, pp. 187-90. Originally published in American Literature, vol. 46, no. 1, March, 1974, pp. 100-07.
In this paper, I will evaluate blackburn's objection to how he deems Pascal’s use of notion "metaphysical ignorance" as a problematic starting position to arrive the conclusion of Pascal's Wager argument. In “Metaphysical ignorance”, which refers to the idea that Pascal posits in the beginning of his Wager argument, that we know neither what God is nor what kinds of attributes and properties God has. As a result of this knowing, Pascal sets out four options to wager, which is four possible consequences of belief or disbelief whether God exists or not, by implying us to choose the one which offers eternal happiness and gains; However, the options are flawed since Blackburn thinks Pascal can not assume there is an eternal gain or loss especially
French physicist and mathematician, Blaise Pascal, had a set of notes found after his death. These notes would then be collected, compiled, and printed into “The Wager”. “The Wager” is a philosophical argument that aims the reader to vindicate the reasonings of God’s existence rather than not believing in god’s creation at all. Even assuming that God’s existence is improbable, the likely benefits of believing in God are extensive in regards to the benefits and infinite gains that are believed to be achieved, unlike not believing in God. Pascal concluded that it is most rational to take trust and shelter within religious views (r-views) rather than other minor insignificant and lowly views such as Atheist views (a-views) and dumb views (d-views).
In this essay I will discuss the ontological problem of the existence of God and discuss Pascal’s Wager and how it solves the issue. The problem with the proof of the existence of God is that it is not something we will know for sure until our dying day. We can speculate and bet on his existence and “feel” his presence but at this point it is just that, only a bet. This wager is famous for opening up minds to look at the problem in a bigger picture. The problem with the existence of God is not in the answer but instead in the question. Pascal is responsible for refocusing this discussion on God to the bigger problem of the existential context of human life. In a way this can all be broken down to very black and white terms “Either God is or he is not.” But upon looking further we realize that this is a much bigger issue with many grey areas than something as simple as ‘is or is not’.
Although two different stories, with multiple differences in conflict and setting, “The Lottery” by Shirley Jackson and “The Most Dangerous Game” by Richard Connell bear multiple similarities as well. Both stories demonstrate how humans are portrayed as evil vs. good. Each story depicts a protagonist exhibiting conflict with another human or humans. One ends on a dark gloomy path for the protagonist while the other results in a victory for the protagonist.
Shirley Jackson's story, The Lottery is about a group of towns people who meet every year on the 27th of June. On this day a stoning takes place, as it washes away the sins of everyone that lived in the village. However, should the tradition of the stoning be changed when it becomes your time?
In this paper I will be discussing Pascal’s Wager. What I first plan to do in this paper is explain the argument of Pascal’s Wager. Next I will explain how Pascal tries to convince non-theists why they should believe in God. I will then explain two criticisms in response to Pascal’s argument. Finally, I will discuss whether or not these criticisms show Pascal’s reasoning to be untenable.
Dystopian stories works depict a negative view of "the way the world is supposedly going in order to provide urgent propaganda for a change in direction”. Often these stories have many themes that can relate to the real world. In the dystopian story “The Lottery” written by Shirley Jackson, many themes such as false hopes,hypocrisy, ritual, and mob mentality are expressed throughout the story. In the story everyone in a small village gather in the town square for the lottery, whoever gets chosen gets stoned to death by everyone in the town including friends and loved ones. The use of different themes throughout the story relate to the literary devices and universal storytelling elements setting, verbal irony, symbolism, and social cohesion.