Kazuo Ishiguro's The Buried Giant

Beowulf, king of the Geats, engages in battles in order to protect his community from physical creatures while King Arthur’s knights engage in spiritual battles against evil temptation which lurks around every corner. Beowulf proudly displays his prowess before he must confront Grendel, the “God-cursed brute” when he declares with bold confidence that he “can calm the turmoil” (Heaney 11, 21). Beowulf boasts of his strength, pledging to kill Grendel with his bare hands. Grendel, the cursed descendant of Cain, enjoys death and destruction, ruining Hrothgar’s reputation with every attack on his kingdom. The monster kills one of his men, angering the Thanes and encouraging them to fight

Set in an era long before the customs of contemporary western civilization, Heaney’s translation of Beowulf follows the courageous hero through an epic journey that solidifies his figurative immortality. Much like the Greek’s great Odysseus or the Roman’s devout Aeneus, Beowulf serves as an impressive and almost godlike warrior for the Anglo-Saxons, providing insight into the constituents of greatness for that society. Confident in his abilities and committed to his task, Beowulf voluntarily embarks on a mission to defeat Grendel, the treacherous enemy of the Danish kingdom. Beowulf solidifies his classification as an epic hero as he satisfies his quest for glory, saves a kingdom from destruction, and reveals the values of an era.

“[Grendel’s] mother had sallied forth on a savage journey,/ grief-racked and ravenous, desperate for revenge” (Beowulf, 1276-1278). Her desire to avenge her son is carried out, but it ultimately leads to her death. Beowulf’s desire to garner fame and respect overpowers all of the raw emotion and anger felt by Grendel’s mother. She serves the purpose of showing the purest form of revenge, and how its blindness can lead to one’s demise.

Beowulf and Sir Gawain both step forward to solve each king’s plight in order to protect the king’s honor and to show loyalty dignifying traits of a proper warrior of both eras. The Anglo-Saxon warrior fights for Hrothgar out of loyalty and Sir Gawain takes the danger of fighting for King Arthur to protect the King’s honor. Sir Gawain takes the “proactive” step in accepting the challenge presented by the Green Knight because of the extreme

The rigid and confined society of the Danes also shaped the way its people think and act, but also influenced greatly on the writings. Given the fact that metaphors and kennings are common in Old English literature; the representation of “evil” is also something not to be taken on a literal level. “Edgetho had begun a bitter feud / Killing Hathlaf, a Wulfing warrior” (459-460), inter-tribal feuds, therefore, are also a destroyer of peace. Grendel takes on a form that is left uncertain; its real meaning hidden behind the metaphorical mask of a monster, is the never-ending battles between tribal armies (namely, the Danes, Geats, Frisians, and the Swedes) that had disturbed the tranquility people had longed for. It is almost a barrier of peacekeeping, hider of hope. Hence, it is represented by Grendel, a great evil hated by many, whom

This poem talks about nature and death. William Cullen Bryant shares that nature can make death less painful. He says that when we start to think about death, we should go outside, and look around and listen to the natural earth sounds. This is supposed to remind us that when we die, we will mix back into the earth. The poem tells us that when we die, we will not be alone. We will be with every other person that has ever been buried, In the ground, which in this poem is called the “great tomb of man”. It also tells us that even those that are still living will soon die and join in the great tomb of man. This poem is meant to comfort those that are afraid of dying and death in general. At the end of the poem, we are told to think of death as

more of our men- and stripped the dead bodies; The brave, bold Danes!” (Beowulf pg. 86]. These words prompt the youngsters to thirst for vengeance and glory with the mention of how their ancestors

While today revenge is regarded as an impolite and impractical practice, in times past it was normalized, even celebrated. Kazuo Ishiguro’s The Buried Giant and the acclaimed Anglo-Saxon poem Beowulf describe vengeance as a ceremonious cornerstone of British, Saxon, Geat, and Danish society. In these societies partaking in revenge was widely regarded as noble and morally upright, though from a modern perspective these acts of vengeance would be regarded a petty and unjust. While characters in both The Buried Giant and Beowulf liberally practice and celebrate revenge, Ishiguro and Beowulf’s Anglo-Saxon author seem to critique the medium which their characters observe.

In the morning, warriors look for the body of Grendel by following his bloody trail. They cannot find his body and turn back. Hrothgar’s men finally think that they no longer will be plagued with the presence of the monster and that now they can sleep in peace.

Beowulf is one of the greatest epics from early British literature history we have managed to salvage, and amidst the tales of brave heroes and mighty battles, there lies an interwoven theme of isolation and death. These two plagues to the human mind and body walk together in a correlated marriage within Beowulf’s many episodes. Death is an obvious theme; the alpha and omega of the poem are grandeur funerals (Beowulf, l. 26-52, 3114-3155) and loss is littered throughout Beowulf’s journey. Isolation, however, is a theme that is directly related to the death inside of Beowulf’s world, and needs further examination as to how and why. It seems that the evil creatures that fall to the hands of our mighty hero indulge this theory, but this thematic duo take more than just the lives of the monsters. Isolation followed by death sweeps up innocent characters as well, including Beowulf himself.

Although viewed as ruthless savages, the Anglo-Saxon culture was not founded on the sole idea of barbaric brutality. The Anglo-Saxon beliefs were established by loyalty, generosity, and valor. As a result, the people of the Anglo-Saxon culture lived life by these ideals which created a great thirst for fame in being the best version of themselves. If one was decent at fighting, they would train to be the best fighter they could be, or if someone was intelligent they would devise complex riddles to boast of their intelligence. In order to fulfill their beliefs, there were many aspects of the Anglo-Saxon culture that were not only prevalent in their day to day life, they were expressed through their literature as well. In Beowulf, the

During the Anglo-Saxon time, the social periode of this age was hard on everyone, for this particular reason it had a big effect on the literature of this time, literature during these centuries reflected the realism of the situations and experiences of the time period ….. The fall of the Roman Empire threw the social conditions into chaos ; there was a lot of war between between cultures & religions, along with disagreement and mistreatment between classes of people (especially when it was a time of feudalism ), Historians and others thought of this iron age to be ; corrupt, vile and hellish ,because of this it has and continues to be nicknamed the “Dark Ages “. The Literature of this age shows the fatalistic world view that the people developed from this wretched time, the writings tell of death and war with little hope for a better future.For example in the story of Beowulf it shows the many challenges that a society had to face before it could even be near peace and even then problems kept coming, not only does it show these

As an epic tale of heroes and monsters, Beowulf gives its readers much excitement and adventure, but Beowulf's importance is more than just literary. It offers many insights into the beliefs and customs of seventh-century Anglo-Saxon culture. Among these insights is the Anglo-Saxon view of women and their role in society. Good Anglo-Saxon women are peaceful and unassertive, greeting guests and serving drinks to the warriors and other men in the meadhall. Wealhtheow, the queen of the Danes, represents a typical subservient Anglo-Saxon woman. As a foil to Wealhtheow, Grendel's mother is a strong and combative monster whom Beowulf must kill. By analyzing these two characters in Beowulf, we can understand the

Blood feuds play an important role in Beowulf, if only to contrast with the idea of wergild. A blood feud took place when someone killed someone else, and the victim’s family had the right and responsibility to kill the murderer. However, this is not justice; it is revenge, often causing a deep and uncontrollable split in a society. In Beowulf, this is only referred to once, when Grendel is killed, and Grendel’s mother comes, “desperate for revenge,” intent on avenging Grendel’s death (“Beowulf, 69). While Grendel’s mother could be seen as restoring justice, this blood feud only brought more death and revenge. There were few rules or regulations, and revenge was often personal. Indeed, the old testament blood feuds were more closely aligned with wergild, in that weregild was “not wild justice or a step outside

The Anglo-Saxon heroes actively choose to suffer and face their wierd. However, their keeping of the allegiance enables them