Throughout Love Poem, Jenning’s explores the theme of romanticised love and her personal struggle to bare its complex nature as she is portrayed as a private person who avoids intimacy. Despite her vulnerability, she discusses the idea that true love involves aspects of pain and discomfort.
Within the first stanza, Jenning’s crafts a sense of exposure advocated by her “shyness that we have only with those whom we love most.” Feeling unprotected from the emotional damage of love, Jenning’s indicates her hesitance through the adverb “only.” This connotes exclusivity and privacy because her feelings are revealed to only be uncovered to specific, special individuals. It suggests the rarity of her affections and implies she is reluctant to open
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Her use of plosives imitates her nervousness as she is displayed as uncomfortable with the idea of exposing herself to the vulnerability associated with pain. A fragile atmosphere is incorporated within this stanza as she emphasises the importance of truth which connotes a sense of being unguarded or broken down. As well as this, Jenning’s explores the delicacy of people as love inevitably pushes them to their limit. In order to experience love entirely Jenning’s explains that true feelings result in “every shaking of the heart.” This could suggest the excitement led by love, the skipped heart beats and ‘butterflies’ causing the muscle to tremble. However, Jenning’s explores the fine line between excitement and anxiety. In portraying the heart this way, love is suggested to be dangerous as it puts strain on the persona’s life. In experiencing true love, the persona is said to be placed at risk of loss as the heart symbolises their existence. True love is so complex, the heart trembles and threatens to stop as a whole should it become unbalanced with passion or emotional weight. Jenning’s exaggerates the deadly nature of love as she highlights the destruction it is capable of. This is significant to her as she is presented to have lost in the past. Through this use of imagery, …show more content…
She picks at the complex nature of love in a way that she reveals it's insecurity and shyness as it is often ignored. To do this, she further explains that loud love is “love that holds itself in doubt.” Jenning’s discusses the humble nature of love that is misconceived or hidden due to its misjudgment of being cruel. Love cries out in desperation to be recognised for its beauty. It doubts itself as so many people let it slip away out of anxiety or shyness. Jenning’s emphasises the importance of love being embraced as it is “quiet.” This implies, if brushed aside it will yield to being ignored because it is used to being distrusted for its vibrant beauty and is instead associated with fear. Moreover, it’s quietness reveals its softness and gentle nature that Jenning’s argues is important to be appreciated. To do this, she breaks the repetition of “o love is kind” and instead, replaces the phrase with “For love is quiet.” As well as this, she disrupts her regular use of rhyme and 8 syllables per
Throughout “Love Should Grow up Like a Wild Iris in the Fields” Susan Griffin provokes her readers to ponder why they consistently enslave themselves with the burden of daily monotony, instead of enjoying the simplicity of love. Griffin uses two metaphors in her poem when describing love, as a flower, as well as the iris of an eye. Her comparisons are as compelling as they are forthright. Using her comparisons, Griffin describes love as predictable, expected and routine. Realistically, love most resembles the iris of an eye, rather than a beautiful flower in the field. Throughout her poem, Griffin makes a concise correlation between love and both irises.
6. The theme of this poem is about love but particularly the expression of love. The speaker can seem cruel to someone who does not understand him or what he is trying to say but he is expressing his love to his mistress and him knowing his true intentions is all that matters. The speaker expresses his love towards his mistress in the way that he wants or feels most comfortable with. The purpose of the poem is to show that love can be expressed in many ways because there is no specific way to do it.
Yet, on this occasion, they are to promote a message of total desolation following the departure of a companion in “eros”, or romantic desire. Since their exodus from the relationship, the persona’s lover has left an “emptiness [that] has hurt/ all thought” - which is a remarkable oxymoron that uncovers the powerful ability of the vacuum caused by someone’s absence cause such pain to another. Here, it is the absence of the “quiet sound” of the partner’s “flower tender voice”. Heaney effectively conveys the persona’s inability to love life whilst the person whom they love does not love them, which creates a sense of depression for the reader and is an idea which they might feel compelled to contend
Love is undoubtedly one of the most frequently explored subjects in the literary world. Whether the focus is a confession of love, criticism of love, tale of love, or simply a tale about what love is, such literary pieces force readers to question the true meaning and value of love. Raymond Carver accomplishes this in his short story “What We Talk About When We Talk About Love.” As the unadorned setting and the personality of each character unfold, the reader realizes that Carver is making a grave comment on the existence of love. Carver utilizes strong contrast, imagery, and diction to ultimately suggest that love cannot be defined concretely and therefore cannot be defined in words, and because of this, it is better off unexplored.
Through the use of poetic devices such as repetition or alliteration, the author originally describes what love is not capable of providing and defines love as unnecessary but by the end of the poem, the author reveals that love has some value.
A poem is a piece of writing that partakes of the nature of both speech and song that is nearly always rhythmical, usually metaphorical, and that often exhibits such formal elements as meter, rhyme, and stanza structure. In her poem, “Variations of the Word ‘“love”’,” Margaret Atwood introduces to her audience the word “love” from many different perspectives. Google defines “love” as “an intense feeling of deep affection”, or “having a deep feeling or sexual attachment to (someone).” But “love” is not something that can easily be described. Atwood goes on to present and portray the word through different illustrations, beginning with cliché examples and ending with her own personal scenarios. The author’s tone and metaphorical language effectively conveys her perspective of “love”.
Most love poems when written talks about an ethereal place, or describes the beauty of the nature to start a positive vibe and make you fall in love. And nowadays there are so many of those poems that it’s becoming old fashioned. But Margret Atwood, writer of the love poem “Pig Song” decided to approach this love poem differently; and boy did it caught my attention right away. At first it may look or even feel confusing but after reading it a few times and hit that final paragraph you’ll notice that there’s a nice hidden plot twist in it.
Perhaps the most beautiful thing about humans is that emotions and thought seem to go hand in hand. One either distances or comforts the other. When together, these two things can create a mirror into human nature, or shatter what people see in themselves for another. The stability of the heart is something precarious and not fully understood, but it is through works as “The Broken Heart” by John Donne that we can see this stability; understanding it and seeing it in ourselves for what it truly is. Works like Donne’s poem use varied imagery to put into words many of the feelings people experience when in Love; feelings often shunned or ignored because they baffle any who try and understand them. But his clear words, each giving a stage for Love’s form and character, clarify these sentiments; and in that way, the words convey Donne’s own attitude towards the nature of Love, and our nature to Love.
Love can be quite a difficult topic to write about, expressing one’s intimate and innermost emotions requires a great level of dedication and honesty. If done correctly, the outcome is truly stunning. John Donne’s “A Valediction: Forbidding Mourning” and Katherine Philips’s “To Mrs. M.A. at Parting” are two masterpieces of this genre. These poems depict the concept of true love so meticulously that the reader cannot help but envy the relationships presented. Perhaps the reason that these works are so effective is due to the fact that they are incredibly similar to each other. Although some differences are present when it comes to structure and gender concerns, the poems share the same theme of love on a spiritual level and show many parallels in meaning.
True love is desired by the majority of people, constantly portrayed in the media, and the subject of a limitless number of literary works. Yet that does not mean it is effortlessly obtained. Where true love can be found, so can sacrifice. The notion that love requires sacrifice has influenced numerous poems over the years, including the poems “Oranges” by Gary Soto, “Forever” by musician Ben Harper, and Shakespeare’s “Sonnet #130.” While these poems focus on different forms of sacrifices, they are similar in the way that they are all in the name of love.
This contrasts sharply to the attitudes portrayed in ‘A kind of love some say’. The last stanza of the poem shows the persona talking about emotional pain, ‘Sadists will not learn that Love, by nature, exacts a pain, Unequalled on the rack. This shows us that the emotional pain of love can be worse than the actual physical pain described in the poem. This shows the
A flame of passion is contained within the heart, yet is love contained in a mere flame of passion? This timeless saying embodies the ultimate declaration of love written by Elizabeth Barrett Browning. “How Do I Love Thee? Let me Count the Ways” is a poem bathed in rhyme and inundated in sentimental avowals. This sonnet shows the perpetual love that Browning shares with her husband and how that love can never be destroyed by any power of human or spiritual nature (Elizabeth Barrett Browning’s: Sonnet 45). Based on answering one, seemingly simple yet complex, question, “how do I love thee?” (Browning Line 1) is what this poem is based on. Using literary tools and techniques, Browning unleashes the powerful emotions that hide behind the ink
Sarah’s heart beated fast as he passed by. Derek abruptly opened the locker to only freeze dead in his tracks as he read the note. Fearing the worst she closed her eyes only to be enveloped into a hug, relief and happiness was all she felt, this, was a valentine’s to remember. Whether it be a crush or a life-long partner, love is a human emotion that gives an undying passion and sense of endearment to its beholder. Love is undoubtedly the strongest human emotion and has been portrayed eloquently in both The Scarlet Pimpernel and Romeo and Juliet. The fact that there are different types of love are made obvious by the authors , yet despite the obstacles that both of the couples face, their
Have you ever wanted something that you knew was bad for you, but you wanted it anyway? Love is something that is complicated and heady but so easily controls many. As there are many ways to love, it can be something that is equally bad and good for a person. In John Donne’s Holy Sonnet XIV, he captures this sort of uncontrollable and needy desire that comes with love. Throughout the poem he not only speaks of themes that include uncontrollable desire, and not having self-control when it comes to actions of love and sex; but he also builds up these themes through tones he implies and makes in the sonnet through word choice and symbolism.
Some of the most renowned sonneteers express their love for another person in terms of the magnitude of that person’s beauty, especially during the Elizabethan era. But, the most powerful form of love is loving someone for who they are instead of what they look like. Loving someone for love’s sake allows love to last a lifetime because love is true and the truth does not change. This differs from loving someone for physical features in which both the love of looks and the beauty fade with time. While in the moment it may be charming to be characterized by eternal beauty, as William Shakespeare does in Sonnet 18, being loved for the real feeling of being loved is more lovely where true love does not fade like the love for physical features. The truth of true love is evident in Elizabeth Barrett Browning’s Sonnet 14 where she insinuates that the failure to love someone for only love’s sake reveals the love as being superficial. True love should be something that is not only contained in human nature or characteristics but should be something beyond humanity that is eternal. Elizabeth Barrett Browning’s Sonnet 14 dismisses the love of physical features that William Shakespeare’s Sonnet 18 prides on in order to illustrate that true love is unearthly, unchanging, and eternal.