I Await The Devil's Coming By Mary Maclane

Criticising others takes a great deal of courage, especially when this criticism could reflect upon one’s own work. However, in the introduction of her speech to the Women’s National Press Club, Clare Booth Luce utilizes changes in tone, humor, while appealing to ethos, and pathos to prepare her audience for the impending criticism.

In the text, “The Cult you’re in” Kalle Lasn, discusses a cult-like nature of consumer culture on Americans. Lasn uses the work ‘cult’ as a metaphor; he does not mean an actual cult but American consumers seem to be in a cult-like nature. The ideal example of Lasns argument is the text, “The man behind Abercrombie and Fitch”, Benoit Denizet-Lewis, goes in great depth of the life of the CEO, Mike Jeffries, of Abercrombie and Fitch. Denizet Lewis’s piece on Jeffries life displays how accurate Lasns claim is about American consumers in the cult-like atmosphere.

In the section “Catholic Novelists and Their Readers,” O’Connor portrays the three properties by describing the duty of a Catholic novelist and what effect their relationship

The main theme in the book, The Dark is Rising, is obviously the conflict between the dark and light. It is one of the many suspenseful fantasy books about the battle between good and evil, Susan Cooper wrote about the dark, light, and the mystical powers.

Accused witches were forced to admit to various practices believed to be witchcraft. Details from the French Court of Rieux and the insanity that ensued are jaw dropping by today’s standards. Suzanne Gaudry’s judgement confession was no different, being forced and tortured into confessions including having given herself to the devil, renouncement of God, lent and Baptism. Moreover, Gaudry was also forced to confess that she had cohabited with the devil as well received the devil’s mark on her shoulder and being at dances. Of note however, the judgement confession seems to acknowledge Gaudry having technically only confessed to having had killed by poison, Philip Coine’s horse. Nevertheless, Gaudry’s confession was made

Flannery O’Connor was an American author who often wrote about characters who face violent situations. These situations force the characters into a moment of crisis that awakens or alters their fate. Her short stories reflect her Roman Catholic faith and frequently discuss questions of morality and ethics. O’Connor’s Catholic upbringing influenced most of her short stories, often accumulating criticism because of her harsh portrayal of religion. O’Connor incorporates the experience of a moment of grace in her short stories to contribute to the meaning of her works and to represent her faith.

To the casual reader, the writing of Flannery O'Connor can seem cold and void of emotion. Her storylines are like a misty fog in the dead of winter, enveloping the reader with a harsh even violent atmosphere. Her short stories regularly end in traumatic, freak deaths or, at the very least, a character's emotional destruction. An analysis of “Greenleaf,” “Everything that Rises Must Converge,” or “A Good Man is Hard to Find,” will leave the reader feeling empty. The imagination of the reader is not engaged on any level. There is an under current of anti-religion which is intensified by cruelty. O’Connor’s writing is filled with symbolism which is camouflaged by her writing style. Although her writing style is not considered by experts as

Mary Flannery O’Connor is considered one of the most successful short story writers in history. She composed her works during a period of prosperity and economic boom following World War II. Although the economy was thriving, the 1950’s were a period of struggle for women’s rights, as well as other minorities. (Digital History) Based on her success, one could conclude O’Connor exceeded all barriers against women during the fifties. Flannery O’Connor’s life experiences based on her faith, her novels, and the time period of the 1950’s contribute to her unique writing style.

The Spirit Catches You and You Fall Down, by Anne Fadiman, is the story of two very different cultures lacking understanding for one another leading to a tragedy due to cultural incompetence. Today in America there are very many different cultures. Health care providers need to be aware of cultural diversity and sensitivity when caring for patients. If a health care provider is not sensitive towards a patient’s culture it can cause a relationship of mistrust to form, lead to barriers in the plan of care, and increase health care cost. The current guidelines to promote cultural competence in the clinical setting include completing a cultural diversity self-assessment, identify the need of the population served, evaluate barriers in the community and practice, educate staff to cultural diversities, schedule longer appointments, clarify limitations, and identify alternatives offered (Cash & Glass, 2014).

This applied theory paper will analyze both the macro and micro analysis of the Novel, The Spirit Catches You and You Fall Down, by Anne Fadiman (Fadiman, 1997). In the book “The Spirit Catches You and Falls Down”, the character Lia illness resulted in a cultural divide between the Hmong culture and the American culture. Throughout this paper both the conflict theory and the family systems theory will be used to examine themes of behaviors among the characters in the text. The family and medical team use the applications of a number of different social work theories to navigate through her illness implementing a number of different strategies to nurse her to health. The author Fadiman explores the Lee’s family

The book The Killer Angels was published in 1975 by the Ballatine Booksand was written by Michael Shaara. The Killer Angels is a historic novel about the time of the American Civil War, more specifically The Battle of Gettysburg. Shaara wrote this historical masterpiece with the sole purpose of letting the reader know exactly how the war was for the men actually putting their lives on the line to get this great country of America to the stature it is today. In order to accomplish his goal of creating the ultimate historic journal of The Battle of Gettysburg, he went straight to the source. He went back and retrieved letters and documents written by the men themselves, who were I the war. What better way to tell a story about one of the most significant battles of American history, then getting the information straight from the warriors who were fighting in the tranches? The book is written from the viewpoints of Robert Edward Lee, James Longstreet, and a couple of other men who were in the war. Robert E. Lee was fifty-seven at the time of the war. He was a highly respected general of the Confederate Army. He was an honest, God following man who had great morals which made a great leader (Killer Angles XVI). He didn’t drink or smoke and would stay away from reading novels and plays because he felt it would make him weak minded for battle (Killer Angles XVI). This is what made him such a great leader, the fact that he lead by example of how a true gentleman and general should

For this paper, I read the graphic novel, One Hundred Demons by Lynda Barry. Barry’s novel is similar to Kochalka’s series, American Elf since her life is the main plot and focus. Like the title, Barry divulges into instances from her life that could be considered a demon, or something negative. For example, the first demon she discussed was about her first love and how much he differed from one of her boyfriends. This was considered a demon to her because of how he treated her and how she felt better off without him. In a way, this novel is Barry’s method of expressing her negative moments and sharing them to the public. Not only does this graphic novel encourage others to speak about their demons, Barry is healing herself from her negative

To the uninitiated, the writing of Flannery O'Connor can seem at once cold and dispassionate, as well as almost absurdly stark and violent. Her short stories routinely end in horrendous, freak fatalities or, at the very least, a character's emotional devastation. Working his way through "Greenleaf," "Everything that Rises Must Converge," or "A Good Man is Hard to Find," the new reader feels an existential hollowness reminiscent of Camus' The Stranger; O'Connor's imagination appears a barren, godless plane of meaninglessness, punctuated by pockets of random, mindless cruelty.

Magic Flight”. In: ROE, Sue (ed). Women Reading Women’s Writing. New York: St Martin’s Press, 1987. p. 179-205

Many New Woman writers proclaimed that domesticity could not be the be-all-end-all purpose in a woman’s life; they aligned themselves with the belief that women should be allowed to express themselves politically, creatively, and sexually. (Tremper 110) Perhaps this is why Ann Radcliffe, the obscure first female writer of Gothic fiction, was a pioneer in more ways than one. Although no evidence indicates that she recognized her status as a New Woman author, her terrifying novels rivaled those of other Gothic, male writers, thus paving the way for more women in literature. But while Radcliffe’s tales terrorized her readers, Matthew Lewis instilled pure horror into those who dared venture into his grotesque novel, The Monk. In 1796, The Monk is edited, abstracting the same sensitivity of Radcliffe’s texts and evoking the horror expressed through excessive passion, veiled by the mask of purity. Ambrosio, the monk, allows his carnal instincts — instigated by the morally masked, but equally transgressive, Matilda — to guide him through various sins, such as lust, rape, and murder. In Radcliffe and Lewis we can visualize the dichotomy of the Gothic novel, which allowed women writers to express themselves independently and in the most horrific manners, but still relied on negative representations of female characters in order to fully unveil and critique the decay of society.