A world open to infinite possibilities is the best experience for a child, and even more when that child as an imagination overflowing. In Ray Bradbury’s novel Dandelion wine, the author uses literary terms to contribute white the atmosphere of fantasy. Bradbury employs a series of rhetorical devices at the beginning of the passage to emphasize the first morning of summer and Douglas Spaulding is excited about it. The author uses personification in “at ease in bed”. He uses personification when “the wind had the proper touch, the breathing of the world.” Bradbury also uses polysyndenton “long and warm and slow.” He uses simile in “he flashed his gaze like a beacon.” The author uses this to couches a concept in a human context to make relatable and vivid. He is traying to explain that the wind feels nice and good. Bradbury uses this with the purpose of slow rhythm and create the illusion of a long sequence. He uses this in order to compare his steering with a …show more content…
The author uses fantasy diction in the phrase “darks spiral straits.” He also uses simile in “like candles on a Black cake”. Bradbury uses a visual imagery “houses lights winked slowly on”. The author uses for lasting the metaphor “sprinkle of windows”. This example of fantasy diction has the purpose of activates the reader’s mental eye. He uses the simile to explain that the city is turning on their lights. Bradbury uses this visual imagery with the purpose of activates the reader mental eye. This is to forces a direct association in the reader’s mind. In this part of the passage the author uses more fantasy imagery to tell the reader what is exactly inside the mind of Douglas, to see through his eyes and appreciate that beautiful and magical world. Also, we can see that he has some certain everything and everybody, because what he says is what is
In Ray Bradbury's novel Dandelion wine, the author uses a variety of rhetorical devices to emphasize the imagination of Douglas. Through using rhetorical devices the author is trying to make the reader see Douglas summer as the way Douglas sees it. In lines 1-30, the author uses similes and metaphors to show how Douglas compares two different things. In the quote," trees washed together, he flashed his gaze like a beacon" the author is comparing the trees to water and Douglas gaze to a lighthouse, which reinforces how the author is using imagery to show Douglas magical imagination.
When reading Jandy Nelson’s The Sky Is Everywhere, the presence of metaphors allows the reader to gain a deeper insight and understanding of Lennie’s life, shedding light onto the grander theme of love. For example, when Lennie writes to Bailey about being dead, Bailey expresses her feelings, as they state “Bails?/ Yeah?/ Is it so dull being dead?/ It was, not anymore./ What changed?/ I stopped peering over the ledge... / What do you do now?/
Imagine yourself shipwrecked upon an uninhabited island. The experience of being stranded will cause you to pose many questions, with the possibility of only one of those questions to being answered. One answered question is: what is the purpose of literature? Northrop Frye, within “Motive for Metaphor”, uses the analogy of being within an uninhabited island to examines the purpose of literature by connecting it to the purposes of language and their use within the different worlds and levels of the mind Frye sees present.
Furthermore, later in the passage, Douglas pictures himself “[baking], happily, with then thousand chickens.” These uses of hyperboles highlight the importance of his active imagination through outlandish emphasis. As the passage goes on, the author uses the simile “[like] the goddess Siva in the travel books”, creating a comparison between Douglas and Siva. Bradbury combined the simile with a religious allusion to create a reference to the multilimbed goddess. Early in the passage, the author uses personification and polysyndeton to describe “the breathing of the world” as “long and warm and slow” to slow the rhythm of the passage and create the illusion 0of
Right in the opening of the book you instantly get good descriptive language and use of words to help paint a picture of the setting. For example, on page. 5 "Scattered flakes drift down like ash, but for now the roads are dry". This is an example of figure of speech. Ash would propel from the sky slowly, for instance after a volcano eruption the thin ash flakes make their way down from the sky with no hurry to hit the ground. I love how within the first few words of the book, I wanted to read more because of the imagery in my head.
Exceptional artists often create in a way that allows for infinite interpretations of their work. However, it is the author’s job to immerse their readers into the storyline as they grasp an understanding of the overall mood and feeling of the story. Some may argue that patterns within a work may be merely coincidental, but in Ann Beattie’s “Weekend,” the repeated mentioning of weather patterns and the fireplace are used in order to portray a certain mood throughout the story. These patterns allow the reader to deeply connect with the character’s emotions and understand the ambiance without the narrator directly stating how the character is feeling. In “Weekend,” Ann Beattie’s intentional use of outside forces such as the rain, the temperature, and the presence of fire allows the reader to develop a deeper understanding concerning the ongoing tensions and emotions in the atmosphere throughout the entire story.
Figurative language plays a pivoting role in “The Listeners” by Walter De La Mare. He uses a range of figurative language stretching from Idioms to metaphors, all of which add so much to the story. Walter De La Mare uses mostly imagery, and most of his imagery appeals to that of the visual senses. You see sparse symbolism, but nevertheless it is present. “The Listeners” is such a successful suspenseful piece due to the amount of figurative language, imagery, and symbolism.
In All Summer In a Day, Ray Bradbury uses metaphors and similes to paint a picture for the reader while telling a detailed story. In All Summer In a Day, metaphors are used to create a detailed environment. Metaphors are used when Bradbury introduces the setting. Many readers believe that Ray Bradbury uses repetition to sell the story. Repetition is used frequently in All Summer In a Day, but many other uses of author’s craft are present. In the short story All Summer In a Day, simile is used to create a link between the reader and the story. Similes are used many times is All Summer In a Day, and it’s the easiest example of author’s craft to identify. Ray Bradbury uses similes and metaphors to put the reader in the detailed environment.
j. Comment on the author’s use of illustration. To what physical senses does she appeal most often? What use does she make of metaphor?
Dandelion Wine is a novel created by Ray Bradbury. The book was copyrighted in 1946 by Ray Bradbury and published in 1957 by The Curtis Publishing Company. It is an autobiographical science fiction story with 269 pages.
“We could have ran through every backyard in North America until we got to Panama” (Dillard 48). This is just one of Dillard’s many metaphors throughout the novel that portrays a deep awareness of space and time. Through metaphors Dillard captures a true depth in the novel that regular sentences can not obtain. Normal sentences might pull a reader in, however metaphors can truly captivate the reader to imagine all new possibilities. Dillard shows through metaphors of sight, time, and understanding that as you grow older your awareness of time and space deepens in understanding.
Although Elizabeth Margaret Marberry never explicitly provides a personal critique for Ray Bradbury's Dandelion Wine, the reader can infer some of her opinions about the book in her descriptions of the story, themes and meaning, and context. Marberry, for instances, writes “the book is structured through the thematic interrelation of a series of vignettes taking place over the course of the summer of 1928 in the small, idealized Midwestern town of Green Town, Illinois” (Marberry 295) expressing her believe that Dandelion Wine varies from the traditional narrative. When she stated the “idealized Midwestern town,” she implied that a town with the characters of Green Town simply does not exist. At the end of her summary of the story, Marberry declares that at the end of the story, “Douglas has completed his journey” (Marberry 296) suggesting he learned all he could learn that summer and would no longer go on adventures. Elizabeth Margaret Marberry concludes her critique by stating, “it is a mixture of idealization ad realistic portrayal of the coming-of-age that makes these works so appealing to young and old readers alike” (Marberry 297; Marberry 295-297).
Because he consistently uses the same terms, concepts, themes, and characters, one can easily be lead into feeling that Bradbury presents a comprehensive vision of the universe. However, Bradbury is not as interested in the universe as he is interested in man himself, individual man, and how he can and should function in reality. Consequently, Bradbury focuses on the world of man. With a detached, yet discerning eye. Recurring images throughout his works are the tools with which he accomplishes this task. These images, in turn, then serve to depict certain specific themes that, likewise, relate to man’s world.
In this gothic tale, they exemplify the strong attitudes, feelings, or emotions that are developing as the night persists. For instance, "in the western or black chamber the effect of the fire-light that streamed upon the dark hangings through the blood-tinted panes…" (3) distinctively expresses a presence of death, especially when compared to the other six, more vibrant chambers. With the addition of “the blood tinted panes”, the interpretation of this room is evidently death. In comparison to this, the colorful rooms prior are illustrated as the early stages of life. As provided, “These windows were of stained glass whose color varied in accordance with the prevailing hue of the decorations of the chamber…” (2) displays an image of a cycling sunset to the readers.
Artistic gadgets like metaphor, simile, and repetition are utilized as a part of literature to pass on an exceptional intending to the reader. Frequently these gadgets are utilized to make an idea clearer, stress a point, or relate knowledge to the reader. In his