The Other Conquest, La Otra Conquista
The film The Other Conquest is a drama about the aftermath of the 1520’s Spanish Conquest of Mexico told from the perspective of the indigenous Aztec people. It explores social, religious, and psychological changes that brought the historical process of colonization that both defined the South American continent and highly reminds us of today’s neocolonialism.
In the film created by Salvador Carrasco, he tells us the story of the oppressed Aztecs by the Spanish conquistadors. The film leads to a social and religious understanding by two of the main characters Topiltzin (a native Aztec) and Fray Diego, (a friar in Catholicism). Together, both characters form a bond and that lets for the two different cultures to get together for the viewers to understand that these cultures are more in tune than what they seem. Carrasco, divides his movie into two parts, setting the tone for the mirroring of scenes, duality, and parallelism that takes place during the course of the movie. The director intends for his viewers to draw important connections from these elements that bring them to a greater understanding of social culture, religion, and faith. In one of the final scenes leading up the end of the movie, Fray Diego confronts Topiltzin at the church. At this point that the viewer sees a behavior change in Fray Diego's eyes. Fray Diego knows Topiltzin's feelings toward religion, indicating the large strides that he has made over the years in
It is crucial to focus on translators when it comes to understanding the conquest of Mexico. It shows how
The film La Otra Conquista entails the life of Topiltzin, the sole illegitimate son of Aztec emperor Moctezuma. During Herán Cortés conquest of the Aztec empire, Topiltzin faces the confrontation of Spanish conquistadors, whom slaughter and capture any Native Americans in an attempt to take control of Tenochtitlan. This act of violence driven by the urge to find sources of wealth, and especially in this film, focuses mainly on the conversion of Native Americans to Catholicism. Specifically, Friar Diego focuses his attention on Topiltzin’s conversion to Christianity. While the film appears mere fictional, the elements portrayed in La Otra Conquista correspond to events occurring in the conquest of the Aztec empire. Therefore, the film entails elements of religion and gender roles.
La Otra Conquista was set in 1520 in colonial Latin America. The story focuses on Topiltzin, a young Aztec scribe and son of Moctezuma and his struggle with religion during the conquest. A Spanish Friar named Diego makes it his mission to convert Topiltzin into civilised Christianity. Hernan Cortes who is the voice of power in Tenochtitlan grants Friar Diego his wish to take Topiltzin, who is now called Tomas by the Spanish, to the mission. Topiltzin must learn how to navigate this new world while still holding to his own culture. Struggling against both spiritual and personal difficulties, Topiltzin tries to show Friar Diego how similar Christian beliefs are to the Aztec beliefs. Overall, the film stays fairly true to history with some exceptions that director used to move the storyline forward. Religion played a key role in the film as it did in the conquest itself. The Spanish conquistadors and friars were there for converting the Aztec to Christianity through whatever means necessary. Whereas the Native Americans were trying to hold onto their beliefs and culture throughout the horrific takeover. In order to communicate their wishes, the Spanish needed someone who could translate so they taught Native Americans to speak Spanish who could then communicate into the tribal language. The most famous of these was La Malinche, who is referenced in the film although at this time is her replacement, Dona Isabel or Tecuichpo. The film is fairly accurate to how this would have looked historically. The conquistadors are appropriately harsh, cruel and violent. At any moment trying to exert their power over the Native Americans and quick to subdue. In summary, La Otra Conquista was a fairly historically accurate film that portrayed the tension and violence of the time.
The reading “An Aztec account of the Spanish Conquest” is mainly about a story when Hernan Cortes came for the first time at Tenochtitlan (nowadays Mexico City). The Aztecs believes that when Hernan Cortes arrive they believe the he was Quetzalcoatl, the main god in the Aztec culture. Cortes were friendly invite to the Aztec city as the most important guest, the Aztec people made a big party to celebrate the return of their god, but the Aztec people did not know Cortes intentions of conquer the empire. Later the Aztecs were betrayed by Hernan Cortes. Cortes’s army began to attack the city and at the end they take over the city.
Leon-Portilla based the stories told in this book upon old writings of actual Aztec people who survived the Spanish massacres. The actual authors of the stories told in this book are priests, wise men and regular people who survived the killings. These stories represent the more realistic view of what really happened during the Spanish conquest. Most of the history about the Aztec Empire was based on Spanish accounts of events, but Leon-Portilla used writings from actual survivors to illustrate the true history from the Indians’ point of view.
Miguel Leon-Portilla author of Broken Spears- The Aztec Account of the Conquest of Mexico, tells the story of the Spanish conquest over the Aztecs from the Aztec point of view. It is more familiar in history that the Spanish led by Hernan Cortez defeated the Aztecs with a powerful army and established an easy victory all while having intentions to gain power and greed. However, Leon-Portilla focuses on the Aztec Empire and their story. Leon-Portilla does a great job giving readers the real occurrences and events from Aztec members. This paper argues that history must be told from all sides. It is more common to hear about the Spanish conquest
Negotiating Conquest is a scholarly work written by Miroslava Chavez-Garcia, which analyzes women 's roles in history, and discusses how the political system has affected their roles. It covers the period between the 1770 's to the 1880 's, the periods before and after American Conquest. Likewise, this book is divided into two sections, chapters 1-3 discusses "Women in Spanish and Mexican California," and chapters 4-6 discusses "Women in American California." This work analyzes the major ideas present within each period and how it affected women 's roles and power. The time and effort put into this book, is something that the author enjoyed, calling it a "labor of love." Overall, she then claims that her purpose in writing this work is to, "honor and recognize woman of all ethnic backgrounds, social classes, and regions, who established households, nurtured and reared families, and rose above personal adversity in societies that often ignored, overlooked, and rendered them invisible."
I found the learning centres #8 The poor pay all: The uses of poverty, and #18 The Colonial Game, to be the most engaging ones that I participated in for countless reason. The reason that stuck with me the most though was that both centres opened my eyes to individuals who are oppressed, yet I had not noticed adequately enough. Within #18, I was thrown into a situation in which aboriginals such first nations would experience. The game had the lives of the players thrown through the loop with Canadian policy cards, children were relocated furthermore you we relocated and could no longer speak English and all of your funds were being taken away. The article in which I read for the learning centre #27 Canada Without Poverty, More than Invisible,
Conquest would not find the comparison with Wiesel inappropriate. In the first sentence of his book, he compares the area of the Russian famine in the early 1930’s to a Nazi concentration camp. He makes such a comparison because he is convinced that the famine was not a natural disaster, nor even the result of human miscalculation; rather he believes that it was a “terror-famine,” a famine deliberately inflicted upon the Russian peasants to break their potential resistance to the Communist regime in Soviet Russia. Conquest calculates the total number of dead from the collectivization of agriculture and the famine at fourteen and a half million people, more than the combined death toll of all belligerents in World War I and more than double
The spaniards looked and found the hidden tribe and were taken as appears to be gods to the aztecs and the two spaniards played along and were worshiped. After seeing the movie there some inaccuracies
Imperialistic Supremacy revolves around the life of a Southern African male who was victimized by the imperialism of Europeans throughout the nineteenth century. Protagonist character, Bogani, was a member of the Zulu tribe and rebelled against European Imperialism along with other tribe members during his abrupt life. The Zulu were a South African tribe that placed a heavy emphasis on military organization and skill. Under the leadership of Shaka, founder of the Zulu Kingdom and a significant person in Bongani's life, the Zulu increased their land claims throughout Southern Africa by Imperialism.
The play itself is about the story of the Virgin of Guadalupe, otherwise known as the Virgin Mary, and how she appeared to Juan Diego in 1531. Faith plays an important role in the lives of many Latinxs. In one of the scenes, Juan Diego’s faith is shaken because people are doubting his encounter with the Virgin of Guadalupe. To make matters worst, Juan’s uncle, is dying. Juan Diego calls for help from
I found Doukas’ first person account of what happened during the conquest of Constantinople in 1453 to be very interesting. It is not that common in history to get a person’s complete view and interpretation on an event and I think that is why this one seems to be so appealing to me. Douglas begins his account by mentioning the choice Mehmed had given the men before they had started the excruciating battle. Mehmed had given the men the option to go home and end their quest or to continue to fight for the city of Constantinople. Although I am sure it was a tough option, the men decided to continue fighting. The Turks largest obstacle was how they were going to get over the walls. At first, they thought that trying to light the city on fire would be the best option but soon realized it was going to take more than that. The Romans had an underground sally port and it was their only option for survival at the time. However, it is not until later on that the
Planar Conquest is a gigantic dream 4X procedure game roused by the undying exemplary, Master of Magic by Microprose (1994). A blend of incredible profundity known from Civilization and epic dream fights from Heroes of Might and Magic make for an immersive and complex system encounter customized for cell phones.
Such was the case during the 15th to 17th centuries. An emerging Spain partook on a conquest to seize the world by imposition of their beliefs and lifestyles to different tribes. The film La Otra Conquista features the effects of this cultural imposition on the Aztec civilization and how colonialism was able to shape them into the people that they are today.