TITLE OF PAPER
Shenella Bourne
Lousiana of lafayette
On September 18, 2014, I attended a play in New Ohio Theatre called “ I like To Be Here: Jackson Heights Revisited.” When I attended this theatre in Greenwich Village in the borough of Manhattan, I was amazed by the reaction of the audience towards what they were seeing on the stage. I checked in 30 minutes early, and was given a program. In this program was information about the director, characters, designers and a schedule of when the next performance would be. Jackson Heights was the effect of a multiethnic environment involving multilingual people. Their piece of acting showcases the many voices that lived these neighborhoods in the borough of
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This was a melodrama genre. The actors use many facial expressions, and gestures to communicate with the audience. They were very passionate and seem to be speaking from their hearts. They seem relax and focus on their role. Their voices projected enough for the audience to understand what were being said. I actually enjoyed all of the character performances in particular the drug addict, who became upset after being stood. He became irritate and acted belligerent after being stood up by his date. His date was Jim an undercover cop, who is confused about his sexuality. He was a cop and was afraid to be judge by his colleagues, family and friends. Jim became drunk and went home with Pablo, a homosexual male that he met at a nightclub. I saw the pain and the struggles in Jim’s character, dealing with his …show more content…
Jim, the under cover closet cop went to Jackson Heights to explore his true feelings about his sexuality. He met a young Hispanic guy, who made him comfortable and for the first time he felt free. Also, There is the storyline of the two people, who are the cab driver and a waitress, that were able to overcome language barriers and fall in love. The major desire and objective of the characters was to tell the audience, how well different types of people from different cultures can get along, and live with one another in the same community, even with diversity. That was their goal, in which they were able to express their morals and mannerisms to the public. The characters were all realistic in their approach, how they spoke, and interacted with each other. The minor characters complimented the major characters by supporting them in their endeavor. For example, when the drag queen encountered the tomboy, and gave words of wisdom. Unfortunately, I could not identify with any of the major characters, but only with a minor character. She was a dreamer, who took life at face value, but was always dreaming to get better in life. That's what I dream about to become a registered anesthetist nurse, when I get my doctor's degree in
Camila: You mentioned how the social clubs would put on plays and dramatic readings. Do you remember some of the works that they did?
the rest of the century. As you watch these videos notice how musicals come to represent
The characters consist of “A brentwood housewife and her DA husband. A Persian store owner. Two police detectives who are also lovers. An African-American television director and his wife. A mexican locksmith.
Anthony is an African-American man who detests white people after he received bad service at a coffee shop. His accomplice Peter, who is also African-American, is man who is more open-minded about prejudices and racial views. Cameron is an African-American producer and his attractive wife Christine and he are on their way home from a party when they are pulled over by Officer Ryan, who accuses them of sexual misdemeanors. Officer Ryan?s partner Officer Hansen just stands there in shock as Officer Ryan inappropriately searches Christine. Farhad is a middle-eastern shop owner who wants his lock fixed, he hires Daniel, a Hispanic locksmith who isn?t trusted by his customers because of his appearance.
Playwright August Wilson, and actress Danielle Brooks have made the most contributions to my life as a humanitarian, and an actor in training. August Wilson created a foundation for African-Americans who are interested in the theatre. The Pittsburgh Cycle, a collection of ten plays strictly for African-Americans, opened the door to future opportunities for African-American playwrights, directors, stage managers, and actors. The context of his plays portrayed the genuine life and struggle of African-Americans. He wrote about the importance of family, history, futures, and development. Reading and studying August Wilson’s plays lead to me loving and embracing my history as an African-American. I studied his work in the early parts of my acting
Tom Cruise’s lesser known brother, Elliot Cruise, held up 150 people hostage today at “The Model American” play at the Nikos theater during the Williamstown Theater Festival.
This mock- documentary play starts with David, aka DHH, reading email from Marcus Gee, the pivotal character in this play. Marcus is a White guy but he has been playing of an Asian role in the play called “Face Value”. David is strongly opposing the idea to grant a White person for an Asian character’s role. David points out the racial discrimination in the US even if the law of the nation prohibits this discrimination. David’s father, who came to America from China and opened a bank in California, had to go under federal investigation, in David’s thinking, just because of being an Asian. So, David expects the Asian character in the play to be the typical Asian person, who possesses the ‘Asian blood’. Marcus Gee, on the other hand, insists himself to be more Asian like actor because he has experienced the Asian life by physically being in China. Marcus’s email to David illustrates the detail how deeply he is interested in knowing the Chinese way of life, especially of a minority tribe called the Dong. As the play moves forward, David seems to be increasingly opponent to the idea of accepting a non-Asian person in an Asian character role.
In my English 104 class, we are discussing the theme of exploring the margins. My group will study the representation of racial minorities in the modern world. I decided to go to the theatre to look into the lack of representation and the misrepresentation of race. Do people of other races feel like they have a limited amount of roles to choose from? Do people of other races feel as though they have to act and look more Caucasian to land classic roles? Does color-blind casting change the experience for the audience? How are many different racial minorities not stereotypically represented? What is being done to solve this issue? I will also discuss who is affected by this issue and what that may mean for them. I will argue the possible solutions to increase the representation in theatre. I will refer to the research I have done on the subject. I will reference Theatre Topics, the Canadian Theatre Review, Applied Theatre Research, and Theatre Research International. Stereotyping in theatre is a universal issue for all marginalized actors. This is an important topic to research if you are a part of the theatre community. To work toward a more equal and accurate representation of the world, the theatre community needs everyone to work together.
According to Morgan Freeman (2012), “Marijuana prohibition is just the stupidest law possible...just legalize it and tax it like we do liquor”. Canada has illegalized marijuana in 1923.Since then marijuana has been the most used drug among Canadians .Moreover, Canada has the highest rate of marijuana use in the world. Therefore, many Canadians argue that the time that marijuana gets legalized in has arrived. Marijuana has been proven to be very beneficial to the country. Legalizing marijuana will reduce crimes, benefit the economy and help individuals medically.
It is these types of plays that can be either intriguing or make you fall asleep by the perplexing storyline. Endgame by Samuel Beckett was directed by Christopher Scott at Baruch’s own, Mason Hall, during the last week of April. Therefore, I had no high hopes for this play since it was free and being read on stage by the actors. It is was my second time in Mason Hall, I find that the architecture is quite simple, yet the ceiling and the border of the stage has an interesting pattern. It has a proscenium stage where the audience sits in the balcony or the orchestra. I sat in the orchestra, it was alright until I began to get bored, which made my seat uncomfortable. I cannot blame the actors or the director for the confusion, besides myself. Then again, simply more time to rehearse or a better director could make it easier to understand. I can tell you one thing: Endgame stays true to the original story. It is being read on stage by the actors, how can it not be? The desire to understand is what kept me intrigued and what made me give up too. However, the message is clear at the end, but only after putting
“Philanthropy is almost the only virtue which is sufficiently appreciated by mankind. Nay, it is greatly overrated; and it is our selfishness which overrates it.” — Henry David Thoreau, “Economy,” Walden
August Wilson’s 1996 address entitled “The Ground on Which I Stand”, sparked a vigorous debate in the world of theater over the idea of “colorblind casting” and he presented the need for a Black Theatre. Mr. Wilson was outraged by the fact that of the 66 major companies belonging to the League of Resident Theaters, only one was black. He felt that the supporters of black theatre used their funds to increase black hiring in primarily white theatres as opposed to creating a theatre for the black community. Hw wanted to have more black theaters established to cater to the black actors as well as draw in black audiences. He attacks the increasingly popular trend of “colorblind casting” which basically meant casting black actors in roles traditionally
IATI – (International Theater Arts Institute) is an international nonprofit theatre company established in 1968. Its mission is to perform and promote the contemporary Latino heritage through performing arts productions in theatre and workshops, serving as a bridge between artists and under-served communities in their New York home in the East Village, on national and international tours. Our artists address contemporary issues of broad human interest and frame them in an appropriate cultural context of powerful social impact to provoke introspection and social
The genre of the movie is crime, drama and thriller. This can be seen because there are two FBI agents trying to solve a crime; the murder of the civil rights workers. There are a lot of spooky scenes, where the viewer can get scared and be offended.
The character Scott an upper-class individual son of a mayor, in the (sexuality) hustling business created a false identity to bother his father. A two-face who first hanged out with Bob’s group first and then went back to his real life. Then through the character Mike a young man who suffers from narcoleptic seizure; condition in where he falls asleep deep anywhere and at any time. A character who keeps looking for his personal identity. He misses and starts to look for his mother. On the road, he always says like he has been there before. Through the words, he understands his own value and repeats