The dominant masculinity in western culture is associated with heterosexuality, a unit of a man and woman from opposite axis of masculinity and femininity. For Annie Proulx, “Brokeback Mountain” complicates the gendered duality, portraying two men acting on their homoerotic desires, but also depicts them as hetero-social. Proulx blurs the boundaries of gender and sexuality by representing her main protagonists, Ennis del Mar and Jack Twist, as bisexuals. The characters are able to slip in and out of a heterosexual life with their wives, which are portrayed as socially acceptable, but also struggle with their sexual desires for each other, which are always hidden from the public. As her characters demonstrate, gender and sexuality is not stable, nor is it “black and white,” “heterosexual and homosexual.” Bisexuality represents a middle ground and destabilizes the dichotomy. As the discussion of main characters, landscape, and minor male characters demonstrates, “Brokeback Mountain” focuses on the dangers of hyper-masculinity in dominant culture and how homosexuality and bisexuality is portrayed as inferior to heterosexual norms. Leo Bersani suggests that “the gay man always runs the risk of identifying with culturally dominant images of misogynous maleness” (117). In his article, he discusses how the gay man is able to take on the privileges given to the heterosexual men in society because they represent the dominant gender. In his essay, Thomas Piontek discusses
2. In the essay “Gender Treachery: Homophobia, Masculinity, and Threatened Identities” the terms ‘homophobia’ and ‘heterosexism’ are discussed. Hopkins contends that there is no distinct boundary between the two terms, but he outlines ways in which to distinguish the two terms. First,
John D’Emilio’s “Capitalism and Gay Identity” contracts what life was like for gay men and lesbians throughout the 1970s and 1980s. During the 1970s, gay men and lesbians were able to come out freely, and eventually started to get accepted by everyone in society. They were able to express themselves without any regards, and started to become the person they were destined to be. People within the gay community have always expressed tendencies of liking the same sex, but societal norms did not allow them to express themselves. However, during the 1980s, as more people decided to openly come out, it started to take a toll on their identity. Society then started to question the importance of people who were brave enough to come out to the world.
In Stephen Mays’ essay “What about Gender Roles in Same-sex Relationships?” published in They Say I Say, the author discusses how people often assign gender roles automatically, even with gay and lesbian couples. Mays stresses the concept of femininity and masculinity, and also shows the difference in their roles, supports them with vivid imagery, and gives a rare example of gay male preferences, all while using the correct diction when referring to personal experiences. Although the author reiterates gender roles and their effect on same-sex relationships, he gives clear examples that support the idea of masculine or feminine qualities.
Historically, men have held every position of power and status in known societies, civilized or otherwise. Men have been the fore-runners, the providers and the respected warriors of every age since the dawn of recorded time. These cultures did not confuse their identities or cultural roles in regards to gender; men were expected to win fame and fortune for themselves and their families, tribes or clans while women were expected to support their men in domesticity and child-rearing. Men knew what was expected of them since birth as they were often surrounded by masculine role-models in their own societies. However, modern masculinity has become something else entirely. Too much has been written about these time periods to rehash any of the
In society, heterosexuality is a principal method of organizing institutions and regulating individual behavior. A culture based on ideas of heterosexuality values relationships that are between men and women; as a result, sexual contact occurring between same sex individuals is seen as deviant and labeled as homosexual. In her book, Ward explains how straight white men can have sex with other white men while retaining their heterosexuality in addition to gaining a masculine appeal. Ingraham and Namaste’s discussion of heteronormativity, heterogenders, and supplementarity aids in understanding why straight white men are not labeled as homosexual and how this functions to reproduce inequalities based on race, gender, and sexuality.
George Chauncey’s Gay New York Gender, Urban Culture, and the Making of the Gay Male World 1890-1940, goes where no other historian had gone before, and that is into the world of homosexuality before World War II. Chauncey’s 1994 critically acclaimed book was a gender history breakthrough that gave light to a homosexual subculture in New York City. The author argues against the idea that homosexual men lived hidden away from the world. Chauncey’s book exposes an abundant culture throughout the United States, especially in New York. In this book Chauncey not only shows how the gay population existed, but “uncovers three widespread myths about the history of gay life before the rise of the gay movement which was isolation, invisibility, and internalization.” Chauncey argues against these theories that in the years 1890-1940, America had in fact a large gay culture. Chauncey book is impactful in the uncovering of a lost culture, but also works as an urban pre-World War II history giving an inside view of life in the city through sexuality and class.
In the article “Gay ,Latino ,and Macho” by Albert Serna Jr. and the essay “Masculinity as Homophobia” by Michael S. Kimmel, the authors both address how Masculinity and Homophobia are both effect by the gender scripts that are established by institutions. However, Kimmel and Serna bring light upon the issues in different manners. Kimmel states that Masculinity is a mental burden upon men who are unable to truly express themselves without being seen by society as a “sissy, untough, uncool” (Kimmel, 44). Consequently, this leads many heterosexual males to develop an “irrational fear of gay men” (Kimmel,44).Contrary to Kimmel’s essay, Serna address how the Machismo Culture (a strong sense of masculinity) effects Josue Velazquez and Felix Rios (who are both Mexican males who are homosexual).Serna expands on how many homosexual Mexican males have been affected by the Machismo Culture by introducing the reader to the advancement of the underground queer nightclubs and bars and also to the evolution of art that is center around “sub-culture of gay Latino men”(Serna,54) that is done by Hector Silva. Through his art form, Silvia is able to bring a better look upon “the community” (Serna, 54) that the queer “nightclubs cannot” (Serna, 54).
There are various perceptions of gay and lesbian couples that they represent a more egalitarian relationship. (Civettini 2015:1) However, when same-sex couples are observed there is still a tendency to believe that the relationship contains a masculine and feminine figure following the heterosexual model. So, it is necessary to address both how these couples deviate from society’s norms as gay individuals but might still be reproducing the same behaviors as heterosexual couples because the ideologies are so deeply rooted in social institutions. The stereotypical connotations of masculinity and femininity influence all aspects of American society and gender display relies heavily on meeting those given expectations. So, in the case of this article, the author Civettini views a connection between sex, gender, and sexual orientation when it comes to displaying
C. J Pascoe in his book titled “Dude You’re a Fag” answers the questions revolving around masculinity and sexuality in high school identifying the school setting as the primary site where masculinity is defined, defended, and asserted. Further, the book explores the high school daily life of male students and how they assert in terming those who fail to express their masculinity as “fags.” Through Pascoe, readers get a glimpse of how masculinity is upheld and constructed not just by the students but the institution as well thereby fostering an atmosphere of permissive sexual harassment, gay-bashing as well as homophobia. Most importantly is the fact that while the author illustrates how masculinity is constructed and upheld within the school
I will be writing about George Chauncey’s Gay New York. In this text, George Chauncey seeks to restore that world to history, to chart its geography, and to recapture its culture and politics by challenging three widespread myths about the history of gay life before the rise of the gay movement. These include the myths of isolation, invisibility and internalization. The homosexual community is considered a subculture to the heterosexual community, which identifies as the dominant culture. George Chauncey wants to know why the dominant heterosexual culture often misinterprets the heterosexual subculture. He also talks about the assumptions the dominant culture carries about sexuality and culture. I believe there are two reasons the dominant culture misinterprets and make assumptions about the homosexual community; these two reasons consist of religious beliefs and social stigma of the dominant culture towards the subculture.
Brokeback Mountain is a short story written by Annie Proulx, which is about two strangers named Ennis and Jack of the same sex(males) who happen to fall in love but not being able to actually be in love openly and freely. The story being set in 1963, the time period, the place and the circumstances that the characters were living in did not tolerate sexualities such as homosexuals or bi-sexuals furthermore the term “gay” did not even exist. However their love for each other lasted for over 20 years and it still lives on in the hearts of the readers and the viewers of this tragic love story. Ennis and Jack had to live two separate lives, one in which they were not so happily married with kids and the other where they were forced to repress their
Queer theory questions creations of normal and divergent, insider, and outsider.2 Queer theorists analyse a situation or a text to determine the relationship between sexuality, power and gender. Queer theory challenges basic tropes used to organize our society and our language: even words are gendered, and through that gendering an elliptical view of the hierarchy of society, and presumption of what is male and what is female, shines through. Queer theory rejects such binary distinctions as arbitrarily determined and defined by those with social power. It works to deconstruct these binaries, particularly the homosexual/heterosexual binary.4
“Brokeback Mountain” and “Amelia’s body” illustrate the vast differences of men and women in the West. One, about privacy and hidden secrets, and the other where a whole town knows every detail of this woman’s life. Both show the difference each gender has in the West and how their circumstances and gender roles affected them.
The raison d’etre of the Western is arguably to celebrate masculinity, but Brokeback Mountain is a revisionary Western that challenges definitions of masculinity. Discuss this statement with reference to Jane Marie Gaines’s and Charlotte Cornelia Herzog’s comments on the homoeroticism of the Western.
Masculinity and femininity are unescapeable. We are taught how to be masculine or feminine from birth but for men, the highest form of masculinity achievable is hegemonic masculinity. In this essay, I will define hegemonic masculinity, discuss how it perpetuates homophobia by restricting the way men interact with one another and by the use of the word fag, and how it perpetuates gender inequality through the expectations of violence, no emotions, and being breadwinners.