Essay Identidad en la multitud errante by Laura Restrepo

     As a young child, Rodriguez finds comfort and safety in his noisy home full of Spanish sounds. Spanish, is his family's' intimate language that comforts Rodriguez by surrounding him in a web built by the family love and security which is conveyed using

In Miguel De Cervantes Saavedra’s classic novel, The Ingenious Hidalgo Don Quixote is a wonderful tale about a man who abandons his normal life to pursue life as a knight. The characters in the novel such as Dulcinea, his love, Marcela, Maritornes and Sancho Panza his squire happens to play a great and important role in the novel when exampling the theme of love. The themes of love, care, infatuation and loyalty are greatly expressed throughout the novel. Throughout the novel, Cervantes is able to examine how one can differentiate true love from false and infatuated love.

Introduction: Has anyone heard this song or know who sings it? (Play 30 seconds of song) It’s Selena Quintanilla’s song, “Amor Prohibido.” Well, I kind of admire her even though she died 4 years exactly before I was born. I will talk about Selena Quintanilla’s childhood, early career life and her death. I feel I am the one to teach you about her because I admire her, and I grew up with her music and still listen to it today.

Rodriguez is ashamed. He is ashamed with the fact his espanol is no longer his main language. The author presents, “I grew up a victim to a

On the other hand, it could be articulated that the female characters in both the novels have proved their mental instabilities, individualisms and rebelliousness have disturbed the lives of others. Moreover, it could be analyzed in the novels that both the author in their social context has explained the dark secrets of the life of individuals.

Belonging comes from an understanding, or the knowledge that an external sense of being comes from an internal sense of connection and safety. This critical analysis will portray how the text “Stolen” by Jane Harrison relates to the concept of belonging. Stolen is a play that tells the stories of 5 Aboriginal children that were stolen away from their families and were forced to grow up in institutions, following the European way of life. The children were segregated from their communities and treated as inferiorly. Their worth was seen as minimal and only useful to Europeans as slaves. “Stolen” is an example of not belonging to the environment that one is living in. The children are stolen from their parents, their culture and traditions,

She sometimes sits out by the creek and remembers her father telling her “I am your father, I will never abandon you.” (Cisneros 1) She remembers this only after she is a mother and this is when she realizes “How when a man and a woman love each other, sometimes that love sours. But a parent’s love for a child, a child’s for its parents, is another thing entirely.” (Cisneros 1) Surely by now she feels her love souring. She can not understand why Juan must drink all time and why he continues to beat after he promises that he will never do it again.

La primera respuesta es la que hize yo. Me las vichas plz haber si hacen sentido.

Continuing in the theme of conformity; if the boys are united by their heteronomy, Cuellar’s castration, in contrast, is the source of his ostracism. His unfortunate accident is a wound that ‘time opens instead of closes’, and as the story progresses, Vargas Llosa juxtaposes the boys socially inclusive youthful pastimes of football and studying mentioned earlier in the novel with his comparatively solitary penchant for the ocean and surfing “a puro pecho o con colchón” (94) in chapter five. In this passage, his distance from the others is symbolised by the isolation of the sea; the narrator says the water “se lo tragó” (95) and later, the boys state that “se perdió” (96). Clearly, Cuellar’s failure to partake in the testosterone fuelled rituals of sexual maturity in the city has seen him shunned from the rest of the boys and resigned to hanging out with “rosquetes, cafichos y pichicateros” (96) instead – the modern, metropolitan outcasts. Evidently, Cuellar is incapacitated by this highly heteronormative lifestyle, as the inherent masculinity of the city is a fixed identity that will perpetually exclude him, or anyone else who cannot fulfil Peruvian societies idea of gender appropriate behaviour.

Although prostitution may be one of the world’s oldest professions to this day it is seen as a degrading and disrespectful career especially when regarding female prostitutes. In Chronicle of a Death Foretold, the town is very critical and strict about chastity and premarital sex. Maria Alejandrina Cervantes is the town madam which by society’s standards makes her to most marginalized, but ironically she is not brought down by her society’s rules. Gabriel Garcia Marquez uses characterization and irony to demonstrate Maria Alejandrina Cervantes’s contradictory role and to develop the theme of going against society in Chronicle of a Death Foretold.

She gets excited when boys look at her on the streets. But her illusion of true love is destroyed by sexual violence. Her friend Sally’s behaviour towards boys contributes to Esperanza’s caution and distance by dealing with the opposite sex, too. Nevertheless, Esperanza does not stop dreaming of leaning against a car with her boyfriend in a place where that does not bother anyone. But she has set her standards higher than most of the women around her. She do not search for a man to escape from this place, she has seen too many unhappy marriages. Ruthie exemplifies such an one. She has run away from her husband and seems to be mentally disturbed. The young Rafaela is locked up by her husband because of her beauty. Nevertheless the tragic event is Sally’s which ends in abuse. Sally, Esperanza’s friend, only wanted to dream and share her love like Esperanza. Hurt and beaten by her father who just wanted to prevent the familiy’s ruin by Sally. To escape, despite of her minority, she marries a salesman. But unlike her wish, the abuse continues.

Love is expressed differently by all, some like Salamono may tuck it away, only to release it when the lover has left forever. Others , like Marie, choose to boast it to the world without hesitation. This quality is her confidence is herself shining through. She never fails to attest to what she wants “Then she said she wondered if she

beliefs. Sober uses the example of lightning. He points out that according to the Greeks,

There is a mysterious difference between love and sex in relationships. Often people confuse the two in the climax of intimacy; however there is a big difference between them both. Love is an emotion that you feel, and sex is a physical act or biological event. Both can occur without the presence of the other. In the 2002 French comedy romance “Amélie” and the 2001 Mexican drama film, “Y Tu Mamá Tambien,” the complexities of love and sex are confronted. In both movies the filmmakers used omniscient narrators and produced imagery in international film that in its own right, encompasses the paradigms of foreign culture while simultaneously connecting artistic entertainment. After watching both, I will analyze the film components, providing a perspective of the essential elements used by the filmmakers in each.

Ciertamente, algunos críticos podrían tomar la perspectiva equivocada con respecto a la trama de esta película, ya que muestra el amor platónico entre un humano y una máquina y a decir verdad, la idea no es tan descabellada sino más bien creíble. El pensamiento no es tan nuevo, ni original pues este argumento ha sido ya expuesto antes, pero lo que llama la atención es el escenario en el que hace vislumbrar al espectador.