How Does Robert Johnson's Decisions Affect Native Americans?

Andrew Jackson gave a great speech on a terrible idea that he got passed which lead to the terrible treatment of Native Americans. Michael Rutledge wrote about his native American grandfathers harrowing tale as he endured that treatment on the infamous trail of tears. The two documents are written from opposite sides of the removal of Native Americans from their land and the deadly Trail of Tears they were forced to endure. There are many noticeable differences between the way each document is written. The tone, sentence structure, and opinions of the authors are very different.

These constant struggles between connection and autonomy are perhaps more palpable when Arnetta called for the brownies troop to call a secret meeting to discuss what they are going to do to get even with troop 909 for allegedly calling one of them a ‘nigger’. When Laurel showed a little hesitation, the other members looked at her like she is an impediment with Arnetta stating “Snot, you are not going to be a bitch and tell Mrs. Margolin, are you?” (Packer 9). This is just one of the situations where Laurel is faced with a tough choice where she has to weigh between her autonomy and group inclusion. Therefore, through the first-person point of view, the author clearly articulates the issue of human prejudices with particular focus on

The Novel Jasper Jones by Craig Silvey revolves around a young boy named Charlie Bucktin living in the small Australian town of Corrigan in the 1960’s. Charlie is exposed to the confronting issues of racial prejudice, injustice and moral duality. He is challenged to question right from wrong, has to come to the realization that law doesn’t always uphold justice and we as readers are positioned to understand that people are capable of holding two conflicting values and remain in confortable harmony. The ideas are portrayed through Silvey’s use of narrative conventions that are used to either challenge or reinforce our values, attitudes and beliefs on the issues explored.

Every writer has a story to tell. No matter gender, religion, or any other classification they all share equal importance. When readers overlook those things, they find great pieces of literature such as Mary Rowlandson’s A Narrative of the Captivity and Restoration of Mrs. Mary Rowlandson and Judith Sargent Murray’s On the Equality of the Sexes. Unbiased readers get to experience the tragic story of Mary’s life in captivity alongside the revelations of Native American stereotypes and Judith’s take on the unfair world of being an educated woman in America. Although they are talking about two different topics they both share the similar conclusion that Americas identity revolves around using stereotypes to defend against anything greater

In the case of post-civil rights movement America, Derrick Bell’s satirical piece “The Space Traders” illuminates the lingering barriers of racism that continued to dictate the United States even after a period of social justice. When presented with a choice between benefitting whites or blacks the prevailing tradition of racism and other biases made clear that despite promises of reform, “black lives are expendable”(Bell). In Bell’s hypothetical situation, the unchanged nature of racial preference exposed the immorality that was allowed to interfere in the fate of an entire social group without their consent. The inability to dissolve the continual segregation of the American people by color proves the unshakeable nature of bias that maintained the deciding hierarchy of one life receiving precedent over another. In this instance, the priority was defined by skin color while in Jonathan Swift’s scenario it was defined by wealth and societal statue. Swift’s “A Modest Proposal” seeks to expose the severe lack of reverence that the Irish held in regards to the value of human life. Distraught with overpopulation and a destructive lower class system that drowned itself in poverty and destitution, children were dehumanized into existing as only edible figures of flesh and bones. Society required all of its members to be “sound and useful” yet the irrevocable poverty of the lower class made these savages useless and deplorable (Swift). Devoid of any other redeeming quality, the penniless were to be exploited for their existence as a breeding pool in order to be served on royal tables and provide for the pleasures of the rich. This disgusting disregard for human life illustrated the moral ignorance of the elevated classes as they would rather stomach their problems, quite literally, instead of addressing them humanely in an effort to improve all members of society, not

Have you ever wondered how far back in our history the world has been full of hate, prejudice, and rage? It has been seen in the form of war, mass genocide, enslavement, and even something minimal compared to the others, like riots and looting for centuries. Despite this common knowledge, there are many forms of violence, injustice, and rage that go unseen. Carol Anderson’s, White Rage, dives deep into the idea that maybe the worst forms of rage do not come from the most obvious and attention-capturing events, but the ones who stay hidden and subside deep in their privileged and ‘noble’ positions. She wants to show you, through the eyes of a minority, what it is like to constantly be looked past and looked down upon. Anderson argues the fact that no matter how many laws and regulations are put into place to cease the existence of racism, the rage in America continues to thwart African American advancement. Through precisely compelling choice of words and a structural design that pulls everything apart only to piece it back together to form a much larger picture, Anderson brings rage, the white rage, into a new and different light. This shows readers the depth of the racial problems in our country through a recap of groundbreaking historical events, advancing or obstructing African Americans, along with the white backlash.

A lack of self-awareness tended the narrator’s life to seem frustrating and compelling to the reader. This lack often led him to offer generalizations about ““colored” people” without seeing them as human beings. He would often forget his own “colored” roots when doing so. He vacillated between intelligence and naivete, weak and strong will, identification with other African-Americans and a complete disavowal of them. He had a very difficult time making a decision for his life without hesitating and wondering if it would be the right one.

Throughout the novel many problems occur. Some of the main problems are racial and equality issues. Events in this book show how prejudice and intolerance can ruin numerous friendships and change lives.

On May 28, 1830 the president of the United States of America, Andrew Jackson signed the

Ralph Ellison narrates the portions of his earliest days in the semi-autobiography “On Being the Target of Discrimination”, where he recalls the effects of racism had on his life. Though his chronological writing, he uses the timeline of his childhood as personal evidence of the effects of racism in the upbringing of an African American child in a Post-Reconstruction Era America. A creative narrative written in second-person, all his arguments are supported primarily through anecdotal examples that inspire emotions instead of statistics or other hard proofs. His work has two central arguments: discrimination is an institute supported by the actions of adults, and the best solution to the issue of discrimination is with laughter and

Imagine you had to fight a war against a formidable army that outnumbered you tenfold; you had very few friends and hardly any weapons at which you could use. This is a great analogy for Melba Patillo Beals’ battle for integration into Central High School, but Melba’s army composed of segregationist and students whose mission was to keep her out of the school. Upon her shoulders Melba carried the responsibility of being one of the first African Americans to integrate a high school in Arkansas, a feat that could only be accomplished by an individual with a strong inner character. In “Warriors Don’t Cry”, Melba Patillo Beals presents the idea that both independence and despondency are necessary character traits in her fight for freedom and equality.

Richard Wright’s “Native Son” Bigger shows us the short end of the stick of how it feels to be seen as a second-class citizen for being black. His speech talking about how he feels like a prisoner in this world just because he is black. (Wright P.17) This prison pain of Bigger in Wright’s novel shows how the negative effects of fear and discrimination affect minorities in our society. This discrimination just for existence is mirrored in the “Diary of Anne Frank” and “The Color of Water”. In the Diary of Anne Frank, spends two years of her life in an attic with her family and other Jewish people, hiding from the government trying to capture them just because they are Jewish. In “The Color of Water” Ruth McBride describes how the KKK was a huge part of her hometown. That whenever a car full of white hoods drove past, any African Americans in the store would run home, Ruth did the same thing, knowing her family was also in danger. (McBride P.58)

It doesn’t take long to figure out that race and ethnicity issues continue to affect America - a quick glance at the news will show the latest riot, hate crime, or police brutality incident. This centuries old struggle has given rise to a number of literary works on the topic, many of which take a different approach to the issue. W.E.B. Du Bois, for instance, published the work The Souls of Black Folk in 1903, arguing for blacks’ right to equality in a horrifically segregated society. In these essays, Du Bois coined the term “double-consciousness,” wherein those with black skin must view the world both from their own perspective, and from the perspective of the predominately white society. The short story Recitatif by Toni Morrison explores this concept through the removal of the characters’ races, and the film Do the Right Thing, directed by Spike Lee, tells a story to demonstrate it. While the former shows double-consciousness through the usage of ambiguity, the latter almost directly references the concept. Taken together, these two sources argue a multi-faceted version double-consciousness, wherein society alienates the characters in ways that go beyond just the color of one’s skin.

Internalized oppression is just one factor that contributes to the inescapability of intergenerational trauma. Alexie uses figurative language to demonstrate that the cycle of oppression is further perpetuated by the concept of racial inferiority, poverty, and failure to achieve an education in his short story “The Only Traffic Signal on the Reservation Doesn’t Flash Red Anymore”. The main character, Victor, sits on the porch with his friend Adrian as they reminisce their past and hope for others futures. Victor claims that “Indians [could] easily survive the big stuff... It’s the small things that hurt the most. The white waitress who wouldn’t take an order, Tonto, the Washington Redskins” (49).

Richard Wright’s novel, Native Son, depicts the life of the general black community in Chicago during the 1930’s. Though African Americans had been freed from slavery, they were still burdened with financial and social oppression. Forced to live in small, unclean quarters, eat foods on the verge of going bad, and pay entirely too much for both, these people struggled not to be pressured into a dangerous state of mind (Bryant). All the while, they are expected to act subserviently before their oppressors. These conditions rub many the wrong way, especially Bigger Thomas, the protagonist of the story. Though everyone he is surrounded by is going through all the same things that he is, growing up poor and uneducated has made Bigger angry at the whole world. You can see this anger in everything he does, from his initial thoughts to his final actions. Because of this, Bigger Thomas almost seems destined to find trouble and meet a horrible fate. Wright uses these conventions of naturalism to develop Bigger’s view of the white community(). With all of these complications, Bigger begins to view all white people as an overwhelming force that drags him to his end. Wright pushes the readers into Bigger’s mind, thoroughly explaining Bigger’s personal decay. Even Wright himself says that Bigger is in fact a native son, just a “product of American culture and the violence and racism that suffuse it” (Wright).