Plucking the White Peacock’s Feathers
Henry Ward Beecher once wrote, “a man's true state of power and riches is to be in himself”. Toni Morrison explores this notion in her bildungsroman, Song of Solomon, as she follows the Dead family a middle calss black family living in 1960s Michigan. Throughout the story, the many characters’ spiritual journeys and diverse narratives coalesce into Morrison’s deeper implication of the significance of individual identity within the African American community. Toni Morrison’s works frequently revolve around the pain and rebuilding of the African American community ensuing slavery, racism, and discrimination. Songs of Solomon is no exception. In the novel her characters fall along a spectrum of self-realization
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Morrison reveals through Macon’s pitifully materialistic life and ironically pessimistic narrative, that although Milkman’s father may find a security of self in his material pursuits, Milkman’s own spiritual journey in his aunt Pilate’s footsteps to reach his innate identity is a far more fruitful method of self-realization. Although the novel revolves primarily around Milkman, Morrison provides a backdrop to his journey by introducing Milkman’s father, Macon Dead, and aunt, Pilate Dead. Macon and Pilates divergent worlds shed light on the incongruity of their perspectives on themselves, one another and the world. Morrison uses Macon’s narrative to show the progression of his hopelessness as he sinks deeper and deeper into the material world. She begins by introducing Macon’s hope when he conjures up the image of an imagined ancestor, “Surely, he thought, he and his sister had some ancestor, some lithe young man with onyx skin and legs as straight as cane stalks, who had a name that was real” (17). He is briefly convinced when he thinks that “surely” this man existed and held a meaningful name. Macon imagines this ancestor seemingly as caricature, only distinguishing the man’s “onyx skin” and “cane stalk” legs. The ancestor is intangible to …show more content…
Along with Pilate, Milkman’s childhood friend, Guitar, acts as a guide in Milkman’s spiritual rebirth by helping him steer away from his father’s materialistic world, towards his heritage and thus his entire self. When Milkman and Guitar cross paths with a white peacock Guitar notes, “too much tail. All that jewelry weighs it down. Like vanity. Cant nobody fly with all that shit. Wanna fly, you got to give up the shit that weighs you down” (179). Guitar clarifies the symbolism of the white peacock by addressing Milkman directly with “you” as he hints that Milkman and his father’s materialism are what prevent them from “flying”. Guitar uses the peacock’s outward beauty to explain the materialistic and shallow self worth Milkman has inherited from his father. Morrison also distinguishes Guitar’s casual profanity in this passage from Milkman’s more formal vernacular. This distinction is familiar, having once seperated Pilate and Macon: Macon’s world stood as refined but shallow whereas Pilate’s was raw but entirely fulfilled. Guitars own path to his identity inspires Milkman. Guitar addresses Milkman’s concerns about Guitar taking his master’s name when he replies, “I don't give a shit what white people know or even think. Besides, I do accept it. It's part of who I am. Guitar is my name. Bains is the slave master's name. And I'm all of
In Morrison's novel, the father sees love as ownership. After Milkman begins working for him, he is "delighted. His son belongs to him now and not to Ruth(63)." In addition, the father wishes for his son to focus less on education and more on the "American Dream". He tells Milkman, "Let me tell you right now the one important thing you'll ever need to know: own things. And let the things you own own other things. Then you'll own yourself and other people too(55)." Milkman's father did not have any respect for college graduates. He believed that "college was time spent
In the opening chapter of the 1977 novel Song of Solomon by Toni Morrison, the author presents a distant relationship between Macon Dead and his estranged sister, Pilate. Macon is shown staring into the window of his sister’s house, watching Pilate, her daughter Reba, and granddaughter Hagar. By simply observing them from the outside of their house, he demonstrates the complex relationship between himself and the family members he is watching. Morrison conveys this conflicted relationship through his use of setting, musical motif, and symbolism behind “Dead”.
Selfishness and greed would have to be a common trait for humans. Milkman, in Song of Solomon by Toni Morrison, happens to demonstrate both of these traits. Milkman is selfish and would never stop to help others. He goes on a journey in search for gold, which this journey helps milkman to not only change his view of life, but also to find out a few things about his family. Greed lead Milkman to this journey and finding out about his family’s history. The original plan for this journey was for milkman to stumble over some gold, which later transforms his personality from self-important and mean to caring and thoughtful.
The division and classification of human beings. This is the idea behind “race”. For centuries this term was used by so called superior humans to justify their discrimination and violence towards the people around them. It continues to be associated with such an ominous past and has come to shape attitudes around the world. Even in our modern society conflict and tension because of race continue to hinder our species unity. In the United States of America tensions between blacks and whites have existed ever since the birth of the country and there is no end in sight. Numerous samples of American literature have directly spoken of race. Remarkably, Song of Solomon by Toni Morrison through its insightful storytelling and the uniqueness of its characters manages to give very thought provoking views on the subject. The protagonist Milkman Dead is an African American man who has always lived a complacent lifestyle. Never truly understanding the hardships of other African Americans his attitude toward the subject of race is one of ambiguity. This completely contrast his own family and friends as their perspectives not only reveal their character in their truest form but also the folly of ignorance.
Years later, Milkman and his friend, Guitar, are amazed by the mysterious, even mystical appearance of a peacock over the building of the used car lot where they stand. As the bird descends, Milkman mistakes it for a female, but Guitar corrects him: "He. That's a he. The male is the only one got that tail full of jewelry. Son of a bitch." Milkman, in all his innocent conviction of male superiority, asks why the peacock can fly no better than a chicken, and Guitar, who wants to catch and eat the bird, answers, "Too much tail. All that jewelry weighs it down. Like vanity. Can't nobody fly with all that shit. Wanna fly, you got to give up the shit that weighs you down" (179-80).
Toni Morrison’s novel, Song of Solomon, encompasses many themes that were prevalent in the other novels written in the same time period. Morrison produced this novel in 1977 just as racial issues and discrimination were at its peaks. “She [Morrison] was the first African American to receive the Noble Prize in Literature.” (Milliman 5) However, the setting of the story is in the 1930s when World War II was taking place. The novel is based on an African-American family residing in Michigan who are victims of racism and social discrimination. The story focuses on Milkman Dead, the main character, who is naïve and leaves his family and friends behind to become an independent, wealthy upperclassman. “Milkman discovers the intricacies of his
Toni Morrison’s Pulitzer Prize winning book Beloved, is a historical novel that serves as a memorial for those who died during the perils of slavery. The novel serves as a voice that speaks for the silenced reality of slavery for both men and women. Morrison in this novel gives a voice to those who were denied one, in particular African American women. It is a novel that rediscovers the African American experience. The novel undermines the conventional idea of a story’s time scheme. Instead, Morrison combines the past and the present together. The book is set up as a circling of memories of the past, which continuously reoccur in the book. The past is embedded in the present, and the present has no
By describing the “house in Manawaka” (1) to be known as the “old Connor Place” (2), Laurence reveals his role as the head of the family. As this image of Grandfather Connor is implemented in the reader’s mind, this strong individual who had “built his own house” (6) becomes a man with dedication, dedication that enabled him to build a settlement that was the “first of its kind” (7). However, as Laurence reveals Grandfather Connor’s authority in the speaker’s household, his
This is the ultimate loss of identity because indirectly by Mavis denying her children and breaking the bond between mother and child, she is in a sense denying herself and her natural inclination to care for her children. When Mavis and her husband are in bed together, we see Morrison compares her to a ?Raggedy Ann doll,?(26) illustrating the fact that Mavis? identity meant nothing to her husband. Ironically, it takes this initial shed of self for Mavis to be able to escape the bondage her husband has over her. An article by the Radicalesbians supports this fact by stating that the male culture?s definition of ?woman? binds a woman to sexual and family functions (Radicalesbians). Unfortunately, Mavis? husband didn?t allocate ?family functions? as including the needs of his children coming before his own needs. Another indication of a lack of identity in this is Mavis? mother?s ability to turn Mavis in when she runs away to her home. Her mother, a traditional woman, is unable to understand the idea of a woman running away from her family even if it is to save herself. Her informing Mavis? husband of Mavis? whereabouts is the result of her unwillingness to recognize the similarities between her own lack of identity and her daughter?s, another tendency of women stated in the article.
While on his quest for the gold Milkman discovers moral value in his family history. While in Pennsylvania he loses all of his material possessions, which enables him to realize his life shouldn?t revolve around material items and sparks an interest in his family history. From information he gathers while in Pennsylvania he believes the gold he is seeking is in Virginia. While in Virginia Milkman learns he has family history in the town of Shalimar. While in the town Milkman realizes he somehow feels connected to the people there. This is a feeling he never had in his hometown. This connections reminds him of his feelings when he is with his aunt Pilate. This opens a strong need in him to find out about his family?s past.
Song of Solomon, by Toni Morrison, is about a man named Macon Dead. Throughout this novel, however, he is known by all except his father as Milkman because his mother breastfed him until he was in his teens. The novel centers on Milkman's attempt to find himself. His family is a wealthy black family living in a poor black neighborhood, where Milkman's father prohibits Milkman from interacting with most of them, including his aunt. However, he ends up visiting her, and while there, he learns a little about his family's mysterious past and decides to look deeper into it. Throughout his journey into his past, one may notice a large amount of biblical allusions.
“Doing the right thing takes courage and strength.” (Blair Waldorf). Some people have struggles growing up and cannot express who they truly are because they always tried to hide under someone’s shadow. Throughout the first half of the novel Milkman is the incarnation of an immature young man drifting aimlessly through life. He also inherited some qualities from his father; they both had strong materialistic values, arrogance, his sexist, and aggressive attitude towards women. In Song of Solomon, Toni Morrison uses minor characters in the novel as form of guidance counselor for Milkman’s development.
Macon Dead III, or otherwise known as Milkman, starts off growing into an egotistical character. As much as he tried not to be like his father, he was fairly similar to him. " Milkman feared
Before Milkman leaves his home in Michigan, he perceives the world in materialistic, unyielding terms that recall his father's behavior. Indeed, the search for gold that sends him to Virginia reveals his perception that escaping from his past and his responsibilities and finding material treasure will guarantee him a sense of his own identity.
It can be said that Song of Solomon is bildungsroman which is defined by The Encyclopedia Britannica as “a class of novel that deals with the [coming-of-age or] formative years of an individual”. Furthermore, in a bildungsroman, a main protagonist usually undergoes some transformation after seeking truth or philosophical enlightenment. In Morrison’s novel, the plot follows the main protagonist Milkman as he matures within his community while developing relationships with others and discovering his individual identity. In an essay titled Call and Response, Marilyn Sanders Mobley notes that “What Song of Solomon does ultimately is suggest that a viable sense of African American identity comes from responding to alternative constructions of