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Jekyll And Hyde

Decent Essays

Human history is marked by discovery and change, either challenging, or affirming our perceptions, confronting and changing our views as new light is shed on our perceptions of the world. Bryson’s ‘A short history of nearly everything’, Robert Louis Stevenson’s ‘Jekyll and Hyde’ and Graeme Manson’s ‘Orphan Black’ all accept the potentially destructive implications of scientific or subjective discovery in process and result. As such, it affirms their transformative possibilities of discovery and gently oppose us if we are willing to lay aside our assumptions or our entrenched world views.

Bryson follows the very human and halting process to discovery, nevertheless casting it as a progressive dialectical accumulation of understanding. Presenting …show more content…

The discovery in mention is uncovering Hydes’ mystery, his ‘deformity,’ though ‘without any nameable malformation’. Our tendency towards destruction and complete self-interest is represented within Hyde, the duality of Jekyll, juxtaposing his nature, is stripped of regularity, where he is used to uncover our basic passions and needs. Thus his own process of self-discovery, becomes a metaphorical uncovering for the societal prejudices and blindness that hinders social and individual progress. Stevenson, suggesting through Utterson that the challenge of our social paradigms is in equivalence to moral progress. Proposing that Jekyll, falling into ‘unworthy and unhappy’ state, marked by the dark tone, was upon the process of uncovering how his dualistic nature manifests into Hyde, his voice ‘seeming much changed’ regarded to his deprived perception of the world upon his, and the truth of its’ transformation. Unlike Bryson, Jekyll and Hyde focus more so on personal discoveries, either catalysed by the progressive and revolutionary forms of modern science or in a spiritualistic manner. The spectrum of discovery varies across scientific to personal, which challenge and affirm the perceptions of our social …show more content…

Both he and Bryson remind us that human considerations are a necessary accompaniment to the experimental process of scientific discovery. However, scientific testing and experimentation can potentially set back progress, as with Sarah, objectified under subjective camera angles, discovered she is an ‘endless form’, a clone. This personal, and inter-socially divisive discovery, transform her perception of the world, aided by the use of an ellipsis, she evolved and adapted simultaneously to protect herself and her daughter. Throughout, the inner conflict of ‘Nature versus Nurture’, is fought within the scientific and social realms, where the factions are fighting over dominance or freedom of the destructive and possessive nature of subjective discovery. Sarah finds a transcendent purpose for her life, allowing her to forego her earlier life of crime, this moral transformation, catalyzed by her intellectual change, and ‘varied under circumstance’, was didactically conceptualised in her understanding to progress humanity’s moral necessity. The allusion to ‘Project Leda’, a subjective testing of ethics, diminishes us as a species, where Manson reveals and emphasizes the irony that past values are a guide to understanding modern

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