Hopeful Hell: The Search for Hope in a Post-Apocalyptic World

Mccarthy creates a bleak post apocalyptic society through the use of imagery. He describes a world where there is no wildlife and all that’s left are the ashes. “The road was gullied eroded and barren. The bones of dead creatures sprawled in the washes. Middens of anonymous trash”(177). While the man and the boy travel the road, they rarely come across other living things. The boy even shows a lack of knowledge about animals, constantly asking his father questions about them. They always have to keep moving due to the constant threat of danger. Their nomadic lifestyle prevents them from becoming attached to anything. This gives the feeling of absolute isolation. Throughout the novel, the man often has dreams of life before. His dreams are described in vivid colors, "walking in a flowering wood where birds flew before them he and the child and the

The love between the protagonists in the times of hardship is the most profound relationship in the book and the strength of it raises the standard of the novel. The relation of the father and the son is very strong and symbolizes protection to the child. They take the initiative to struggle and live in an apocalyptic place which has been completely destroyed. The father is like the soul of his son and the very last hope for the son to survive .The son finds support in his son when he goes through the stages of loneliness and despair. It is a natural way for people to rely on others for support and by survival instincts; it is deeper when there is such a close relationship between a father and a son. McCarthy in terms of characterization makes the buy very innocent as he does not know how to differentiate between the “good guys” and “bad guys”. He wants to help everyone and on the other hand the father is very strong and is wise. He lives each and every day as a normal day so that he can keep his son strong as well. The father is very intelligent as he responds to his son questions thoughtfully to keep his son’s hope up. The father is very optimistic even when they are facing a hard time moving forward. To quote, “The lay listening, Can you do it? When the time comes? When the time comes there will be no time. Now is the time. Curse God and die. What if it doesn’t fire? It has to fire. What if it doesn’t fire? Could you crush that beloved

In the novel The Road, Cormac McCarthy illustrates the actions, geographical setting, and expressions to shape the psychological traits in the characters struggle to find survival in the gloomy and inhumane civilization. McCarthy uses imagery that would suggest that the world is post-apocalyptic or affected by a catastrophic event that destroyed civilization. In Gridley’s article The Setting of McCarthy’s THE ROAD, he states “On one hand the novel details neither nuclear weapons nor radiation, but the physical landscape, with his thick blanket of ash; the father’s mystery illness; and the changes in the weather patterns of the southern United States all suggest that the world is gripped by something similar to a nuclear winter”(11). In other words, Gridley asserts that McCarthy sets the setting as an open mystery, so that anyone can draw his or her own conclusions. The surrounding of the colorless and desolate society affects the characters behavior positively and negatively. Similarly the surroundings and settings of the society illuminate the meaning of the work as a whole.

In each novel of his personal literary journey, Cormac McCarthy examines death and God in different ways. Edwin T. Arnold, who wrote his essay “Blood and Grace: The Fiction of Cormac McCarthy” before The Road, examines how “McCarthy’s protagonists are most often those who, in their travels, are bereft of the voice of God and yet yearn to hear him speak” (14). In Cormac McCarthy’s The Road, the father explicitly describes his son as god; however, by juxtaposing the father and the son and examining their divine resemblances, it is not the boy but the man who embodies God, supporting Ely’s claim that this post-apocalyptic world is too harsh for God to exist.

Hope and humanity are two very important aspects of human nature and without it, life would be very catastrophic to mankind. Cormac McCarthy is the author of The Road. The Road is a dystopian story of an adventure of a father and his young child over a period of several months, over a scene impacted by an unspecified disaster that has demolished a large portion of human advancement and, in the mediating years, all life on Earth. The Road, is plagued by absence such as an absent hope and absent humanity. These absences reveal that without hope and humanity people can’t survive. Cormac McCarthy argues that without hope and humanity, humans can't continue to survive because when people lose hope, they lose their ability to dream for the future and humanity as a universal emotion, people must it have in order to survive for a long time.

Why do you think McCarthy has chosen not to give his characters names? How do the generic labels of “the man” and “the boy” affect the way you /readers relate to them?

Cormac McCarthy’s The Road portrays a gripping tale of survival of a father and son across a post-apocalyptic world that is devoured by marauders and cannibals who have abandoned all of their beliefs, morals and values and do anything to survive. In contrast, the two protagonists are portrayed as the ‘good guys’ who carry the ‘fire’, and try to survive in the obliterated world. They are challenged to maintain their own beliefs, morals and values as they enter their quest. As a young adolescent who has witnessed the harsh environments of a war torn country such as Afghanistan, and has prior experiences of being a refugee. The novel effectively

A man and a child, father and son, are alone against an inclement nature while pushing a cart filled with tools, blankets, and things that they have found along the way to the south. About ten years before the world had been reduced to ashes by an apocalyptic disaster, which it is not known whether it was caused by a natural event or the foolishness of human beings. The world is reduced to a single color, gray, that of the ashes covering all that is left, that of hearts and minds, clouded by the pain of the loss and the terror of solitude. All that is left of the humankind is a few tenacious survivors struggling unceasingly against hunger and cold, and those who have lost any trace of humanity giving free vent to the lowest instincts of oppression and violence. But in the novel “The Road,” Cormac McCarthy paints a vivid and dramatic picture of the catastrophic consequences of a cataclysm that are nothing more than an excuse to minimize the outer contingencies with the sole purpose to bring up what is really dear to his heart, the relationship between a father and a son. They have been deliberately left unnamed for the whole story to epitomize the archetypes of the man and the child, a hymn to paternity, and to unconditional love. In a world reduced to the essentials, McCarthy aims not merely to explore the complexities of the relationship between the two, which in fact remains

People preach peace and love around the whole world, but at the same time practice the opposite of what they believe, and such behaviors cause the Road happened. It will eventually even become a cycle: the more people hurt each other, the less they believe in God and social morality, and the more they become soulless, the more likely people will express irrigation with violence. With enhancing wars and revenges on earth, it gradually turns to the world described in the Road: “No sign of life. Cars in the street caked with ash, everything covered with ash and dust. Fossil tracks in the dried sludge. A corpse in a doorway dried to leather” (McCarthy). In the Road, the world lacking of food and materials is not created by people with belief and faith; instead, faithless politicians and authorities who preach the gospel of power compete against each other and, disregarding the death of thousands and the significance of natural balance, converse the world into a miserable circumstance, which leads to the extermination of belief of those who are still alive.

For ages, people have been debating the idea of human morality and whether or not at its core humanity is good or bad. This philosophy is explored in Cormac McCarthy’s novel, The Road. The road is the story of a man and boy living in a post-apocalyptic world. Some cataclysmic event has crippled Earth’s natural ecosystem, leaving the skies engulfed in ash and the ground devoid of much life. The duo aim to journey south as a way to escape being frozen to death in the oncoming winter. During their journey, the boy and man come across different people and places that give them a better understand of what humanity has become and where they stand on that spectrum. Throughout The Road, McCarthy revisits the idea of being the “good guy” when there is no longer a need to, “carrying the fire” as it’s detailed in the book. The dichotomy between the boy’s moral conscience and the man’s selfish ideals helps develop McCarthy’s idea of humanity losing its selflessness in the face of danger.

The intentions of actions help decide whether it is morally good or evil. The man has many more blurred moral situations than the boy throughout the novel. One example of this is when he kills the “roadrat”(35), out of self-defense for his son. The man assures the boy “[they] are still the good guys”(39) even after he killed the man, because his initial intent was not to harm him. McCarthy demonstrates the idea that good gets evil and evil gets evil with the outcome of the “roadrat”. He refuses not to harm the boy and man and therefore gets killed. Although this exact situation is not the basis of the norm morality in modern society, it still helps demonstrate the triumph of good. In a regular world this intention of good can be applied to simple things, such as; a small lie in order to protect others. The novel helps demonstrate principles by using the extremes. In an apocalyptic

What makes Cormac McCarthy’s post-apocalyptic novel The Road stick out from most dystopian works is that The Road takes place not before or during but after the end. The novel follows a man and his son as they survive the dangers of what once was the United States after an unspecified calamitous event. There is not much left of the world: no food, no animals, and no hope. Many readers will ponder how someone could still be motivated to keep moving forward under such circumstances. If we were living in the same conditions as the man and the boy, this question might seem more imperative. But arguably it is a question that can be applied to today: what, if anything, makes human life valuable or worthwhile? Through the dialogue between the characters, the novel provides two conflicting arguments that serve as potential answers for this question. The first argument is hope, which is associated with the Christian religion, while the other argument is futility, which has a nihilistic outlook of the ravaged world. This paper will examine the Christian imagery and nihilistic arguments contained in the novel and how the moral systems of the two conflict. While at first The Road might present itself as a powerful challenge to both Christian and nihilistic views of the world, in the end, the novel never explicitly reject either worldview.

"Rose Ash" depicts the transformation of the body and soul. The built up energy of the ash reflects the impermanent relationship to humans and the Earth. Soon the particles will arise and become invisible. An unknown state of death physically and spiritually within the setting is prevalent, but not entirely morbid. The relationship with the crown in the ash underlines a desolation between God and Humans, yet there is a silent wait for

In a desolate world ravaged by fire, a boy and his father trudge across the countryside. They encounter people in their most desperate times where their motives are unpredictable and noone can be trusted. The boy and his father try to maintain their morality while facing starvation and having to deal with unpredictable people they encounter on the road. Cormac McCarthy in his novel The Road, uses the theme of hope to demonstrate the human trait that purpose is essential to survival.

Since the boy is the narrator, the inclusion of these symbolic images in the description of the setting shows that the boy is sensitive to the lack of spiritual beauty in his surroundings. Outside the main setting are images symbolic of those who don’t belong to the Church. The boy and his companions go there at times, behind their houses, along the "dark muddy lanes," to where the "rough tribes" (the infidel) dwell. Here odors arise from "the ash pits"--those images symbolic to James Joyce of the moral decay of his nation.