The mood within the second stanza is the complete opposite of the first stanza, where Coleridge is no longer in the peaceful mind of sleep, rather that of a terrifying dream and thoughts in which it wakes him up. The syntax is abrupt and short, portraying the terror and fear Coleridge is feeling because of this new dream. The lineage also is short and packed with strong verbs, such as ‘burning’ and ‘trampling’, as well as depicting visuals of Coleridge’s nightmares. Coleridge uses a combination of alternate and couplet rhyme schemes in the second stanza, which can be interpreted to his new current fear of sleep. Currently, sleep for Coleridge is a vast pit of his past wrongdoings and he no longer wants to revisit them. Coleridge begins with not really praying in comfort and silently, but aloud and in ‘anguish’ and ‘agony’, almost pleading to someone to make the nightmare and its aftermath stop. Within the third line, Coleridge delves into the nightmarish visual of, “Up-starting from the fiendish crowd / of shapes and thoughts that tortured me” (16-17). He is bombarded with feelings and thoughts that won’t go away, which is like slow torture to him because sleep is forever lost to him on this night. Coleridge then begins to recollect his past with, “Sense of intolerable wrong, / And whom I scorned, those only strong! / Thirst …show more content…
He used his opiate withdrawal as an example of this statement, with his physical and psychological issues of withdrawal involving his sleep and dreams. The influence of religion and the raw distinction of imagination are two themes of the “Romantic” period that are established in Coleridge’s poem. With the clever use of syntax, diction, lineage, and hidden connections to religion, Coleridge is able to clearly show readers what his message is throughout the
If there was no such thing as sympathy, empathy, or love in our world, it would be a hard place to live. If there was no hard law or reason in our world, it would be a crazy place to live. Neither of these worlds would be anybody’s first choice as a home - it's just common sense take away either of these two fundamental aspects of life, and everything is immediately chaos. In fact, it is only in a world such as ours, where legal and human emotion work together, that we are happy. In William Shakespeare's A Midsummer Night's Dream, Shakespeare recognizes this truth and uses the two settings to represent the city of Athens as law, order, civility, and judgment, while the woods represent chaos, incivility, dreams, and love.
In the comedy A Midsummer Night’s Dream, the plethora of comedic styles used by Shakespeare illustrate his intention to poke fun at love throughout the play. The play is notorious for its intricate and irrational plotline, mainly due to the constantly shifting love triangles. Once the powerful fairies become involved with the fate of the naive lovers – Demetrius, Helena, Lysander and Hermia – matters are further complicated. The complication inflicted by the fairies is credited to the powerful love potion that Oberon, King of the Fairies, hands over to Puck, a mischievous fairy, to use on his wife Titania, with intentions to embarrass and distract her. This spiteful attitude is due to Oberon and Titania’s argument over the custody of an
What is a comedy? According to a famous filmmaker, Woody Allen, thinks “Comedy is rather like a dessert, a bit like meringue.” A Midsummer Night’s Dream - a play written by William Shakespeare, is a comedy which talks about a love story between four lovers that live in Athens. Demetrius, Lysander, Hermia and Helena are all fighting for each other. The play “A Midsummer Night’s Dream” written by Shakespeare, consisted of a lot of humorous situations, for example: When Titania fell in love with Bottom who had an ass; when Lysander suddenly fell in love with Helena, when Demetrius suddenly fell in love with Hermia. This essay is considered as a comedy, as it consists of exaggeration, irony, funny characters,
The story of A Midsummer Night’s Dream is one that could be considered romantic, ridiculous, cruel, or all of the above. The story had some very interesting characters and plotlines. Shakespeare uses his characters to show the flaws in society such as love and royalty, showing that these things cause conflict with others. Throughout the story, there was a plethora of satire towards love and how it is ridiculous and is implemented most using the character Helena as an outlet. Helena is shown making a mockery of love, and showing how this feeling or emotion can separate someone from reality.
At the end of chapter 20 in Coleridge’s Biographia Literaria, Coleridge describes his own experience with poetry and its effect on others’ imagination from an outsiders point of view:
In his comedic play, A Midsummers Night Dream (1595), William Shakespeare utilizes the enchanting adventures of young Athenian lovers and a group of low-class rudimentary actors and their shared experiences with supernatural creatures to portray the opportunity of being in command of their destiny. By presenting conflicts to these three diverse realms, Shakespeare allows these characters to connect despite their hierarchical distinctions to reveal their determination to conquer their adversity. He uses dramatic irony, metaphor, and symbolism to heighten the audience's awareness of their self-determination and their firm control on their future. Shakespeare inspires the public by instilling in them that despite their challenging circumstances, they can still be masters of their own fate, bestowing a feeling of newfound hope and freewill.
Shakespeare’s A Midsummer Night’s Dream is a play that utilises comedy to convey complex ideas that are seen throughout the play, concepts like the jealousy Helena has towards Hermia, Egeus’s strong hostility towards Hermia and Lysander’s relationship and unrequited love. He uses comical tools like unconscious irony and hyperbole to turn rather difficult topics into humorous representations of them. Events like how Puck thinks Titania had fallen in love with him, not knowing he was bearing the head of an ass, are portrayed in a humorous way so the viewer understands the meaning, but sees it as a light- hearted narrative. Shakespeare carefully uses comedy that does not overpower the meaning of the play, but puts a completely different perspective on some of the themes.
Coleridge’s ‘This Lime Tree Bower My Prison’, is a poem describing a man’s changing views as he contemplates the natural word which he has been prevented from seeing. Coleridge’s poem demonstrates the ability of individuals to modify their morals and values upon receiving a cathartic release from their relationship with nature, as predicated almost entirely on the imagination. Through allowing the persona to visualise the encounters his friends are making with nature along their journey, Coleridge first demonstrates the capabilities of the imagination in allowing us to picture things in certain detail, as shown through “now my friends emerge,” which in all exemplifies the presence of imagination in our relationship with nature. Furthermore, the description of their journey demonstrates the liberation received from engaging with nature, as shown where they “wander in gladness,” which relates to the cathartic release obtained from viewing nature that pushes us to reassess our ideas and perceptions. By showing his gradual change in tone, the influence of the persona’s imagination is shown, which when in conjunction with his exclamation of “yes!” reveals our emotional capabilities if becoming engulfed in our imaginations of nature. Also, by choosing to allow the persona to speak in a melodramatic tone, the poet is able to again explicitly demonstrate his
The next few years were “the most miserable in his life”(World). He fell “in love with Sara Hutchison, the sister of wordsworth’s wife-to-be”(World) and saw her for some time but, because he was still married, the affair was put to an end. As a result, Coleridge became terribly depressed. At this time he was also feeling “Life-stifling fear”(L32) and “soul-stifling shame”(L32) as stated in his poem ‘The pains of sleep’. These emotions stemmed from how little was understood about addiction in his time. Now, we know that it’s a physical dependency on the substance that causes addiction; back then it was just seen as weak willed when you couldn’t give something up, it was a character flaw.The poem is conversational and is written in 3 stanzas. Each describes one night of sleep, and each is darker than the last. The first stanza paints a truly beautiful picture of a soul in perfect harmony with his surroundings. He “feels weak, yet not unblessed”(L11) because he recognises “eternal strength and wisdom”(L13) are all around him. The Second stanza speaks of a much rougher night. He wakes in the night plagued by “an intolerable wrong”, showing the anxiety and self loathing Coleridge must have been feeling. The
Did you know that another name for Puck ( Oberon's right-hand man) was Robin Good-fellow but to some of the meaner fairies. He was known as a Hobgoblin because of his bizarre figure. Puck the mischievous, quick-witted fairy that makes many of the play’s events relevant to the modern world. Such as, the uncanny ability to cause mischief and mayhem with the common folk of Athens and especially the main characters of the story. However, there is also many issues and problems with the characters in Midsummer Night's Dream. For example, Puck arguably the most important character in Midsummer Night's Dream, has little character development and there is no true protagonist. Even though many people thought that Puck should be one of the main protagonists of this story.
The rise of tension between characters is another characteristic of comedic plays. After Oberon sees the way that Helena has been treated by Demetrius, he orders Puck to apply the juice to the eyes of Demetrius. Puck accidentally applies the juice to Lysander’s eye, which causes him to fall in love with Helena. After the mistake had been caught, Oberon sends Puck to watch Helena and Oberon applies the juice to Demetrius’ eyes. This causes both men to fall for Helena and now the battle is for Helena and not Hermia. Helena is convinced that this is a joke or prank because neither of the two men loved her before. Now because of Puck’s mistakes the four decide to find a
What literary criticism lens is most effective in creating meaning and entertainment throughout Shakespeare’s A Midsummer Night’s Dream? The play, A Midsummer Night’s Dream, has several characters involved in a love triangle. Many scenes in the story involves power being used or taken away and use of money. Throughout the play, readers and viewers experiences Hermia’s power is being taken away by her father, Eugues,which is her kindred, not letting her marry the man she truly loves,Lysander. Later throughout the story, Robin, character from the story contains a enthrall love juice that has power and makes another character from the story, Titania, fall in love with a donkey.The marxist literary criticism lens is the most effective in creating meaning and entertaining readers and viewers in Shakespeare’s A Midsummer Night’s Dream.
The supernatural world is rather distinct to that of the human world entrenched in societal standards and boundaries. Shakespeare’s play, ‘A Midsummer Night’s Dream’, explores this concept, particularly through the use of Puck. In agreement to Harold Bloom’s statement, the following essay will analyse how Puck is significant because, by being so disparate, he is able to show the limitations of the human. This will be done through, first, exploring a definition of the human in relation to the supernatural. Subsequently, the essay will use a Freudian lense to analyse the morality of Puck and, lastly, the essay will focus on Puck’s physical characteristics as well as his ability to span across boundaries in the play and the metatheatrical realm.
For the remainder of his life, Coleridge believed that he was unable to aptly reproduce this “sense of sublimity or majesty.”
Coleridge’s “Kubla Khan” is a bright example of the transforming power imagination has. The poet’s usage of diction and allegories transform this poem into a symbol for imagination. It is said that it was written after Coleridge’s encounter with the sublime while still being under the effect of opium, and when he went to record it, he was disrupted by a visitor and the remaining of the poem was lost even to him. In the poem he shows how possibilities are limitless as long as our imaginations are; Coleridge uses “caverns measureless to man” as a