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Individual Identity In Toni Morrison's Song Of Solomon

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Henry Ward Beecher once wrote, “a man's true state of power and riches is to be in himself”. Toni Morrison explores this notion in her bildungsroman, Song of Solomon, as she follows the Dead family a middle calss black family living in 1960s Michigan. Throughout the story, the many characters’ spiritual journeys and diverse narratives coalesce into Morrison’s deeper implication of the significance of individual identity within the African American community. Toni Morrison’s works frequently revolve around the pain and rebuilding of the African American community ensuing slavery, racism, and discrimination. Songs of Solomon is no exception. In the novel her characters fall along a spectrum of self-realization …show more content…

Morrison reveals through Macon’s pitifully materialistic life and ironically pessimistic narrative, that although Milkman’s father may find a security of self in his material pursuits, Milkman’s own spiritual journey in his aunt Pilate’s footsteps to reach his innate identity is a far more fruitful method of self-realization. Although the novel revolves primarily around Milkman, Morrison provides a backdrop to his journey by introducing Milkman’s father, Macon Dead, and aunt, Pilate Dead. Macon and Pilates divergent worlds shed light on the incongruity of their perspectives on themselves, one another and the world. Morrison uses Macon’s narrative to show the progression of his hopelessness as he sinks deeper and deeper into the material world. She begins by introducing Macon’s hope when he conjures up the image of an imagined ancestor, “Surely, he thought, he and his sister had some ancestor, some lithe young man with onyx skin and legs as straight as cane stalks, who had a name that was real” (17). He is briefly convinced when he thinks that “surely” this man existed and held a meaningful name. Macon imagines this ancestor seemingly as caricature, only distinguishing the man’s “onyx skin” and “cane stalk” legs. The ancestor is intangible to …show more content…

Along with Pilate, Milkman’s childhood friend, Guitar, acts as a guide in Milkman’s spiritual rebirth by helping him steer away from his father’s materialistic world, towards his heritage and thus his entire self. When Milkman and Guitar cross paths with a white peacock Guitar notes, “too much tail. All that jewelry weighs it down. Like vanity. Cant nobody fly with all that shit. Wanna fly, you got to give up the shit that weighs you down” (179). Guitar clarifies the symbolism of the white peacock by addressing Milkman directly with “you” as he hints that Milkman and his father’s materialism are what prevent them from “flying”. Guitar uses the peacock’s outward beauty to explain the materialistic and shallow self worth Milkman has inherited from his father. Morrison also distinguishes Guitar’s casual profanity in this passage from Milkman’s more formal vernacular. This distinction is familiar, having once seperated Pilate and Macon: Macon’s world stood as refined but shallow whereas Pilate’s was raw but entirely fulfilled. Guitars own path to his identity inspires Milkman. Guitar addresses Milkman’s concerns about Guitar taking his master’s name when he replies, “I don't give a shit what white people know or even think. Besides, I do accept it. It's part of who I am. Guitar is my name. Bains is the slave master's name. And I'm all of

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