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Irony In 'A Midsummer Night's Dream'

Decent Essays

The mood within the second stanza is the complete opposite of the first stanza, where Coleridge is no longer in the peaceful mind of sleep, rather that of a terrifying dream and thoughts in which it wakes him up. The syntax is abrupt and short, portraying the terror and fear Coleridge is feeling because of this new dream. The lineage also is short and packed with strong verbs, such as ‘burning’ and ‘trampling’, as well as depicting visuals of Coleridge’s nightmares. Coleridge uses a combination of alternate and couplet rhyme schemes in the second stanza, which can be interpreted to his new current fear of sleep. Currently, sleep for Coleridge is a vast pit of his past wrongdoings and he no longer wants to revisit them. Coleridge begins with not really praying in comfort and silently, but aloud and in ‘anguish’ and ‘agony’, almost pleading to someone to make the nightmare and its aftermath stop. Within the third line, Coleridge delves into the nightmarish visual of, “Up-starting from the fiendish crowd / of shapes and thoughts that tortured me” (16-17). He is bombarded with feelings and thoughts that won’t go away, which is like slow torture to him because sleep is forever lost to him on this night. Coleridge then begins to recollect his past with, “Sense of intolerable wrong, / And whom I scorned, those only strong! / Thirst …show more content…

He used his opiate withdrawal as an example of this statement, with his physical and psychological issues of withdrawal involving his sleep and dreams. The influence of religion and the raw distinction of imagination are two themes of the “Romantic” period that are established in Coleridge’s poem. With the clever use of syntax, diction, lineage, and hidden connections to religion, Coleridge is able to clearly show readers what his message is throughout the

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