Lawren Harris Analysis

Lawren Harris was a Canadian artist who was born in Brantford, Ontario in the year of 1885. Lawren Harris plays a very important role in art history as he was one of the best known landscape painters as well as the leader of the Group of Seven. The group of seven began in the twentieth century and is a group of artists who were brought together by the common interest of art. These men today are Canada’s most famous artists as their works symbolizes Canada’s identity. Lawren was also the founding member and the first president of the Canadian Group of Painters. He was very influential on many people and artists including Jock MacDonald which led to many others. Lawren Harris was a very modest artist. He did not create paintings to become

Before listening to the opinion announcement of the Supreme Court in the case of Scott v. Harris my opinion was Deputy Timothy Scott did not violate the Fourth Amendment by using deadly force when he used his car to stop Victor Harris that led the police officers on a high speed chase. After listening to the oral arguments of the Supreme Court in the case of Scott v, Harris my opinion was parallel to the U. S. Supreme Court’s opinion. I went in favor of the petitioner, police officer Timothy Scott. Listening to the arguments in this case I gathered that the officer was led into a high speed chase with the respondent Victor Harris. The Supreme Court reversed the ruling of the Eleventh Circuit stating his actions did not violate the Fourth Amendment.

This is a report to find out position of Tate Gallery by the help of PEST & SWOT analysis. SWOT is an essential part of any business planning, "The SWOT analysis convenient headings under which to study an organization in its environmental setting and may provide a basis for decision-making and problem solving. (1) It stands for Strengths, Weaknesses, Opportunities, and Threats. Strengths and Weaknesses are internal factors which can be controlled essentially and will be explained in further details. However, Opportunities and Threats are external factors which cannot be controlled but can be identified.

The Canadian North, a rugged landscape often glamorized as a land of adventure and promise, hides a dark history. From the early day’s of the gold rush, when the land was first colonised, to the attempted cultural assimilation of the indigenous peoples through residential schools, the people native to the area are still in a struggle of identity and culture, and the resulting effects such as high suicide rates, poverty and drug abuse,. It is through this lens that I will examine the work of Ted Harrison, a prolific English artist who spent the majority of his life living in the Yukon and painting the contemporary society that he saw around him. There is no doubt that his work was highly intertwined with the indigenous culture, and as such his identity brings up questions regarding the appropriation of native american culture. To that end, this essay will look at the context of his biography, the subject matter of his work, and compare it to contemporary Native American artists in order to clarify the nature of his art.

They were talented artists joined together and formed a group. They were inspired by the Canadian landscape and they painted many paintings of Canadian landscapes like nature, rivers, lakes, open land, etc. They spent most of their time in northern Canada.

Jackson, Franz Johnston, Arthur Lismer, J.E.H. Macdonald and F.H. Varley” (Varley, 2013, P.2). They met in Toronto between the times of 1911 and 1913 except for Harris who was rich and made his fortune doing commercial art. This was set to be the beginning of marvellous painting of the Canadian landscape that displayed our culture that has yet to be acknowledged by the masses (Varley, 2013).

Upon arrival at the MacLaren exhibition center in Barrie Ontario, I was very surprised to be surrounded unusual art that have been all created by Canadian artists. Their was a wooden granary on the floor resembling world war 2 and and some unique maps that were written in words. Many of their painting and sculptures resembled to the history of Canada going back towards the first nations and both world wars. The MacLaren Art Centre has been made to honour Maurice MacLaren, a famous artist who bequest Throughout looking at every piece, you could see the messages they portray to the audience and how much of impact it has within our canadian history. Approaching an interesting piece, it was Bison skulls skillfully fabricated together by exhaust parts, stacked high like a mountain.

Junius Edwards and James White used several methods to persuade their audiences. One method that was obvious between both people was the use of a personal story to allow the audience to understand what exactly was going on. Even though White told an actual story and Edwards was fictional both of these stories felt very personal and that allowed the reader to get frustrated, laugh, become sad, etc. In both stories they crafted them in such a way that you got frustrated when White was declined a hotel room or when Will got asked an abundance of questions. There is a difference between a bundle of words that are meaningless to a story that triggers your emotions and you can connect to. Another thing both Edwards and White did was create a clear

J. David Velleman had an idea that many may believe as truth, however, when looking at the entire picture it is

When you’re sailing the Parramatta River and see boats and densely packed townhouses and apartment structures along the river, you are probably sailing past Huntley’s Point. Tall palm trees, leafy green native trees and shrubs, and transplanted and landscaped properties along the water are part of the nature of Huntley’s Point. Sailing is a big part of the culture of Huntley’s Point residents, therefore many of them living on the water own boats. Others ride the ferry and charter yachts when they want to enjoy sailing on the Parramatta River. Huntley’s Point is home to the Riverside Girls High School, where young women from Huntley’s Point and surrounding suburbs attend between Years 7 and 12.

Arthur Merric Bloomfield Boyd was born on the 24th of April 1920 and was a leading Australian artist through the late 20th century. Boyd's work ranges from impressionist renderings of Australian scene to starkly expressionist figuration, and numerous artworks highlight both genres. His work features humanitarian issues and many themes such as love, loss and shame.

The Groups masterworks have a perseverance and impact that represent some aspect of the Canadian experience. However, it is important to remember that the Groups perspective was that of a white, liberal, nationalist who believes Canada is a vast and empty land, waiting to be occupied. In his lecture, Andrew Hunter emphasizes the importance of challenging the relevancy of the Groups work as well as brought to light the cultures and individuals these painters forgot or excluded from the Canadian image.

While reading Meda Chesney-Lind's and Victor Rios' interviews, plenty of powerful insight and advice was given, which on the long run benefits me and guides me on doing research of my own. One of the most important pieces of advice given was to have reflexivity, which in my case I have to understand that I have privilege, thus I should not take anything for granted in my field. Another key piece of advice comes directly from Victor Rios and says, “Although I brought my own biography to this study, that was not enough to give me the insights I needed to develop conceptualizations for understanding the conditions... experience alone did not guarantee entree” (Fentsermaker and Jones. Rios p112). This piece of advice hits home in my case because

Humor is a weird thing, what causes humor or what makes us laugh. In the story “Harris and me” By Gary Paulsen there seemed to be a lot more of low comedy that would cause humor then there was of high comedy. Whether it was because of there being a lot of dialect or amusing things, low comedy just had seem to come out on top. This story seemed to have a lot of the Superiority theory. As they seemed to be a lot of mishaps especially with Harris.

Kent Monkman is a well-known Canadian artist from a Cree and Irish descent. Growing up Kent was not connected with his aborigional roots, whoch left him eith many questions about where did he come from, what his aborgional hisoty and culture entailed. The curiousity of wanting to know more sent kent out on a spirtuial journey to connect with his Cree roots. Through his journey Kent connect with art and felt he could voice his thoughts and feelings though his various forms of art.