Analysis of Medea by Euripides Essay

these stories the Olympian gods in the stories play important roles that affect the lives of both Jason and Medea. The behaviors of these two character also have a great contrast between them. In the story of “Jason and the Golden Fleece”, Jason is the son of Aeson who is the legitimate king of Iolcus, in Thessaly. Aeson’s half brother Pelias steals the throne away from Aeson making himself the new king of Iolcus. Jason is the rightful heir to the thrown but his father feared for his life and sent him to live with the centaur Cheiron. In time Jason wanted to know of his parents and wanted to reclaim the royal

Both Fifth century B.C. playwright Euripides and Roman poet and dramatist Ovid tell the story of Jason ditching Medea for another woman; however, they do not always share a perspective on the female matron's traits, behavior, and purpose. Euripides portrays a woman who reacts to injustice by beginning a crusade to avenge all who harmed her which she is prepared to see through even if it means resorting to the most contemptible methods. Ovid, on the other hand, tells of a much less extreme figure whose humble goal is only to persuade Jason to return. Despite these differences, both Medeas create trouble by acting with emotions instead of with reason, and as a result, put

The major trait that leads to Jason’s downfall is his overwhelming pride. Medea knows she can use his ego against him and says, “I have reproached myself. ‘Fool’, I said, ‘why am I so mad?’” (p.53). Medea toys with Jason’s need to be above others and always right. Jason doesn’t even think twice about Medea’s sudden change to a servile attitude and accepts how her “mind has turned to better reasoning” (p.54). The arrogance of Jason makes him blind to what is happening around him. Medea is obviously manipulating this weakness to work to her just like how everything works for her: the children work to kill the bride and the deaths work to exact revenge upon Jason.

Medea’s strength is portrayed as her madness as she takes control and decides the fate of her enemies. She is a strong character and Euripides allows Medea to have a voice by allowing the audience to witness her break from the norm of what a woman of her time is expected to do. After giving up her family and former life to be with her husband, Jason, he decides to marry a younger princess while still married to Medea. Medea realizes that women are left to face the most miserable situations and says, “We women are the most unfortunate creatures” (229). Jason feels that Medea is to be grateful for what he is doing by marrying into royalty as it will afford all of them a better life. The representation of Medea by Euripides is powerful, manipulative, and extremely smart, yet because she is a woman she has limited social power.

In “Stereotype and Reversal in Euripides’ Medea,” Shirley A. Barlow argues that the protagonist refuses to play the customary role of an ancient Greek woman, except when it benefits her, which shows that Medea is a reversed stereotype (158). This is further shown when the Tutor states, “Take heart! You too, will, journey back with children’s help” (1015). In this circumstance, the Tutor is declaring how the children will be able to help their mother come back home, yet this is an example of dramatic irony because Medea ultimately kills her children at the end for revenge. Euripides uses dramatic irony to convey Medea’s strength and power. The characters mistakenly assume that Medea is weak, yet her will-power and desire for revenge is shown when she kills her sons. Next, Jason is expected to be strong and powerful, yet is weaker than any female. Rabinowitz also speculates that Jason’s role has feminine aspects: “Jason would seem to be the perfect example of a woman with a man” (152). For example, Jason exclaims, “I have come, however, to save my children’s lives, to keep the king’s family from making them pay for the foul murder committed by their mother” (1303-5). Jason hastily runs back to the house to save his children from a masculine

Medea’s conflict with Jason proves to be the main conflict in the play, which really sheds light into the fact that Euripides created this play to challenge the notion of feminism. After Jason’s betrayal, Medea decides to take control. It is evident in the way she manipulates other characters within the play, and how she handles situations she is in, that she is quite intelligent. Her motivation and will to accomplish her own goals, portrays Medea as the complete opposite of a typical patriarchal woman who embodies the norms of patriarchy in Greek society. In the play, Jason says, “I married you, chose hatred and murder for my wife – no woman, but a tiger…” (1. 1343-44) This quote shows the misogyny with Jason, because he is saying that him and the society have made Medea this way. But maybe Medea started acting

Then she was transferred to the home of her husband where she was to fulfill her principal function, the bearing and rearing children. Medea shows the inequality of women in Greek society. The betrayal of Medea by Jason through his marriage to another woman enrages Medea. She begins to question the role and position of women in a patriarchal society. "Are we women not the wretchedness? We scratch and save a dowry to buy a man?Our lives depends on how his lordship feels. For better for worse we can?t divorce him."(p.8, Medea). However, "a husband tired of domesticity, Goes out sees friends and enjoys himself?."(p.8and 9, Medea). Medea compares the virtual slavery of women to the absolute freedom of men, showing the inequality and disempowerment of women in society at that time.

Euripides created a two-headed character in this classical tragedy. Medea begins her marriage as the ideal loving wife who sacrificed much for her husband's safety. At the peak of the reading, she becomes a murderous villain that demands respect and even some sympathy. By the end, the husband and wife are left devoid of love and purpose as the tragedy closes.

Although Medea, like many women, gives up her family, home, and body for her marriage. Medea feels that “of all things we women are the most unfortunate creatures,” (8) and further discusses the difficulties and unjust situations women face such as “for there is not easy escape for a woman, nor can she say no to her marriage” (8) and how men do not use the same rules. For example, Medea feels that “what applies to me does not apply to you” (9). She seems envious of the freedom men possess.

Euripides also carefully reveals the elements of Medea's past that demonstrate her readiness to violate solidarity of family ties in order to pursue her intractable will; Jason and Medea's original tryst, for example, required that she kill her own brother, thus choosing marriage ties over blood ties. Secondly, Medea's selfishness provides power to her fatal flaw. Medea's selfishness and lack of humanity is displayed through the act of killing her own two sons. Medea understands that the slaying of her children will make Jason miserable. During this time, the chorus recognizes her self-worship and states, “But can you have the heart to kill your flesh and blood” (Euripides, The Medea, 816)? Medea does not stop to think what pain she may cause to herself by murdering them. She is only concerned about her happiness that will be derived from Jason's grieving. Medea comes to the conclusion that it is worth the suffering just to see her ex-husband unhappy. Medea states, “Yes, for this is the best way to wound my husband” (Euripides, The Medea, 817). This exhibits Medea's selfishness by the slaying of her sons just to cause sorrow to Jason for her own pleasure. Medea's rage also leads to her fatal flaw of excessive passion. Her excessive passion, fed by rage, leads Medea to do uncalled-for acts of violence and murder.

Medea is the tragic story of a woman desperate for revenge upon her husband, after he betrayed her for another woman’s bed. It was written by Euripides, a Greek playwright, in 431 B.C. Throughout the play each character shows us their inconsistent and contradicting personalities, in particular, Jason and Medea. The play opens with the Nurse expressing her anxiety about Jason betraying and leaving Medea for another, wealthier, woman. Our initial reaction is to feel empathetic towards Medea, who has been abandoned so conveniently. But towards the end of the play, when Medea takes revenge on

Euripides' Medea Medea is the tragic tale of a woman scorned. It was written in 431 B.C. by the Greek playwright, Euripides. Eruipides was the first Greek poet to suffer the fate of so many of the great modern writers: rejected by most of his contemporaries (he rarely won first prize and was the favorite target for the scurrilous humor of the comic poets), he was universally admired and revered by the Greeks of the centuries that followed his death('Norton Anthology';). Euripides showed his interest in psychology in his many understanding portraits of women ('World Book';). Euripides choice of women support characters such as the nurse and the chorus is imperative to the magnification of Medea's emotions.

revenge on Jason by any means possible. Euripides voiced the fear of her cunning mind through Kreon when he said "I am afraid of you [...] Afraid that you may injure my daughter mortally. [...] You are a clever woman, versed in evil arts, and are angry at having lost your husband's love." (280-284, pg 622) The fact that a male character would say something of this caliber says something about the roles of women during this time. Even though they are still seen as second class citizens to the men, a smart woman is feared. Ultimately Medea's strength is tested and she becomes crazed with

Altogether, Jason illustrates that he is the alpha lion and that his application of power drastically affects his relationships.

Medea was a troubled soul once Jason left her for a younger princess. When the nurse says “Rulers are fierce in their temperament; somehow, they will not be governed;”, it rings very true of Medea (Puchner 531). Someone so accustomed to getting her way will by no means let anyone, including her beloved Jason, treat her with any disrespect. She not only felt dejected by Jason, but she felt she could do nothing to change her circumstance but take out deadly vengeance against those that committed such a hiatus act towards her. With all things considered, Medea felt Jason took everything from her when he left. Jason became her everything. When she