crush the spirit of free will. Yet there are some brave people who choose to counter these stereotypes and live life as they choose, despite what judgments may come. In Zora Neale Hurston’s novel, Their Eyes Were Watching God, the main character, Janie—an African American woman of the 1930’s, struggles with accepting the stereotypes that affect her life. She tries to fit in with them at the cost of her happiness and self-expression. Through her revelations and life changes that defy these
Americans. A black individual with more Caucasian features signified high status and beauty which was sought after by members of the African American community (Dibleck). In Zora Neale Hurston's novel Their Eyes Were Watching God, the author uses Janie Crawford to depict how colorism affected African Americans on both sides of the skin color spectrum. By demonstrating the attitude society (mostly men) had towards skin color, the author displays the realities of being an African American in the early
A Postmodern Tendancy in Their Eyes Were Watching God ...Zora Neale Hurston lacks [any] excuse. The sensory sweep of her novel carries no theme, no message, no thought. In the main, her novel is not addressed to the Negro, but to a white audience whose chauvinistic tastes she knows how to satisfy. She exploits the phase of Negro life which is "quaint," the phase which evokes a piteous smile on the lips of the "superior" race. -- from "Their Eyes Were Watching God
Janie doesn't love Logan, but that doesn't matter to Nanny, as long as her grandchild is protected. When Janie comes to tell her grandmother that she still doesn't love Logan after three months of marriage, Nanny says, "you come heah wid yo' mouf full uh foolishness on uh busy day. Heah you got uh prop tuh