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Jonathan Swift 's Literary Canon Of Politically And Comically Prolific Satires

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Thesis Statement: Jonathan Swift’s literary canon of politically and comically-prolific satires, fantasies, and allegories was seasoned with his exposure to the follies of the economic, religious and governing institutions of the British Empire, and thus, he sought to lampoon and caricature the current events and social, cultural, religious, and political trends that were so omnipotent during his lifetime. Swift’s exposure to the monarchical mentality and rife factional conflicts pervading the political sector of England influenced a number of his literary works. A. In 1710, Swift, disgusted with their alliance with the Dissenters, withdrew from the Whigs, aligned himself with the Tories, and took up the position of editor of the Tory newspaper The Examiner (Cody). “But Swift did not thereby renounce his essentially Whiggish convictions regarding the nature of government. The old Tory theory of the divine right of kings had no claim upon him. The ultimate power, he insisted, derived from the people as a whole and, in the English constitution, had come to be exercised jointly by king, lords, and commons” (Quintana). Through his many articles and pamphlets that were written in defense of Tory policies, Swift became one of the most effective spokespersons of any British administration. With the death of Queen Anne in August 1714 and the accession of George I, the Tories were a ruined party, and Swift’s career in England was at an end. When Swift was writing Gulliver’s

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