How Does Jason Betray Medea

The mistreatment that both receive from Jason and Agamemnon despite all that they do for them contributes heavily to their vengeful actions as well. Medea used her magical powers, defied her father, and killed her brother to devote herself to Jason, is still treated coldly and is neglected by Jason, who abandons her and their two sons and leaves her for Creon’s daughter. She realizes that “to annihilate the past is not possible: but its fruit in the present” can be used at her disposal to fulfill vengeance (Medea 1.364-5). She decides to channel the woe she

The major trait that leads to Jason’s downfall is his overwhelming pride. Medea knows she can use his ego against him and says, “I have reproached myself. ‘Fool’, I said, ‘why am I so mad?’” (p.53). Medea toys with Jason’s need to be above others and always right. Jason doesn’t even think twice about Medea’s sudden change to a servile attitude and accepts how her “mind has turned to better reasoning” (p.54). The arrogance of Jason makes him blind to what is happening around him. Medea is obviously manipulating this weakness to work to her just like how everything works for her: the children work to kill the bride and the deaths work to exact revenge upon Jason.

She has no chance of being a hero because she acts out of hurt in her marriage and love turned to hate. She decides to murder the princess, her children, and leave Jason alone. The power Medea takes may be considered severe, yet she has made the decision not to be a silent wife who does what her husband tells her to do. David M. Schaps writes, “As Medea sees it-or at least as she presents it-her problems are all based in the fact that she is a woman. Because she is a woman she is powerless; because she is a woman she is peculiarly vulnerable in matters of love; because she is a woman she

From the beginning of the play the conflict between good and bad where Medea and Jason are concerned has been ambiguous. Both characters have done terrible things in order to attain what they want. Nothing could stand in the way of them including Medea’s father, whom Medea betrayed and to pile on the grieve she kills her brother and drops parts of him into the sea so as to delay her father thereby ensuring that Jason and his Argonauts could fulfil their quest to attain the Golden Fleece. When Jason betrays Medea and walks away from their marriage we immediately identify him as the villain, yet the reader fails to understand that during that time when this play was written it was still socially acceptable for the man to walk away from his marriage provided he gives back the dowry he attained from the wife’s father. In this case Medea did not bring any such items so it was even easier for him to leave her so as to empower himself. It was Medea’s role as a woman belonging to that age to accept Jason’s decision however she feels betrayed that he would break a vow made in front of the gods, and apparently she was not a regular woman even by the standards of that time as she had an intellect that could rival that of scholarly men. So to exact her revenge she destroys everything Jason loves leaving him to regret ever betraying the marriage.

<br>We learn that Medea has killed her brother. Medea does not have any guilt about planning and carrying out the murders of king Creon and his daughter Glauke. As the

Once she learns that Jason has married another woman, Medea's personality turns completely around. The strong loving wife turns into a barbarian huntress in search of revenge. After plotting and changing the course of her revenge a few times, she perpetrates an attack that will certainly kill the new bride. Her method is focused on the woman, but it may or may not affect others around her target. Medea knows that the poisoned dress and head adornment will be lethal to Jason's bride, but she cannot possibly know what will come of Jason, their children, or the king. Her rage knows no bounds and she sends Antigone and Ismene on with the poisoned gifts. Weigel describes the revenge of Medea in his critique of the writing: "Jason becomes entangled with a force that crushes his dignity and detachment, that tears his successes to tatters. At the end he is in exactly the same position as Medea. Both are bereaved of mate, children, and friends. Both are free to grow old without comfort. And both are utterly empty inside, except that Jason is now filled with the same burning hatred that possessed Medea" (Weigel 1391).

When Medea’s husband, Jason, plans to marry Glauce, a daughter of King Creon, for wealth and power over the kingdom, Medea becomes angry with Jason for breaking their vows of eternal love. She decides the best way to hurt Jason was by murdering his bride-to-be and their own two children.

Ever since she found out she had been betrayed by Jason, she has had “no pleasure left” in living. The only purpose left in her “cruel” and “accursed” life is to “strike dead” Jason, Creon and Glauce. Medea ends up killing Creon and his daughter but doesn’t make any attempt to kill Jason. To “perish his whole house” and “work revenge on Jason for his wrongs to [Medea]”, Medea plans to kill her two son as “it is the supreme way to hurt [her] husband”. Although Medea feels sad as shown by her “dewy eyes” and “these tears”, the audience are positioned to feel less sympathetic towards Medea due to her murderous actions towards her “own little

Medea is the tragic story of a woman desperate for revenge upon her husband, after he betrayed her for another woman’s bed. It was written by Euripides, a Greek playwright, in 431 B.C. Throughout the play each character shows us their inconsistent and contradicting personalities, in particular, Jason and Medea. The play opens with the Nurse expressing her anxiety about Jason betraying and leaving Medea for another, wealthier, woman. Our initial reaction is to feel empathetic towards Medea, who has been abandoned so conveniently. But towards the end of the play, when Medea takes revenge on

She helped him in every way possible in his quest for the Golden Fleece, “Her heart on fire with passionate love for Jason... But now there’s hatred everywhere. Love is diseased.” (1) However, in a tragedy, the hero is supposed to make a single mistake which ultimately leads to their downfall. In this case, Medea is not a heroic character as she is a sorceress, murders her brother, and her own children. The hamartia is intended to bring down a character of high morality, but Medea can be viewed as a wholly evil character who is not guided by any moral principles. She is also manipulative and deceptive in the way that she treats the men around her, Creon, Aegeus, and Jason, while involving them in her plan for revenge. Euripides has shown this aspect of her personality through lines such as “Do you think that I would have fawned on that man unless I had some end to gain or profit in it?” (12) and “by a trick I may kill the king’s daughter” (25)

However, once again though, we see this sharpness behind her veil of weakness ("no bloodier spirit"). With this said though, it is not a murderous, maniacal rage. She makes clear reference to the fact that she is part of the group of wretched women and that she is simply striking back as a woman "scorned". When Creon comes on the stage, she continues with the pitiable appearance, begging ("I kneel to you, I beseech you"). She tries to persuade Creon that he has no threat from her, using the fact that she is a woman to make him disregard her power ("I'm in no position - a woman - to wrong a king"). However, after this scene is where the image of Medea as a feeble woman ends. The Chorus indicate their pity and that Medea's plight "touches our hearts". But at this point, Medea becomes the murderous and dangerous woman that will kill her children and cackle with glee at the thought of Glauce's death. She declares that she manipulated Creon, fawning on him "to gain my purpose". She still holds our pity but not in the same intensity (until eventually she finally loses pity almost completely in her double-infanticide).

In the Greek tragedy of Medea there are many twists and turns throughout the story causing many to question who is more of the victim of the story. This essay will discuss who is the bigger victim of the story. Medea was the victim because she killed her children even though she didn’t want to & she also when she was under the spell of Aphrodite killed her brother so her love was able to get what he wanted and then disowned her family these things proved that Medea was the victim.

ultimate act of revenge towards Jason. She is so set on getting back at him that she commits the most heinous of acts. She murders her two children. Jason's acts may have pushed her over the edge of sanity, but one can argue that even an insane person would take their own life over the lives of their own children. This brings the insanity to a whole new level.

Medea was a troubled soul once Jason left her for a younger princess. When the nurse says “Rulers are fierce in their temperament; somehow, they will not be governed;”, it rings very true of Medea (Puchner 531). Someone so accustomed to getting her way will by no means let anyone, including her beloved Jason, treat her with any disrespect. She not only felt dejected by Jason, but she felt she could do nothing to change her circumstance but take out deadly vengeance against those that committed such a hiatus act towards her. With all things considered, Medea felt Jason took everything from her when he left. Jason became her everything. When she

Moreover, Euripides incorporates Medea into the relationship to convey the idea that females also possess a dominant role in the struggle over dominance, but their power form is different compared to males. Medea elucidates that even in the arduous times, she assisted Jason and supported their union. In a direct conversation with Jason, she tells him, “…after I’ve done all this to help you, you brute, you betray me…” (27). She explains that although she took care of Jason and supported him whenever he needed her help, he used his massive quantity of power to overpower her and abandon her. Even after Jason abandons Medea, she thinks day and night of him. Medea demonstrates that the power females possess is not physical and totalitarian like the males, but is emotional and mental. She tries to keep the family together and in trying to do so, she does whatever Jason asks her to do. She is the important woman behind every successful man. Without her command, Jason would not be the person he is. Therefore, she can destroy Jason whenever he desires with her power. She can be a femme fatale and reduce Jason’s life into rubble. Similarly, after Medea finds out she was being cheated on, she quickly creates and evil plan and destroys Jason. She murders his new