Importance of Being Earnest: Dinner is Served Essay

Answer 3: Food plays an important part in any situation; it can make or break the problems. In the Importance of Being Earnest, food plays a very vital role in helping create movement in the plot. The play, importance of being earnest by Oscar Wilde uses food as an essential motif /symbol of an act of working out problems. Set in the Victorian era the tea time custom is vastly a part of the play.

Act III offers happy resolution to the problems of identity and marriage that drive much of the humor in the previous acts. Wilde continues to mock the social customs and attitudes of the aristocratic class. He relentlessly attacks their values, views on marriage and respectability, sexual attitudes, and concern for stability in the social structure.

Algernon is demonstrated as a comical character. He is also shown to be a liar and this is seen when he tells Lady Bracknell that there were “no cucumbers in the market” to make the cucumber sandwiches; when he ate them all. He is also very open with women and engages is physical contact before permission from Cecily’s guardian, Jack. Algernon also meets Cecily in a wrong manner as he runs off to Jack’s country house uninvited; which isn’t reflective of an Ideal Victorian man at all.

In the play, The Importance of Being Earnest by Oscar Wilde, there is a lot of humor that can be found. Specifically, developed behind the characters in this play that display many instances of irony and how important it was to fit into the “status quo” of this time period. There are specific behaviors from the characters of Lady Bracknell, Gwendolen, and Algernon that portray Wilde’s opinion of society during the Victorian Age. The attitude of these characters is snobbish and their manners display double standards and superiority. The play’s use of mockery and irony of these satirical situations is meant to publicly ridicule the self- loving attitude of the upper class while exposing their true absence of intelligence which causes their absurd social behaviors

Cecily and Gwendolen were perfectly happy to become attached to something that appears to be true and real rather than taking a closer look to expose the genuine nature of Jack and Algernon proves that the two young women were more attached to the name of both men, and did not consider their actions and words to verify them not being earnest – exposing both women as superficial. Algernon’s occupation with his outer appearance and Lady Bracknell’s need to look good in the eyes of others proves them both to be superficially committed to their external manifestations. It is possible that Wilde was revealing what the upper class life resulted in, and that as one rises higher in status one loses themselves, becoming preoccupied with what others want and what others think, forgetting one’s true

Oliver Parker’s (2002) film adaptation of Oscar Wilde’s play ‘The Importance of Being Earnest’ is sadly completely consumed by the romantic comedy style, masking Wilde’s key concerns and detracting from important comic elements of the play. This can be observed through the varying representations of characters, the film’s lack of contextual jokes, the more prominent sub-plot between Dr Chasuble and Miss Prism, the addition of music and the way in which dialogue, while remaining true to the play, has lost meaning in the film.

Wilde uses Gwendolen’s and Cecily’s obviously superficial affection towards each other to again accentuate and criticize the importance that the Victorian’s placed on an individual’s name. The practice of naming others as a means to display one’s own dominance is satirized by the irony in the argument between the two young ladies. The audience detects that they are undoubtedly fighting over Ernest as well as superiority, but their true feelings are ironically hidden (rather poorly) under fake earnestness. Garland states that, “both women attempt to define the existence of their opponent through rapidly shifting expression of Identity” (272), and cause a quiet fire in the atmosphere of the scene. Since their fight is so indirect and blatantly petty, Wilde is able to comically criticize females of victorian society that are represented by Gwendolen and Cecily.

The three strongest women icons in the play being Lady Bracknell, Gwendolen and Cecily. According to Pestason, the scene where Lady Bracknell tells Cecily that some women in the London society chose freely to remain thirty-five for years is considered to be a remarkable freedom of choice, to be as young or as old, as tall or as short as one declares themselves to be (114-44, 156). This does not only pertain to youth of appearance but it additionally establishes that the women in the play does not only possess power over control but also in choice. Throughout the play, the readers note the domination the women has over the men but does not notice the power over their own choice. “I am told; and my ideal has always been to love someone of the name Ernest.” (P.41) Both Gwendolen and Cecily chooses to only marry a man of the name Ernest; an ideal that they both contain. To further discuss this, Lady Bracknell, an obvious symbol of a strong female character, contains nearly all the efficacy in the play. When Jack proposed to Gwendolen, Lady Bracknell became the judge of the proposal; having the power to declare if they are rightfully to be married. As the discussion of family arouses and she finds out Jack had been adopted, Lady Bracknell says, “You can hardly imagine that I and Lord Bracknell would dream of allowing our

Before this direct reference, the theme has only been alluded to when we notice how keen Algernon is in keeping Lane at his proper social ‘place’- a servant who does not discuss his domestic issues with their boss or social betters. Romance is clearly a theme that the play deals with and is introduced by the caustic reference to the relationship between his cousin and Mr. Worthington- ‘My dear fellow, the way you flirt with Gwendolen is perfectly disgraceful.  It is almost as bad as the way Gwendolen flirts with you’- clearly this cannot be anything else but love. The play is also very concerned about the issue of extravagance. Algernon is an extravagant young man, a fact Mr. Worthington does not appreciate and tries again and again to discourage when they discuss Algernon’s culinary tastes. Through the various comments by the characters the play reveals the authors cynicism towards the marriage institution which he relentlessly attacks as the flippant ‘in married households the champagne is rarely of a first-rate brand’ and through such play with words as ‘divorce was made in heaven’ rather than ‘marriages were made in heaven’.

While those of the Victorian upper class were usually the most refined and intelligent, Wilde portrays them as ignorant and dense. One of the most well described ladies, Miss Prism, is shown to be the least aware. “The most cultivated of ladies, and the very picture of respectability”(63). She is ultimately the most absent minded and leaves baby Jack in a handbag in a cloak room of a major railway station. Through Miss Prism, Wilde is able to propagandize the intelligence the aristocrats usually embody. In addition to this, Wilde refutes the morality of the Victorian elite. The main two characters, Jack and Algernon, are deceptive and are rarely seen to have any morals. Reviewing this play with a sociological/Marxist perspective provides insight on how Wilde wants others to perceive the elite of

Every line, every character, and every stage direction in The Importance of Being Earnest is set on supporting Oscar Wilde’s want for social change. The Importance of Being Earnest was written during the late period of the Victorian era. During this period social classification was taken very seriously. It could affect working and living conditions, education, religion, and marriage. Wilde explores the issues of social class and turns it into a comedic play. He humorously criticizes Victorian manners and attacking the society of the luxurious life. The audience becomes self-aware as the characters reflect on themselves. Plays such as this become successful because of the backgrounds the writers come from and the experiences they have had.

Swift’s development of the absurd proposal for eating young children so that “the poorer tenants will have something valuable” or that there “would be constant customers for infants flesh” is enhanced by numerous examples of biting irony. Such irony exists even in the title: “A Modest Proposal.” Upon reading the text, the audience can agree that Swift’s proposal is far from modest and such irony servers to enrage and puzzle the readers to the point that they question why he would be using such shifting, ironic diction. Swift’s use of absurd logic to his proposal supplements the effectiveness of verbal irony, since no one would believe that children should be eaten to improve “in the art of making good bacon”. The aforementioned examples illustrate Swift’s craftiness and the use irony to almost mock the audience. In true Juveliean fashion, such techniques are designed to arouse the reader to anger and suspicion of what is trying to be said. A satire based on the Horatian type wouldn’t use such blatantly offensive irony. Rather, the tone of voice would be “gentler, more good humored and sympathetic” (“Horatian Satire”).

Oscar Wilde’s play The Importance of Being Earnest (.1993.) is an enlightening epitome of social class in the Victorian era. The satire is driven by the frivolous behaviour, superficial lives and artificial norms within the Victorian aristocracy. Incorporating his own opinion into the play, Wilde continually attacked and mocked their hypocrisy, views on marriage, and their mannerisms. Throughout the play, Wilde used an abundant range of literary techniques to reinforce his opinion. Irony, paradox and hyperboles, as well as witty epigrams and aphorisms were used astutely and were ubiquitous throughout the play. This contributed to the satirical style and tone of the text, and enabled Wilde to effectively communicate his critical perspective on social class in Victorian England.

“Pardon me, you are not engaged to anyone. When you do become engaged to someone, I, or your father, should his health permit him, will inform you of the fact. An engagement should come on a young girl as a surprise, pleasant or unpleasant, as the case may be. It is hardly a matter that she could be allowed to arrange for herself” (Wilde, 622). Lady Bracknell’s harsh criticism and stubborn ways are customary of upper-class mothers in the era. Ironically enough, Algernon later develops a kind of forbidden love. The object of his affection is young and being taught to be unimaginative and serious.

Lewis Carroll’s whimsical journey into Wonderland has created a fantasy worlds full of mystery and depth. In this essay I will discuss the links between the consumption of food and the underlying desires behind consuming. In this essay I will argue that food is used as a transformative device to enable Alice to voluntarily explore and involuntarily supress her inner desires. Within the Lewis Carroll texts, Alice’s Adventures in Wonderland and Through the Looking Glass and What Alice found there, Alice experiences two very different encounters with food. Alice’s Adventures in Wonderland delves into the idea of eating or drinking for pleasure. In contrast, Through the Looking Glass and What Alice Found There