How Did Akhenaten Changed Religion And Politics Within The Amarna Period

In addition, it was an effort to institute a monotheistic tradition in the country that was quite unfamiliar for that era and unexpected for that level of the expansion of ancient Egyptian philosophy and evolution. In fact, religion was extremely important to ancient Egyptian society because people at the era deeply trusted on the natural forces and they created different cults worshiping gods of the sun, earth, and water. In such a way, they believed that through reverencing these gods they could merit their provision and, therefore, ancient Egyptians totaled for higher harvests, revenue and improved existence which they could achieve only with the support of various deities. Moreover, it is obvious the amount to which the attempt of Akhenaten to introduce monotheism in ancient Egypt was radical. It is obvious that the honoring of one god, Aten, should change the opinion of the surrounding world and the position of gods in the life of ancient Egyptian people.

Amenhotep IV commenced his reign in 1353 BCE and was of the 18th Dynasty of Egypt. When Amenhotep IV came to power, the priests of Amun had been gradually growing in power and were almost equal with the royal house in terms of wealth and influence. During the 5th year of his reign he outlawed the ancient religion which was centered on the worship and offerings to many Gods in particular those of the composite deity Ra-Amun-Horus (Ra- daytime sun, Amun- underworld sun, - Horus- the sunrise). He then changed his name to Akhenaten, proclaiming himself to be the living incarnation of the all-powerful, single deity known as ‘Aten’ (The visible sun). Traditionally, as described in the Coffin Texts of the Middle kingdom, the ‘Aten’ was the name for the sun-disk and in the "Story of Sinuhe", Amenemhat I is described to have soared into the sky, uniting with the Aten, his creator. The early stages of "Atenism" was as a henotheistic religion (devotion to a single god but recognising the existence of others), but quickly developed into a monotheistic system where the worship of all other Gods was banned, including the making and worship of idols, allowing only the rayed sun-disk to be displayed as a representation of ‘God’, for the ‘Aten' was the sole deity. Ordinary people could not worship the Aten

Akhenaten, a pharaoh of ancient Egypt, had big shoes to fill when he stepped up to the throne. His father, Amenhotep III, had helped restore their country to its former glory by being a diplomat. Amenhotep negotiated with bordering nations to provide stable political alliances, and trade routes. Egypt,

As a result, Amenhotep III soon shifted attention and investment of resources to various solar deities/cults including Nekhbet, Thoth, Hathor, Ptah, and largely developed interest in the Aten “the dazzling sun disk”. His self-deification as Amun and later Aten as discussed by Jan Assman, aside from reinforcing control of territory, was a direct political challenge to the power of the Amun priesthood, as evident through his depiction at the Soleb temple with the horns of Amun. In his identification and claims to be an incarnation ofAmun, a main deity, who he no longer fell subject to the Amun priesthood’s religious will, but rather was in a more dominant position over them, further reasserting his authority as Pharaoh-god. Influences of Aten were starting to feature prominently as religious symbolism, such as the replacing of the neb glyph/ traditional depiction of the solar boat with new iconography and epithets on royal regalia; and adding Aten to names of buildings, royal barges and even his daughter, Bakenaten. This rebellion endured and most possibly shaped his son,

When Akhenaten took over the throne he made many religious changes. Firstly, he changed the religion from polytheism to monotheism. The people of Egypt have traditionally worshipped many Gods who were in human or animal forms, but when Akhenaten took over he introduced the idea of worshipping in one God; Aten or sun-disc (BBC). This shows he is a visionary because he is one of the first people in history to introduce such an idea. Now many religions worship one God, but the first person to ever think of this idea was Akhenaten, which shows he thought ahead of his time and developed a new trend. Moreover, he changed the temples to being open to more people and not just high priests. He introduced a new form of temple which had open roofs so the sunlight can shine on the worshippers. The temple was more open to the public and more accessible. In modern society areas of worship are open to the public, this is similar to what Akhenaten tried to accomplish. He tried to show that a place of worship

The ruler of Egypt noted for his monotheism religious beliefs and relocation of the capital to Amarna was named Akhenaten.

The main purpose of this paper is to describe the visual analysis of the artwork. This paper examines an Egyptian half nude portrait art which is taken from Metropolitan Museum of Art (Fig.1). The statue characterized both male and female seated figure with a Braid hair. In this essay, I will present a complete visual description of this artwork (its preservation, costume and iconography), and then I will compare it to another artwork which is chosen from Textbook that is Akhenaten and his Family (Fig. 2).

Along with his striking religious changes, Akhenaten also led a political revolution, namely in the perception of the pharaoh. One of the most visible changes in Akhenaten’s reign was a drastic change in art. Public perception of the pharaoh was essential to political power, but Akhenaten's portraits do not portray the pharaoh in the “larger-than-life” style associated with other New Kingdom rulers. Firstly, Akhenaten was feminine in appearance, and is shown affectionately playing with his children and Nefertiti. Amarna art is realistic and Akhenaten chose to portray a reality no other pharaoh had been willing to show. Nicholas Reeves explains these changes: “In Akhenaten’s ‘new look’ these striking changes in composition and gesture, which

The reliefs of Ankh-neb-ef are limestone panels with paint that originated from the Old Kingdom of Egypt in 2150 BC during the reign of Pharaoh Pepy II. The delicate carving of the panels in the sunken relief presents a magnificent image. They portray Ankh-neb-ef, an ancient Egyptian priest whose name translates to “may his lord live.” In the reliefs, Ankh-neb-ef holds a Kherep-sceptor and a walking stick, which were symbols of authority in ancient Egypt. Egyptian civilization was extremely religious and most ancient Egyptian artworks involved the portrayal of gods, goddesses, and Pharaoh, as well. Moreover, the Egyptian reverence for order and conservative ideals led to the institution of intricate rules that governed how artists represented both humans and gods (Saylor.org 4). For instance, the apparel worn by Ankh-neb-ef in the painting is not a simple fashion statement. The priest is wearing a prestigious sarong and ornamentation, bracelets, and a wide collar. The jewelry kept their owner safe in a dangerous passage to the afterlife. This formula for representing the human figure in a painting remained popular over several centuries (Robins 24).

This first act as king brought with him a shocking speculation and hostility between his throne and the priesthood of Amun. Inside the temple was an entirely new style of art, which was often described, as “naturalistic” in Akhenaten’s portrayal of the human body. No longer was the Pharaoh portrayed as half animal with the perfect body fitted for the afterlife. Akhenaten and the royal family were shown with long toes, massive hips, extremely long fingers, skinny torso, ample breasts, big buttocks, and an elongated face. This exaggeration of the royal family’s bodies altered classic Egyptian art and became better known as Amarna Art.

Although Egyptians were polytheistic, they worshiped the sun god, Atum or Re, as he was the source of life. This is important because the Egyptian king took the title of “Son of Re”. The king, hence the descendant of the god, was the mother and father of all men without equal. The king akin to the living god, and his rule was law. Despite there being no laws, the words out of the king’s mouth were the law. As a king, he handles the army to protect his possessions and people.

Amun-Re is often referred to as the most important and powerful god of Ancient Egypt. Amun-Re was the god of the sun. “Amun-Re is the main name of the sun god, but also has three different names in which describe the phases of life that Amun-Re goes through each day.”(Budge, Pg. 92) When examining the ancient Egyptian god Amun-Re, four main points must be understood, including: the origin of Amun-Re, the characteristics of Amun-Re, how Amun-Re was worshiped, and how Amun-Re impacted Egyptian life.

Tell el-‘Amarna, the city built by Heretic Pharaoh Akhenaten was located between Luxor and Cairo along the Nile. The city was occupied during the reign of Akhenaten and abandoned after his death by his son, Pharaoh Tutankhamun. Although the city was along occupied for a short period of time, archaeologists have been able to reconstruct a fairly accurate representation of the city. However, because the city was associated with Aten and the religion of the heretic king, the city was partially destroyed and nearly all evidence of the culture during the reign of Akhenaten was destroyed. Although the Egyptian people attempted to erase this pharaoh from history, the city tells the story of the time through the few pieces of art, the tombs, and the city plans. The articles written by Croker and one of the ones written by Kemp discuss the value of architecture and how it related to status within the society of the time. The other articles written by Ikram, and Kemp, Stevens, Dabbs, Zabecki, and Rose discuss the art, religion, and ritual practices. The city of Amarna was created on the basis of abandoning the old gods in favor of the worship of a single god, Aten. Societies in ancient history were based primarily on religion, and while archaeologists try to use Amarna as a basis for the study of New Kingdom Egypt because the religions changed Amarna should not be used as a template. Akhenaten aimed to abandon the old ways

Amenhotep IV was the first pharaoh to challenge the Egyptian culture and religious beliefs. His decision to make Aten, “The God of the Sun Disk”, the only god, took power away from the temple priests. Before Amenhotep IV made the changes, Egypt practiced polytheism not only worshiping the Sun Disk God, but around 12 other gods with roles such as fertility, the sky, the Nile River, childbirth, etc. With Egypt practicing monotheisms the temple priest have lost control of any political or religious gain they once held. This will be the first time Egypt practices monotheism. In making this change Amenhotep IV became known as Akhenaten, “Shining Spirit of Aten”. Becoming Akhenaten was not the only changes reflected from his reign as pharaoh.

Just from looking at a few pieces of the art of the ancient Egyptians, you begin to notice many defining characteristics about it that make it unique and different from other styles of art. There are an ample amount of recurring features in the art, so this must mean that these traits and aspects are noteworthy. This next section of the essay will go into detail about a few of the many types of art and the stylistic elements that define ancient Egyptian art and make it special and distinguishable from other types of art, and why some particular aspects of the art are important.