Joy Luck Club Identity

The marital conflicts between Ying-Ying and her husband was one of the marital conflicts that stood out. In the film her husband had been having an affair and one day he brought the lady home with him. It was like he wanted her to know he was having an

The central struggle in Amy Tan 's story "Two Kinds" is a battle of wills between the narrator, a young Chinese American girl, and her mother, a Chinese immigrant. "Two Kinds" is a coming-of-age story, in which the narrator, Jing-mei, struggles to forge her own sense of identity in the face of her strong-willed mother 's dream that she become a "prodigy." Jing-mei is caught between her Chinese mother 's traditional ideas about how to raise a daughter, and her own development as a Chinese American girl straddling two cultures.

The Joy Luck Club is Amy Tan's first novel. It consists of four sections with sixteen short stories. One of the main issues of the novel is the relationship between Chinese mothers and their Chinese – American daughters. ‘‘Your mother is in your bones.’’ (Tan 1998, 30) There is a cultural chasm between them because of the difference in the way they were brought up and different influences of the environment.

In “Two Kinds,” written by Amy Tan, Jing Mei defies her mother’s authority to become her own person. Jing Mei is the only daughter of two Chinese immigrants in America. Her mother places an exponential amount of pressure on Jing Mei, to meet her standards of success. As Jing Mei grows older she goes against her mother’s wishes and refuses to be placed in her mother’s mold of a perfect child. Jing Mei, a young girl being played like a marionette, becomes a young woman defying authority on a never ending road of self discovering.

Every day, people have to choose whether to do what they want to do or what somebody else wants them to do. In Amy Tan’s The Joy Luck Club, many of the daughters must choose between their own goals and their families’ hopes for them. Jing-mei struggles to determine what is more important, finding her own path in life or accepting her family’s ambitions for her, in order to show that compromise is a necessity that relationships cannot survive without.

"But even if I had known I was getting such a bad husband, I had no choice, now or later. That was how backward families in the country were. We were always the last to give up stupid old- fashioned customs" (24). Amy Tan, the writer of The Joy Luck Club, incorporates many Chinese customs and traditions along with personal experiences into her writing. Because times change and new generations are produced and brought into the world, conflicts tend to arise between parents and their children. From issues on self-worth to having trouble embracing the Chinese culture, Tan creates a storyline incorporating three mother/daughter pairs who truly encompass these challenges. Upon analyzing

   Each person reaches a point in their life when they begin to search for their own, unique identity. In her novel, Joy Luck Club, Amy Tan follows Jing Mei on her search for her Chinese identity – an identity long neglected.

She was my mother,” (31).  Jing-Mei says this to her aunts after her mother had died, and she had to take your position in joy luck.  She felt like she never really knew her mother because of their miscommunication.  Suyuan Woo, Jing-Mei’s mother, had many hopes and good intentions for her daughter. While Jing-Mei wanted to be herself and still please her mother, Suyuan wanted her daughter to be a child prodigy. Always wanting the best for her daughter, Suyuan hoped Jing-Mei would one day become an extraordinary pianist.  Although Jing-Mei played the piano, she never put forth much effort into the music because her best was not good enough for her mother.  Nonetheless, she stopped playing the piano.  “I could only be me,” (154).  She could not be something that she was not; she could not live up to her mother’s expectations.  This symbolized one of Jing-Mei’s songs, “Pleading Child.”  Suyuan continues to put all the pressure on Jing-Mei so that she will not become like her mother for all the reasons she had come to America; hopes for a better life.

Jing-Mei characterizes her mother as an ideal parental figure by showing how much hope she has in her daughter. Her mother’s only wishes are to give her daughter more opportunities than she had growing up in China. And by doing this she shows that no matter how many conflicts there is between a mother and daughter, a mother will never give up hope on her daughter. She will cherish her for who she is in the end.

In The Joy Luck Club by Amy Tan, Jing-Mei and her mother have a very rocky relationship. Tan develops a relationship between Suyuan and Jing-Mei that is distant in the beginning due to culture differences and miscommunication, but gradually strengthens with time and understanding. Both of them have different backgrounds and have been influenced by two different cultures. Suyuan grew up in China and behaves according to the Chinese culture and her American-born daughter Jing-Mei is influenced by the American culture that surrounds her and wants to become part of it.  Their relationship is also shaped by the pressure Suyuan puts on Jing-Mei. She wants her to be a perfect

Some may see the mother trying to live her life through her daughter. She invests time trying to make her daughter a prodigy because she was her last hope. The mother lost two children in China and moves to a new country. Coming to America, she felt that immigrants have to prove that they are as talented as or more talented than Americans. This belief is supposed to be the basis for the determination, that the mother has, for Jing-mei to become a prodigy.

The Joy Luck Club revolves around the idea of family; specifically focusing on mother-daughter relationships. Each mother-daughter pair faces their own struggles such as overly high expectations, miscommunication, and the passing on of undesirable traits. In the first story of this novel Suyuan Woo, the mother of Jing-mei Woo, wants her daughter to become a piano prodigy. She ends up putting such high expectations on Jing-mei that she refuses to practice correctly and become good. Since her mother set such high expectations for her daughter, her daughter begins to resent her. These expectations caused Jing-mei to feel as if she was never good enough for her mother and as a result, their relationship is weakened. Different from Suyuan and Jing-mei are Lindo and Waverly. All of Waverly’s life she feels as if her mother is always against her and is constantly pointing out the negatives in everything. She blames her mother for the failure of her first marriage because she pointed out everything wrong with her husband. Waverly says,

Jing-mei realized that she was an ordinary individual and that she would not let her mother’s expectations change that. She no longer believed that she “could be anything [she] wanted to be, [rather she] could only be [herself]” (Tan 44). In using a limited, first-person point of view, Tan is able to show Jing-mei’s emotional progress of following her mother’s dreams to finally realizing her own dream.

Cultural Differences and Influence of Ying-Ying on Her Daughter Amy Tan ’s bestselling novel The Joy Luck Club focuses on the relationship between a mother and her daughter, and the cultural differences between them. In the novel, Ying-Ying is a unique character in The Joy Luck Club who is deeply influenced by her cultural upbringing, and plays a critical role in her daughter Lena’s traits and characteristics. Although Lena initially struggles to understand Ying-Ying’s Chinese influences, she ultimately realizes their similarities and comes to terms with her Chinese background. Ying-Ying St. Clair’s Chinese background has deeply influenced her as a mother.

Amy Tan’s short story “Two Kinds” describes a Chinese immigrant family who hope of finding success and an overall betterment of life in America. After losing everything in China, Jing-mei’s mother, Mrs. Woo, tries as a minority house maid in the 1960s to provide all the opportunities she can for her last daughter. This short story revolves around the interactions between the Jing-mei, who desires a ordinary life, and Mrs. Woo, who seeks only the best from her daughter. The values of these two characters are in constant conflict of which creates a lasting segregation between parent and child. Through Mrs. Woo’s death, Jing-mei questions her childhood upbringing and her mother’s true intentions that were masked by pure immigrant ambition.