In Lord of the Flies, the boys on the island are overcome with the fascination of killing and slaughtering a pig, both for the food and for the thrill of the hunt itself. A chant that is repeated throughout the book, “‘Kill the beast! Cut his throat! Spill his blood!” (Golding 152) is used in order to increase the intensity of the situation that is happening. In between each repeat of the phrase there is an insert of what is going a on around the boys in the scene and each time the actions that are going on is more violent than the last, ending with the death of Simon. This, along with the repeat in words creates an intense, almost animalistic feel of the scene.
Beast, devil, evil, corruption, the seven deadly sins, they all represent some form of evil within humankind. Lord of the Flies is the story of schoolboys that have crash landed on an abandoned island, and go through many hardships as they fight for power and try to be saved. Throughout the story, however, they boys go from having a civilized structure to utter chaos, they struggle for their lives and grasp for survival from a darker creature on the island. Within chapter nine, Simon discovers the beast for what it really is; meanwhile Ralph and Piggy decide to join the other bigguns for a feast with Jack’s tribe. The boys play and dine, and circle together for a “dance” when Simon stumbles out of the forest to tell them of his discovery, and lands in the circle, which results in him being brutally beat to death. This attack on Simon demonstrates how the fear of the beast that the boys are experiencing is affecting their better judgment, and pushes their morals to the side, just so that they can feel safe. In chapter 9 of Lord of the Flies, William Golding employs repetition, animal imagery, and natural imagery to convey the theme that fear can corrupt humans, which pushes them to engage in unspeakable acts.
The boys chant, “Kill the beast, cut his throat spill his blood!” in chapter 9, while they horrifically murder Simon because they believe him to the beast. Golding never properly explains what exactly the beast is, though his heavy use of symbolism can give many clues. Whatever the beast is, it’s horrible enough to drive the boys to murder. Throughout Lord of the Flies, the beast takes many forms: it begins as fear, then morphs into war, which then combine to demonstrate the savagery of human nature.
In the Lord of the Flies when the British school boys are sent away and their plane crashes they’re stranded on an island without an adult. This leads them to do horrible things to each other. These boys who were stranded, lost every sense of innocence they used to have and that island took it from them. Some terrible things that the boys did was murder each other and slaughter a defenseless mama pig.
Despite the obvious age gap of the main characters in both novels, authors Golding and Remarque alike manipulate the text into conveying the theme of the loss of humanity that derives from violence. In Lord of the Flies, it is apparent early on that primal instincts will emerge from the innocence of the boys, such as, "He began to dance and his laughter became a bloodthirsty snarl," (Golding Chapter 4). The split second snarl that escapes is a crystal-clear indicator for the future event depicting the death of a boy, Simon. "Kill the beast! Cut his throat! Spill his blood!" (Golding Chapter 9). Albeit the dancing boys do not know it is a fellow child and not a savage beast, they do not halt the actions taken to harm Simon, which ultimately leads to his death.
In the book Lord of the Flies Simon was had died and whether it was an accident or not he did not deserve to die. They had been on their toes all the time about the beast, what it was, and how to kill it, but the beast was in their mind the whole time and Simon was the only one who knew it. The boys were weary about any kind of movement when they were hunting for the beast. They were anxious to get rid of it that when Simon stumbled over an edge they assumed that he was the beast and they all screamed “Kill the beast! Cut his throat! Spill his
To begin with, the death of Simon in Lord of the Flies illustrates innate human evil. Simon's death is preceded by Jack's tribe singing a savage chant. They violently murder Simon, mistaking him as the beast. Children's instantaneous instincts drove them to kill Simon. Engaging in an unplanned murder, these children effectively demonstrate that when they relinquish rationale which is a product of civilization, impulses lead them to act savagely. What is also significant in this scene is that Ralph and Piggy, the two characters mainly portrayed as being rational, join the cruel murder and even begin to express instinctive behavior from their inner self. It is irrational for any person and especially children, to commit murder. Therefore,
Throughout the novel Lord Of The Flies, the boys on the island are continuously faced with numerous fears. Subsequently there is nothing on the island which they fear more than the beast. The beast is not a tangible object that can be killed or destroyed by conventional means, but an idea symbolizing the primal savage instincts within all people. Its Golding’s intention to illustrate the innate evil inside man through his view of human nature, the actions of the Jack and his tribe, and the relationship between the beast and the school boys.
In part one of Harper Lee’s To Kill a Mockingbird, the reader is introduced to Scout, the narrator of the book, her family and other members of the community in which she lives. Scout and her older brother Jem are the children of Atticus Finch, a lawyer in Maycomb County, Alabama during the Great Depression. Scout and Jem meet Dill, a boy spending the summer with his Aunt Rachel. He is between Scout and Jem’s age and becomes a great friend and playmate. He, like Scout and Jem are enjoying the freedom of no school, using their imagination inventing, and playing games throughout the summer. Next door to Scout and Jem, lives a very curious individual whom they have never seen but heard rumors about. This individual has been kept isolated by his father because of some innocent pranks he was involved in over fifteen years ago. Arthur “Boo” Radley is a young man rumored to be root of all evil in the small town of Maycomb. Curiosity is a theme repeated throughout part one as the Scout, Jem, and Dill desire to know or learn more about life and Boo Radley.
If all of your friends jumped off a cliff, would you? Be it social isolation in safety or solidarity in certain death, both sides of this philosophical quandary entail risk. It is this example of toxic crowd psychology that not only highlights the perennially relevant message behind the microcosm of society that is William Golding’s Lord of the Flies, but the thread that connects the eternal facts and absolute truths sealed inside its pages to the outside world. Golding’s esoteric understanding of human nature and his warnings as to the evil it can breed are becoming increasingly pertinent in today’s society, particularly in all-too-frequently occurring tragedies such as in the instance of a Pennsylvania State University fraternity pledge’s
Violence is presented in the novel through the very diverse deaths of both Piggy and Simon. Prior to Simon’s murder, the boys had been chanting “Kill the beast! Cut his throat! Spill his blood!” in “complementary circles”. These are powerful phrases which
The classic book Lord of the Flies written by William Golding is a story of a group of schoolboys being stranded on a tropical island during World War II. The three main boys are Jack, Ralph, and Piggy, but there are other boys with them on the island. As the book progresses, our group of protagonists slowly lose their morality and become wild savages. In the story there are three specific pig hunts the group has that canonize their steps to insanity. On the first hunt, three boys come across a piglet caught in the vines. The boys attempt to kill it, but the piglet escapes. During the second hunt, a larger group of boys run into a wild boar, which also escapes. On the third hunt, the groups hunters find a sow feeding her piglets. The boys slaughter the pig and put its head on a pike. Ultimately, the piglet, boar, and sow hunt slowly show the boy's madness progress. This helps to portray Golding’s theme that there is a darkness in every man’s heart.
Francesco Petrarch once said “Man has no greater enemy than himself.” It can be assumed that if man is left alone, he is with himself; from that, the question, “What happens if man is isolated, with only his ‘enemy’ to keep him company?” can be posed. In the novel, Lord of the Flies, by William Golding, this question is developed and given an answer, with the isolated setting bringing out the nature of man and blurring the distinguishment between civilized and savage. The author used the setting of a deserted island to illustrate the motifs of civilization and darkness through the effect it has on the characters.
Thesis Statement: The novel Lord of the Flies by William Golding portrays the theme that regardless of each person’s different background and characteristics, every individual has the ability to commit brutal acts. While this book depicts Ralph and Piggy as the most civilized characters, and Jack and his hunters as young English choir boys, their actions reveal that they all have the capability to act violently.
William Goldning’s Lord of the Flies is an allegorical novel where literary techniques are utilized to convey the main ideas and themes of the novel. Two important central themes of the novel includes loss of civilization and innocense which tie into the concept of innate human evil. Loss of civilization is simply the transition from civilization to savagery; order to chaos. The concept of loss of innocense is a key concept to innate human evil because childhood innocense is disrupted as the group hunted animals and even their own. Through the use of literary techniques these ideas are seen in the passage where Simon confronts the “Lord of the Flies.”
The Lord of the Flies, by William Golding, is an allegory that connects the boys’ behavior in the novel to the basic behavior of human nature. In the novel, the boys fear a wild beast that has the potential to kill them off. However, Simon, a quiet boy, finds that the beast is not an animal that everyone should fear, but is a part of each boy himself.