Laurel Valley Village Plantation located at 595 Hwy. 308, Thibodaux, LA 70301 in Lafourche, Parish is a museum of the history of farming sugar cane. I visited the museum on April 26, 2016 and viewed the past as if it still sits in the present. The land that Laurel Valley Plantation sits on originally belonged to a Mr. Etienne Boudreaux. He received the land as a grant in 1783.The main plantation house was burned down by Union soldiers in the Battle of Lafourche Crossing on June 20th through the 21st of June 1863. Joseph W. Tucker purchased the land and surrounding lands in 1832. Mr. Tucker was one of many plantation owners in the south that owned slaves and by 1850 had 162 slaves maintaining his fields at Laurel Valley. The plantation switched owners several times, but in 1915 Mr. J. W. Lepine the current owner invented a tractor that enabled him to plant faster than the use of mules and slaves.
The museum focuses on teaching and making visitors aware of the local culture that once was. Its main exhibits are farming tools and items you would see and use on a working
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George Strurt in the 1650’s and later improved in the 1700’s. The wheel was made all over the United States by local millers and black smiths. Together they would collaborate to make the new way of transporting. The wheel became a very useful commodity when it came to farming. It was now that the mass production of agriculture could be harvested in a more efficient and abundant approach. The wooden strake wheel identifies with its precise time in historical period. The time of advancement and progression. In the late 1700’s and early 1800’s is when settlers of the United States started their migration west in covered wagons and the use of mules and horses. With the great increase of movement, so came the population of the wheel in order to move the wagon. Also came the need to improve the wheel, with such long
Scattered along many of Louisiana’s rivers and bayous are majestic, historical homes built during a time of Southern prosperity. In the South, these homes and surrounding property often called plantations, were the product of middle to upper class slave-owning planters. Central Louisiana is home to a plantation that is “the oldest standing structure” in this area. During a recent visit to Kent House Plantation, I learned of the history, operations, and current events that help to keep the past alive.
Virginia colony is very wealthy. Tobacco is the colony’s largest export crop. Farm families worked hard to keep healthy and try to improve their lives from each year. These modest gains made many farmers content with their lifestyle. Early towns and villages in Virginia consisted of a courthouse, church, and a market of some sort. Alexandria, founded in 1749, was typical of these early settlements. Alexandria's Market Square is probably one of the nation's oldest continually operating farmer's markets, open since
The museum displays a vast array of items donated by locals that depicted life in the late 19th and 20th century.
The fifth area of the exhibit is called winter lodge. This shows how the elders of the Anishinabe have stories that have been told and songs that have been composed about how reliable they are. Families of the Anishinabek had to repair and forge new tools for hunting, trapping, fishing, gathering crops, and other activities. In the Ziibiwing center I saw some stone weapons and tools displayed in a protected
Another great invention of transportation during this time was the train. America’s first train was invented by George Stephenson in 1822, and by 1825 the train was the first locomotive. Obviously everything at this time was made by hand, and every part of this engine had to be hammered into shape just like a horseshoe. John Thorswall, a coalmine blacksmith, was George’s assistant. The invention of George was very important in America because it allowed transportation from place to place in a quicker time. This boosted the economy by helping distribute many goods all around the country. Even letters were being delivered faster, so communication was increasing.
To start off, a Natural History Museum is usually a place where the public can visit to obtain knowledge on the history of the earth and its inhabitants. Much about people’s culture and customs is found in a Natural History museum, especially people that have made a difference or played a role in history that we learn today. Therefore, the Indigenous peoples are represented in these precise museums. The indigenous people have various amount of customs that are even used today, however, the fact that many of their descriptions are led by the word “histor” or “ancient” almost makes the guests at museums believe that these indigenous people are no longer alive, and that is incorrect. The key objective for a Natural History museum is to simply help connect the understanding of human beings, connections based on culture, communities, to the earth and to each other. Precisely, The Natural History Museum of Los Angeles does not fully represent in depth the qualities that made the indigenous people so innovative, intelligent, and powerful; Therefore, the importance of the indigenous people is almost overshadowed by everything else that is presented at the museum. Overall, the indigenous people are represented here because of their
To highlight the relationship between each of the exhibitions, the staff could provide daily visitors with a cohesive guide map of the entire museum. The current location of the museum is massive to accommodate for the displays as well as three research laboratories, but due to large size, each exhibit feels isolated and
The exhibits include the old school building built in 1939, which is where the main office is located. Next there is a horse room, the horse room is devoted to old farming implements and the horses which
Not only were Europeans interested in displaying Native American artifacts, the Native Americans were themselves. The Cherokee Indians of Georgia were the first record of interest in starting a museum in 1826. However, this venture didn’t pan out and they decided against it. A few years later in New York, a Seneca tribe family designed their home for a public display of objects from their culture (224).
If I was a cultural anthropologist working with a team to create a museum, I would absolutely display the documentation of the Gamo’s farming practices and traditional festival. So people can learn more about Gamo’s culture, they use their own methods and understanding to cultivate vegetables, no technology needed in their agricultural. To let others know that natural resources as well as agricultural are very important and meaningful, the Gamo people gather together to thanks/celebrate every year. Also, I would like to display the photos of their traditional clothes, which they wear in everyday life and when they have rituals.
Situated in a medieval palace, its collection is among one of the very finest of its kind. It provides visitors with a glimpse into a prosperous community of the earliest civilizations pertaining to the Americas. The tiny museum displays a number of items such as wood and stone sculptures, ceramics, tapestries, and jade. The exhibits represent the Olmec, Maya, Aztec, Chavin, Mochica and Inca cultures.
Museum is the place for people and researchers to go to learn more about almost any artifacts of Nimrud. Sir Layard sent them to this specific location for that reason, to be able to be preserved in the best possible care, yet still can be cherished by the public. Some artifacts cannot be transported, such as the Northwest
The museum is dedicated towards the preservation of the history and culture of Independence, and in the promotion of arts and crafts, for the enjoyment of the community and its visitors.
There are a lot of exhibitions currently open to the visitors : Our Universe, Our People, Our Lives, Return to A Native Place. And their special exhibitions and additional points of interest include W.Richard West, Jr. Contemporary Arts Gallery and the Sealaska Gallery, which feature changing exhibition of Native history, lifestyle, and contemporary art. In the foreword to the exhibition: Identity by design, Tradition, Change, and Celebration in Native Women’s Dress, he writes: As Director of the NMAI, I have the somewhat iron mission of stressing that our extraordinary collections of Native objects—some 800,000 works of astounding beauty and value— are secondary to the cultural significance these objects hold for Native people. The window collection :Many Hands, Many Voices showcases exceptional objects from the museum’s collections. The objects we are privileged to care for are not ends in
There are more and more people go abroad to study travel and study. Because the world is become more and more international, so people choose to look something out of their country. “ Another reason for the museum to reach out to foreign