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The Plight of Changing Home from the Hill was the epitome of struggling and suffering of Minnelli as an auteur. The film was released in the 1960 when the studio system had struggled to remain in American cinema. The market was no longer satisfied with the studio setting, and instead it started embracing the natural setting--the true reality. The arrival of the new trend changed and challenged the technique and style of Minnelli. In the studio, Minnelli could control and reshape the reality for his own fantasy. But out of the studio, his fantasy had to respect and compromise to the reality. All of a sudden, this wildest dreamer and the greatest set designer had to deal with such the dilemma of following his own will or obeying the new trend. …show more content…

Tragedy and disaster were always accompanied by Minnelli’s characters as they attempted to change something in their lives. The sequence when Theron asked Wade for helping him to be a man was the beginning of his self-destruction, after which a series of contradictions, secrets and confrontations occurred and revealed, such as the dysfunctional relationship between his parents , the secret of his illegitimate brother, the pregnancy of Libby, and the death of Wade. This sequence reflected the two typical characters in Minnelli’s films-- the artist and the dreamer. An artist must be a dreamer but a dreamer may not be an artist; the biggest difference between an artist and a dreamer was that an artist would work for his dream and transfer his fantasy into a painting, a sculpture or a play while a dreamer would rather live in his comfort zone with his fantasy. According to Mcelhaney’s article, the world of an artist was that as an expression of the self and as a method of entrapping others. An artist’s mind was selfish and possessive that made him a control freak. To some degree an artist was also a master (teacher) who would inculcate others with his mode of thinking like Van Gogh in Lust for Love, and he was a magician as well who would bewitch and manipulate others for …show more content…

Wade's dance of hesitation was when Wade showed his contempt for his son's room. There were astronomy binoculars, microscopes, bird models and insect specimens all over the place. Wade realized that he had to grab Theron back from Hannah, taking over his school-boy-life to make him a man. Wade said to Theron that "this is a boy room, come on downstairs; I'll show you how a man lives." The scene was filmed by a wide angle, in which we could notice that a change from how he firstly produced his contempt by constantly turning his head around to neglect Theron’s vent, to how he suddenly realized that he had to take over his successor’s life by looking at Theron right in the eyes while he

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