How Does Amenabar Create Suspense

In Double Indemnity, lighting plays a key role in visual design. Throughout the film there seems to be and absence of light when something secretive is going on. It is night time (or dark outside) when Walter begins to confess his actions, when Phyllis and Walter continue to meet, and when murders take place. This aids in presenting the dark and mysterious actions of the characters and adds a sense of danger. Shadows, also a play on lighting, seem to follow Walter throughout the entire film. This may represent the idea that something menacing is following Walter, possibly a foreshadowing of the confessions that are soon to be revealed. The shadows are typically obvious and over exaggerated, giving the scenes more of an uneasy feel. There is also a significant shift in lighting when Walter first meets Phyllis. The day goes from bright and sunny to dark and rainy. This is also a foreshadow of what's to come. Walter will be stepping out of the light and into Phyllis’ darkness.

For example, the Inspector’s entrance where Priestley creates tension by using lighting. The lighting initially ‘pink and intimate’, possibly conveying the idea of the Birlings and Gerald looking at life through rose-tinted glasses. They are shown to be idealistic near the start of the play, ignoring the cracks in Gerald and Sheila’s relationship (‘except for all last summer, when you never came near me’) but the light becomes harsh right before the Inspector enters,

Ray Bradbury uses imagery of where the characters are and what the atmosphere is like to develop that it looks nice, but the parents can't see the potential disadvantages that lie ahead. For example, when the author says, "...presently and African veldt appeared, in three dimensions, on all sides, in

The " Cask of Amontillado" is a story about revenge. To display revenge in this story, Poe uses mood and suspense to display that revenge can lead to negative intentions. Mood is a feeling that is conveyed to the reader through literary work. Suspense is a state or feeling of excited or anxious uncertainty about what may happen. In the “Cask of Amontillado” Poe uses mood and suspense to display that revenge can make you lose your humanity.

Edgar Allan Poe uses irony to create suspense in "The Cask of Amontillado," to create a dark, dangerous short story. The protagonist, Montresor, plans to seek revenge on Fortunato, who insulted him, by killing him. Poe uses dramatic irony in the first paragraph by writing that Montresor is planning to kill Fortunato and get away with murdering him. The example of dramatic irony creates suspense, due to only the reader and Montresor knowing that Montresor is premeditating Fortunado's murder. Verbal irony is utilized to create suspense when Poe writes of Montresor and Fortunado making toasts, and Montresor saying, "And I to your long life" to Fortunado (Poe 347). Completely aware that he is going to murder Fortunado, yet Montresor toasts to Fortunado's

Have you ever read “The Tell Tale Heart” by Edgar Allan Poe? It is a short story about a man whose mental state deteriorates over time. The narrator loves the old man, however he has a deep hatred toward the old man’s vulture-like eye. This essay will be explaining the ways Poe keeps his readers in suspense. Edgar Allan Poe uses time, repetition, and descriptive language to set the pace, tone, and mood.

You are on the edge of your seat, trying in vain to get the pages separated to see what happens next. This is what readers do when reading a suspenseful story. Because it is a suspenseful story, this is also what readers do when reading “The Cask of Amontillado” by Edgar Allan Poe. Poe creates suspense in his story by talking about the main character’s actions and the setting details.

This creates the effect of making the mansion feel dark, eerie, and suspicious to the audience, which further develops the illusion that Edward is dangerous, despondent, and opaquely transparent character. Low-key lighting influences this effect by generating a vague and therefore hostile setting of surroundings within the mansion for Peg, leading the audience to feeling tentative toward her actions. Without this, the interior of the mansion would be visible and result in an inquisitional feeling in the audience rather than

In the short story “The Cask of Amontillado” by Edgar Allan Poe tell of a man going to great extents to get revenge. Montresor holds a grudge against Fortunato because he has insulted him several times causing pain inside him to form and builds up day by day. Fortunato has a talent of tasting wine but needs to find a way not to express his feelings that much. Throughout the story, Edgar Allan Poe creates events in which he builds suspense. The author keeps his readers on their feel by having a surprise at every corner. Edgar Allan Poe demonstrates in “The Cask of Amontillado” how he uses the conflict to show the build of suspense, change of mood of the reader, develop the theme, reflect a change in the character/characters.

At no point in time did the couple attempt to privatize their lifestyle by putting up curtains to cover the window. Seeing as Diane also choose the same position to live with no curtains covering the window as she was younger and now as mother of a three year old child, she can relate to how that lifestyle brought her happiness. The couple’s style of living reminded her of how she used to live to point that they became a symbol of her younger years. After some time, Diane became engrossed with their lives. Their lives grew into a part of her life as her fascination drew her closer; she even picked up on the smaller things in their lives, such as the buying a new pot for plants. In subsequent time, the couple was forgotten over the seven to eight month period of time in which the couple had become absent to their room and only the girl would be seen from time-to-time. Following this, Diane saw a chubby in the room with a skeletal bald man. She came to the conclusion that he was terribly sick and she started to watch the window all the time. Over some time, the man would just be seen lying in bed curled up with his head to the window. He dwindled in size as the days passed and one day, with a notice from her husband, she gained knowledge of activity going on in the couple’s bedroom. She saw that people had gathered around the man in this room to give their goodbyes.

One of the ways why cinematography made the film was the lighting. To get the feel, the lighting appeared to be fake shadows that were painted on the set. The fake shadows that were painted on the set gave the lighting appeared to be harsh and sharper to set the mood for the audience. If it weren’t for the painted shadows, the movie wouldn’t have been so successful in the horror genre. Since it was a silent movie, if it weren’t for the shadows, you wouldn’t of seen it as a horror film, but as an original film that was trying to be creative.

The father is in the dark and his home is quiet, still, and missing the liveliness that is/was his son. In addition, there is the plot gap when the father and his wife are arguing over what seems to be the fact that their son was possibly lost for a while, but the viewer does not see this or understand how it got to this point. On the contrary, this scene in particularly is vital in regard to commentary. Not only is it foreshadowed, that the son could have been hit by a car, but the wife stresses that it was “her son” instead of saying “ours,” thereby implying some tension. In addition, the father makes a remark to the wife in regard to carelessness, but considering the scene is shot with white light, and it is mention that this probably means it is an internal memory, that the father is actually saying this about himself.

These days scary movies have many things in common, including events, settings, and characters. Of course, there are just as many differences used to keep the audience interested. Two horror movies “Let the right one in” and “twilight” are taken for comparison and tried to prove that “Let the right one in” has more depth and meaning of human spirit, invokes feelings and thoughts that stay with you, long after the movie is over. These two movies have many similarities, but they also have characteristics to make them unique. Both movies are based on superficial acts, but “Let the right one in” has much better effects as compared to Twilight. “Let the right one in” is life changing in composition to “Twilight” because it shows remarkable acting

His cinematography “creates an exceptionally inviting, varied look for this nocturnal story, and special visual effects are smoothly integrated into the action. The makeup that adds pale eyes, ghostly pallor and tiny blue veins to the principals' faces manages to create a frisson of danger without marring the actors' attractiveness” (Maslin). Rousselot used dark-lensing, a way to attain low key shots and thus created a huge contrast to the sets and costumes (Maslin). This made the characters seem as though they were the only important things in the otherwise dark and gloomy shots.

But, the children are more colorful then the rest of the scene making them more important. However, the camera starts