In one of these poems, “Vlamertinghe: Passing the Chateau,” Blunden describes recalls a quote from “Ode on a Grecian Urn” by John Keats while ostensibly looking over a plane of flowers (POTTER 180). Blunden that describes that he and his fellow soldiers are “coming to the sacrifice,” and questions whether if those “who live with death and lice” may have flowers (Blunden 208). The contrast between Blunden’s beautiful description of the “floweriest place That earth allows” and the macabre concept of decay and parasitic insects creates a sense of dissonance. Those two images do not belong together, and most would not think to place them together either. However, Blunden, with all of the emotional and mental trauma that he has been put through, groups the two separate concepts together anyways to show that for a soldier, the appreciation of life and the fear of death are intertwined. The decision to have contrasting language is indicative of his form of irony when writing verse. The contradictions throughout the poem “may signal something that acts on his imagination” (POTTER 181). For Blunden, peace is not often found within his own mind, and when it is found, it does not last for long. This form of irony that is present in his verse can also be attributed to his prose work. In the memoir, Blunden details emotions and experiences that are almost completely nonsensical due to the magnitude of how much they contradict each other. However, these contradictions are a integral
In the “Story of an Hour” we observe many instances in which irony takes place.
Hughes picks up on the inferiority of mankind in comparison to “unkillable” nature. Hughes conveys the idea that nature is immortal and lives off our deads’ remains, we see this through the listing of “tributary graves” being part of what the North Sea “swallows”. This imagery is morbid and voices Hughes’ anti-pastoral feeling. He uses this poem to establish that nature is not
The obscure relationship between man and environment is addressed abundantly throughout each of the throughout the three poems, as it is made apparent that Owen tended to use pathetic fallacy as a motif to reflect the internal conflicts of the soldiers. When the weather is peaceful, the soldiers are too, as seen briefly in
Lovelace’s diction helps to develop the theme that war requires a passionate commitment from soldiers and can be as consuming as a relationship with a person the poet uses many dictions throughout the poem that suggests going to war such as ‘chaste, mistress, embrace, inconstancy, adore and love’. Likewise, Tennyson’s diction helps to develop the themes that war places soldiers under extreme stress, and soldiers can fight bravely and honorably even if the result of the battle is unsuccessful. In contrast, the word choices in Owen’s poem supports the theme that war is destructive, bitter, and violent, not the romantic efforts praised by those outside of it. Diction that has a strong impact on Borden’s poem is ‘satin, ermine, chic’, or words that have strong negative connotations such as ‘obscene, putrid, monstrous’. Equally important, The Diction in Borden’s poem support the theme that war is indifferent to human life. Words that display The Diction in “The Song of the Mud” are ‘cursed, sludge, haunting, trudge, blood-shod’. Whereas The tone of Lovelace’s poem is romantic and slightly playful along with Tennyson tone, which establishes a serious and respectful tone that also acknowledges the stress and confusion of war. Unlike the tone in the first set of poems, A great example of irony in Owen’s poem is “Ecstasy” (line 9), which usually associated with positive feelings of joy or intense
The soldiers who had attended the war were shown to have died brutally, like “cattle”, yet when reaching the home front, it is seen that they are laid to rest in a much more civil and dignified manner. The concept of this can be seen as an extended metaphor throughout the entire poem, with the battle front seen as a world filled with violence, fear and destruction, where as the home front is perceived as a place marked by order and ritual, a civilized world. The second sonnet opens with “What candles may be held to speed them all?”, invoking a more softer and compassionate tone towards the audience, more specifically through Owen’s use of a rhetorical question. It captures the readers’ attention, engaging them to feel empathetic and notice the shift of energy from anger and bitterness to a sadder and more somber tone. Owen’s use of descriptive language, as simple as it seems, such as ‘boys’ and ‘girls’ provokes the audience to view the horrors of the war as if they had been placed onto children, because in reality the ‘men; who had signed themselves into war to fight in glory for their country had really only just been boys themselves.
In the Passage "The Crossing" the Author Cormac McCarthy's give techniques convey the impact of the experience on the main characters. Like in paragraph Line 5 it says "he cradled the wolf in his arms and lowered her to the ground and unfolded the sheet" so basically the author is trying to point out how he Billy killed the wolf and then carries her through the mountains to burry her . Another good piece of evidence is that the "Coyotes were yapping along the hills to the south and the were calling from the dark shapes" well from my point of view it sounds like the wolfs were crying but as you continue to read on you'll see that it says it in line 13.
Wilfred Owen’s poetry effectively conveys his perspectives on human conflict through his experiences during The Great War. Poems such as ‘Futility’ and ‘Dulce et Decorum Est’ portray these perceptions through the use of poetic techniques, emphasising such conflicts involving himself, other people and nature. These themes are examined in extreme detail, attempting to shape meaning in relation to Owen’s first-hand encounters whilst fighting on the battlefield.
In war ,many terrible tragedies occur, leaving many people scarred and in grief and who can never forget the nightmare of war.This paper will discuss“ In, Flanders fields by John Mccrae’s,Dulce et Decorum EST by Wilfred Owen and I sing of Olaf glad and big by ee cummings.This paper will be discussing the different points of views that poets have about war and how it shapes our own opinion ,of it because none of us have experienced war firsthand and have only heard about the nightmare from those who have survived and lived to tell us their story.
Wilfred Owen’s “Dulce et Decorum Est” is a poem made of four stanzas in an a, b, a, b rhyme scheme. There is hardly any rhythm to the entire poem, although Owen makes it sound like it is in iambic pentameter in some lines. Every stanza has a different amount of lines, ranging from two to twelve. To convey the poem’s purpose, Owen uses an unconventional poem style and horrid, graphic images of the frontlines to convey the unbearable circumstances that many young soldiers went through in World War I. Not only did these men have to partake in such painful duties, but these duties contrasted with the view of the war made by the populace of the mainland country. Many of these people are pro-war and would never see the battlefield themselves. Owen’s use of word choice, imagery, metaphors, exaggeration, and the contrast between the young, war-deteriorated soldiers and populace’s favorable view of war creates Owen’s own unfavorable view of the war to readers.
“He’s lost his color far from here”. This line gives the reader a true image of how horrific military wounds could be. The irony that the soldier of the poem “liked a blood smear down his leg” then becomes rather depressing for the reader. This irony also suggests to the reader how foolish the subject is, due to his want of a “blood smear” and then, ironically he obtains “a leap of purple spurted from his thigh”. As well as graphical contrasts, there are also cases of contrasts between atmospheres before and after the war. It is shown that pre war, majority of the community was more joyful; “voices of play and pleasure.” Now however, it seems to be solemn as seen in “Voices of boys rang saddening like a hymn.” This line symbolizes a disheartening atmosphere and also has connotations of a funeral which, once again, proves the horrors of war portrayed by Wilfred
For thousands of years mankind has been obsessed with the subject of war, from the clash of swords to the bitter thunder of artillery mankind has brought upon itself an immense amount of suffering. Good evening teachers and students I am here today with the aim of convincing you on why Wilfred Owens poetry must not be ignored but instead explored to find the deeper meaning of his poems. The poetry of Wilfred Owen was different to that of other war poets of his time as it revealed the horrors and agony of the so-called Great War which were concealed by the Church and British Authorities for the purpose of deceiving the youth. The idea of romanticising war goes strongly against Wilfred Owens moral purpose, thus his Poetry is didactic and condemnatory. Throughout his short life he had first hand experience with the scourge of war. From this he aimed to debunk those romanticised notions of the glorification of war that were present at the time by challenging poets such as John Keats who glorified war. Owen effectively conveys the truth of war through his use of techniques such as imagery, ambiguity and many others in his poems of "Dulce Et Decorum EST" and Anthem For doomed youth.
Poems using strong poetic technique and devices are able to create a wide range of emotions from the readers. Wilfred Owen’s poetry effectively uses these poetic techniques and devices to not only create unsettling images about war but to provide his opinion about war itself with the use of themes within his poem. The use of these themes explored Owen’s ideas on the futility of war and can be seen in the poems: Anthem for Doomed Youth, Futility and The Next War. The poems provide unsettling images and belief of war through the treatment of death, barbaric nature of war and the futility of war.
The twenty-four old romantic poet John Keats, “Ode on a Grecian Urn” written in the spring of 1819 was one of his last of six odes. That he ever wrote for he died of tuberculosis a year later. Although, his time as a poet was short he was an essential part of The Romantic period (1789-1832). His groundbreaking poetry created a paradigm shift in the way poetry was composed and comprehended. Indeed, the Romantic period provided a shift from reason to belief in the senses and intuition. “Keats’s poem is able to address some of the most common assumptions and valorizations in the study of Romantic poetry, such as the opposition between “organic culture” and the alienation of modernity”. (O’Rourke, 53) The irony of Keats’s Urn is he likens
The second stanza speaks of how it so often slips our mind that war does not only affect the men who are in direct combat. The young women too, suffer greatly in silence. Though so removed from the grime and blood of the battlefield, one cannot imagine the excruciating pain of having to part with their loved ones, with the knowledge that 'the holy glimmers of goodbyes ' might as well be goodbye forever. Every moment of the day, they agonize over the terrifying thought that their loved one has been shot or injured. There is no way of telling - and the guessing game is exhausting. There is no more joy or excitement in life as each 'slow dusk ' drags by, their only reason for existence condensed into a single purpose - receiving news from the battlefield. Often time, their agonizing wait ends in a heartbreaking death. This is signified from the line 'the drawing down of blinds '.
In the opening stanza of War Photographer, references to religion, ‘light is red’, ‘church’, ‘priest’, ‘Mass’, ‘All flesh is grass’, are very prominent and symbolic. The photographer is metaphorically described as a priest preparing to say Mass, with the names of countries in war instead of words of a service, and with the red light of the darkroom symbolizing the church tabernacle lamp. This metaphor reminds us of the transience of life, when one death can mean so little. Likewise in Lament, the repetition of ‘For’ at the start of each verse brings a chanting-like effect, which reflect religion and ritualism. The entire poem is almost like a song, a desolate tune of mourning for the lost lives. In addition, ‘pulsing burden’, also suggests a rhythmic and regular beat to the poem. This phrase in itself is a paradox, where pulsing represents energy and liveliness, whereas burden represents a weight and unpleasantness; it reflects the burden of war on the country, repressing animals and humans who try to