Rudolph Shaw discusses the role of Othello in Shakespeare's play Othello, where Othello is presented as an African man who negates the stereotypical views of the British during the Elizabethan era.
Many scholars believe that Shakespeare was a racist, however Shaw believes Shakespeare used Othello as a tragic hero the confront the attitudes of the Elizabethans and reconsider their attitudes of race relations
The issue of race is one filled with controversy and passion, even today in the twenty-first centaury. In today’s day and age it is more shuttle and underground then it was in its most recent ‘hay-day’. In our time today we see it as more of a shameful, offensive and intolerant thing, but it was the norm in the early 15th and 16th century. Today those people that are outwardly racist are seen as outcasts. In this essay I will tempt to show how even though it was the norm in Victorian England, Shakespeare already had another mind set, and was trying in this creative way that the mind set of the people was not correct even for that time. How and why did Shakespeare purposely portray Othello the Moor as a tragic hero, like Hamlet or King
• A fear of foreigners during Elizabethan times fostered misogynistic and racist values, which is evident in the way Othello’s blackness becomes a symbol of alienation to which all characters in the play must respond.
Cowhig, Ruth. "Blacks in English Renaissance Drama and the Role of Shakespeare's 'Othello'." Shakespeare for Students: Critical Interpretations of Shakespeare's Plays and Poetry, edited by Mark W. Scott, Gale, 1992. Student Resources in Context, http://link.galegroup.com/apps/doc/EJ2126700032/SUIC?u=dove10524&xid=714df15e. Accessed 21 Mar. 2018.
Othello has been described as one of William Shakespeare’s most popular plays because the play focuses on its themes of good and evil, military, politics, love and marriage, religion, racial prejudice, gender conflict, and sexuality; but the controversy and debate surrounding Othello is “Why is Othello a qualification for a tragedy?”
Although Othello is set in Venice and Cyprus, the attitudes and values shared in the text are probably reflective of the attitudes and values of Shakespeare's own society. It is difficult to assess the attitudes and values of people in sixteenth-century Britain to the relatively few blacks living amongst them. We are given an insight into those attitudes and values through the representation of race and
Othello by William Shakespeare raises the issue of how rampant beliefs and attitudes in a society can cause a person to question their sense of self. In a society where racial equality is near non-existent, Othello, a black skinned foreigner in the Venetian society, is constantly reminded of his status as an outsider. Othello, however, is not depicted in a stereotypical manner and despite occupying a highly respected position he is often confronted with blatant racism throughout the play. The prevailing attitudes and beliefs of Venetian society towards Othello are exploited by Iago in order to manipulate Othello’s self confidence and emotional state.
“Othello” is a tragic play of jealousy, racism and struggle for power. Right from the beginning, Shakespeare has created vigorous dialogue and conflicting situations. There is a direct contrast between black and white in this play, with black meaning something negative and evil and white meaning pure and fairness. The clash between these two colours leads to severe hatred and enmity between a few people.
Racism is a theme that is prominently evident throughout Shakespeare's Othello. Through this theme, there are several perceptions of an individual's race which are exhibited to establish the
The extent of which Othello is a tragic hero has been open to much debate; the basis on which he is judged falls to Aristotle’s established view of the crucial elements that distinguish whether a person is truly tragic. According to Aristotle, a tragic protagonist is a nobleman or person from high status, who contributes to his own demise and illustrates a flaw or weakness in judgment. The tragic protagonist must make a fall from a high state of being to a low state or death. The tragic hero’s downfall, said Aristotle, was brought upon by some error of judgement. Aristotle’s theory is not the final word on tragedy, however it can support in pinpointing the pivotal traits in
Throughout time, writing has evolved such that gender, race and creed have taken on a more pivotal role in fiction. Some people argue that race in William Shakespeare’s tragedy, “Othello,” is hardly an issue. However, to many people, race is everything in “Othello. The challenges that Othello, the lead character, faces are directly attributed to his “Moor” complexion and if he were of a different nationality, the outcome of his situation would have been drastically different. These claims are supported by the articles of “Othello’s Alienation” by Edward Berry and “Race Mattered: Othello in Late Eighteenth-Century England” by Virginia Mason Vaughan that argue that race is a major element in “Othello.”
When first introduced to the play, Othello, I had been told that Othello was a tragic hero driven insane by a villain. The person who described him to me had led me to believe that Othello was a victim. However, when reading the play Othello, I did not feel he was a victim at all. On the contrary, Othello demonstrates all of the classic signs of a wife abuser:, interference in the relationship between his loved one and her family, prior use of violence, elevating his loved one to an unreasonable standard, unreasonable jealousy, and the use of physical force against his wife. Taken together, these factors highlight that Othello is not a tragic hero, but simply a wife-abuser.
There is no denying that Shakespeare is a definitive playwright. He has presented us with classic works that have set the precedent for drama and the theatre. Among Shakespeare’s more notable plays are his tragedies. In the tragedy his protagonists are often given flaws in their character and hence, are suitably named tragic heroes. The downfall of these protagonists is often a result of their own character flaws and unfortunately, they suffer a doomed and unhappy ending. While the tragic hero is flawed they must also be honorable and worthy of the audience’s understanding and sympathy. On a quest for righteousness the tragic hero often goes through immense suffering which is why the audience can feel bad for him. For the most
Racism seems to be a big concern in Shakespeare’s tragic play, Othello. Because the hero of the play is an outsider, a Moor, we have an idea how blacks were regarded in England, in Elizabethan times. There are many references that bring about the issue of racism from the very beginning to the end. In the tragedy, where Othello is coming from is not mentioned, yet through the descriptions the reader is informed that he belongs to one of the Eastern nationalities such as African, Ottoman Turk or Arab. In this paper I am going to analyze some episodes involving a prejudicial, racist attitude and try to discuss whether Shakespeare was a racist or not. Even though the play is full of offensive definitions of black
William Shakespeare is the writer of Othello, The Moor of Venice. This type of play was unusual and strange on Shakespeare's time, because he is one of the first black heroes in English literature.
In the play Othello written by Shakespeare, the issue of racism is addressed. Othello, the protagonist of the play, is African American or black. “According to Lois Whitney, many of Othello’s specific attributes probably derive from Shakespeare’s reading of Leo Africanus, whose Geographical Historie of Africa which was translated and published in London in 1600”(Berry, 1990). Many critics have different views on this. “If Shakespeare depended upon Leo Africanus for such details, he must have been much more interested in racial psychology than critics such as Bradley or Heilman suggest”(Berry, 1990). One of the most prominent features of this Shakespeare play is the