Icons of Ambivalence in Bless Me Ultima
The portrait of Mexican Americans is layered in shades of ambivalence. Aside from the fact there is evidence that they can not really be classified as a migratory culture in that the land where they tend to migrate once belonged to Mexico, they can also lay an earlier claim to the land as Native Americans. The Spanish Europeans who settled in the area that became Mexico evolved as the dominant culture over the oral culture of the Native Americans. Nevertheless, there is evidence of ambivalence among the Native Americans to the dominant culture of the Spanish in what is arguably one of the Mexico's basic texts, the story of the Miraculous Apparition of the Virgin of Guadalupe in 1531.
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Legend says that a child who cries in the womb will be given the "Don" and become a curandera. "Don" means the gift from God.
(La Curandera 1).
Therein lies the contradiction of the curandera, she cannot be categorized as only a pagan icon, in that curandera has respect for and practices the religion of Catholicism along with her healing (Blessed or Evil). Similar to the Virgin of Guadalupe, the character of Ultima, a curandera, defies easy classification as either of the native or dominant culture. The myth of the Miraculous Apparition of the Virgin of Guadalupe in 1531 and Bless Me Ultima arise as cultural narratives of ambivalence, with elements of both resistance and assimilation in their characters, which elude definition by dominant culture's standards.
Juan Diego, the native peasant to whom the Virgin of Guadalupe appears, and Antonio Marez, the young boy who is to become an apprentice of sorts to Ultima, exhibit similar ambivalence, with one important distinction. Juan Diego becomes more enmeshed with the dominant culture as a result of his experience by becoming a life long proponent of the Catholic faith (Blessed Juan). Antonio, on the other hand, seems to veer away from the ideal of the Church as he questions its true power in certain matters of spirituality.
When Antonio's uncle becomes very ill under the curse laid by the Trementina sisters, known "brujas"
In chapter one Conquerors and Victims: The Image of America Forms (1500-1800) Gonzalez talks about the impact upon the arrival of the Europeans to America. This arrival was categorized as “the greatest and most important event in the history of human kind”. Spain and England were two countries that had a big impact on our modern world and transplanted their cultures around the territories they took over. Both countries created their empires in which they established on their identities and viewpoint of their language and social customs. Upon their arrival the native population was outnumbered, many of which live around Mexico’s Valley and others populate the Central Andes region and Rio Grande.
Ultima goes to stay with Antonio Marez, a young boy who lives in the llano with his parents, two sister, and three brothers. This is because
"I realized that the owl had been with me throughout the night. It had watched over all that had happened on the bridge. Suddenly the terrible, dark fear that had possessed me was gone." (Anaya, 23)
Throughout the Spanish conquest and exploration of Mesoamerica, religion became a focal point in Spanish observations of indigenous cultures. Influenced by European biases and colonial mindset, the Spanish criticized indigenous religion by condemning their
In the film created by Salvador Carrasco, he tells us the story of the oppressed Aztecs by the Spanish conquistadors. The film leads to a social and religious understanding by two of the main characters Topiltzin (a native Aztec) and Fray Diego, (a friar in Catholicism). Together, both characters form a bond and that lets for the two different cultures to get together for the viewers to understand that these cultures are more in tune than what they seem. Carrasco, divides his movie into two parts, setting the tone for the mirroring of scenes, duality, and parallelism that takes place during the course of the movie. The director intends for his viewers to draw important connections from these elements that bring them to a greater understanding of social culture, religion, and faith. In one of the final scenes leading up the end of the movie, Fray Diego confronts Topiltzin at the church. At this point that the viewer sees a behavior change in Fray Diego's eyes. Fray Diego knows Topiltzin's feelings toward religion, indicating the large strides that he has made over the years in
After reading the book, Bless Me Ultima, I realized the integral importance of religion and need for religion and answers to life’s questions. At first, while reading this book, I thought it was just about relationships and the meaning in them but as the plot progressed I realized the book, is more than that, it questions the structures that decide the rules, morals and values that society is composed of. There were three types of religion that I identified in the book that young Anthony chose to pursue. The first was the paganistic rituals of Ultima. Ultima came into the life of Tony at a very young age and had great influence n the child. Ultima saved the life of Lucas through Tony’s
In the book “Bless Me Ultima,” by Rodolfo Anaya, the role of duality goes very into depth with its many controversial topics. Some of these topics include the contrast between Catholicism and indigenous mysticism, good witchcraft and evil witchcraft, and men and women. Since Antonio must struggle to find his own identity and place he must battle between his family, beliefs, and self. This can be seen between his parents, who’s frequently conflicting views make it difficult for Antonio to accept either of their belief systems, his struggles between the English and Spanish language, and how evil and good affected his innocence.
When Jesus Came, The Corn Mothers Went Away gives an in-depth history of the Pueblo Indians before and after the Spanish conquest. It describes the forced changes the Spanish brought to the Indians, and also the changes brought to the Spaniards who came to “civilize” the Indians. The author's thesis is that the Pueblo Indians and other Indians were treated cruelly by the Spanish, who justified their crime by claiming they were civilizing an
She represents the Native American minority culture and Christianity as a curandera. She is a Native American spiritual healer who is derived from Rudolfo Anaya's own experience, "of a woman who was said to have powers to cure sickness"(Hispanic Biography 42). The syncretism of Ultima's Christ like abilities are given in two illustrations.
An important motif in “Bless Me, Ultima” are Antonio’s dreams. His dreams foreshadow major events and make him question his beliefs, especially revolving around
Antonio Marez- A young boy who is torn between his parents: a Marez and a Luna. But with the help of Ultima, he discovers his own destiny. He thirsts for knowledge: he is a curios boy, an outstanding student, and a questioning worshiper.
I will now go on to Trinidad, Father Martinez's "nephew" who also exhibits a divided character, lustful and gluttonous, as well as having himself crucified and scourged during Passion Week. When he ate dinner, he ate as if he were "afraid of never seeing food again. When his attention left his plate for a moment, it was fixed in the same greedy way upon the girl who served the table...with careless contempt"(145). Trinidad seems to have such an ugly personality, but at the same time he carries out his religious duties, to the extreme. It is as if one makes up for the other, contradicting Catholicism. Padre Martinez, who also tends to acts upon rules of his own, has taught Trinidad literal religion, not spiritual religion. Trinidad seems to think repeated sins can easily be forgiven, acting more to please those around him instead of God. Trinidad's character of sin and solitude seems to be allowing him to get the best of both worlds, when he should just be content with one.
Schreffler begins the essay by explaining Bernal Díaz del Castillo’s account of San Juan de Ulúa on Easter Sunday of 1519. Díaz explains that Tendile (an Aztec leader) ordered his people to produce a painting of Cortés, his entourage, and his ship. Unfortunately, this painting
Rudolfo Anaya, author of “Bless Me, Ultima”, uses countless examples of folk-lore all throughout his novel. In doing so, he gives his readers great insight to the Mexican-American culture of the 1940’s during World War II, and how different the culture is than how most people are raised. The folk-lore Anaya used most effectively throughout “Bless Me, Ultima” is; the whole idea of growing up and becoming a man, beliefs of witchcraft, children losing their innocence and the characters religious beliefs and unofficial beliefs.
Religion is a cultural event that occurs in the life of the Lunas. Antonio’s mother brings that aspect with her when she marries with a man that has Marez blood. The presence of religion stays with Antonio throughout the course of the novel. It can easily be said that religion defines an enormous portion of who he is from the point of birth. He makes his best efforts to stay away from horrible experiences and put his thoughts out of anything that may make him doubts and God and heaven. But even for him it reaches to a point that he can’t bear with much more. But religion remains present even at home. While Antonio’s three older brothers, Andrew, Leon and Eugenio are away at war, Antonio and his family pray for them all the time and even when they have returned. They do this on a day to day basis to keep the presence of religion alive.