Letter From Gloria Naylor 's Mama Day

George and Ophelia, two characters in Gloria Naylor’s Mama Day, have a complex yet intimate relationship. They meet in New York where they both live. Throughout their hardships, Ophelia and George stay together and eventually get married. Ophelia often picks fights with George to test his love for her, and time after time, he proves to her that he does love her. Gloria Naylor uses George as a Christ figure in his relationship with Ophelia to eventually save her life.

Ever since the days of World War I, women have been seen as second rate to men. They had to live up to many social standards that men didn’t have to and had strict guidelines on how to live their lives. This all changed when modernism deliberately tried to break away from Victorian Era standards in which women were subjugated to a lot more scrutiny. Ezra Pound, who was a large figure in the modernist movement, captured the spirit of the era in his famous line “Make it new!” Consequently, many writers started to experiment with many different and wild writing styles, which led to the short stories and poems we have today. The stories The Wife of His Youth and Mrs. Spring Fragrance were all written in this era of modernism. While they are written in a more traditional style of writing, both these stories have strong implications on feminism from the viewpoints of both male and female writers.

In the passage in the excerpt from “I Am a Woman” (1862) by Mary Abigail Dodge, the use of various rhetorical devices are evident throughout the text. The intended purpose of this text is to display her writing skills for an audience that is not keen on women’s influence in the literary sphere. Through the use of rhetorical strategies such as diction, imagery, and emotional appeal (pathos), Dodge forms her argument by asserting that women are legitimate writers.

Gloria Naylor's Mama Day takes place in two distinct environments, each characterized by the beliefs and ideologies of the people who inhabit the seemingly different worlds. The island of Willow Springs, comprised solely by the descendants of slaves, is set apart from the rest of the United States and is neither part of South Carolina nor Georgia. As such, its inhabitants are exempt from the laws of either state and are free to govern themselves as they see fit. Only a worn-out bridge built in 1920 connects the inhabitants to the mainland, but the people of Willow Springs are entirely self-sufficient. They believe in the ways of their African ancestors and respect the heritage of Sapphira Wade, the original

What does it m ~ an to be a woman writer in a culture whose fundamental de finiti ons f li te rary aut hority are , as we hav e seen. both overtl y and

It is impossible to interpret Gloria Naylor’s 1988 novel, Mama Day, in one way. There are multiple standpoints that a reader can take in explaining various events that occur throughout the book, as well as different ways that the characters in the book interpret these events. The author never fully clarifies many questions that the story generates so as to leave the readers with the opportunity to answer them based on their own personal experiences and beliefs. The multiplicity of perspectives in Gloria Naylor’s Mama Day is embodied in the legend of Sapphira Wade and the dynamics between logic and the supernatural and between George and Cocoa.

The Romantic Period built an environment where women were painted with flowery diction (Wollstonecraft, 216) and were incapable of independence. The Rights of Woman became a crucial topic, particularly in poetry which allowed women the freedom of expression. Accordingly, during the early eighteenth and nineteenth centuries, women writers did not need the prop of their male contemporaries like suggested. Evidently, women were able, successful, and professional writers in their own right. In fact, women often influenced male writers (Dustin, 42). Both Mary Wollstonecraft and Anna Letitia Barbauld are evidence that women did not need to rely on their male peers to become successful poets. Consequently, many poets took inspiration from them (Dustin, 32). In The Rights of Woman and Vindication of the Rights of Woman, Anna Letitia Barbauld and Mary Wollstonecraft had contrasting ideas. Barbauld’s The Rights of Woman was a documented reaction towards Wollstonecraft’s extremely controversial Vindication. Henceforth, both indicate a separate message for the Rights of the Woman. Assumedly, Barbauld misinterpreted Wollstonecraft and readings of The Rights of Woman in the twenty-first century appear antifeminist as a result.

With the 19th Century writers, one can begin to consider women 's writing in a more expanded manner - as a kind of writing that has its own nature based on what it is to be a woman.

The American literary canon presents a one sided view of women, due to the dominance of male authors. Classic American books generally present images of women in a male-centered viewpoint, creating a biased representation of women in literature. In “Feminist Literary Criticism: From Anti-Patriarchy to Decadence,” Anne Barbeau Gardiner states that the American literary canon is “strikingly narrow…prepared by white men whose judgment was prejudiced and whose language was full of gendered meanings.” (Gardiner 395). Gardiner

During Victorian era novelist had to develop ways to avoid posing as threats to the order of the society . Something which even make the look anti-feminist, but still many of female writers of that period are known today for their early feminist agendas embedded in their works. Elizabeth Gaskell was one of Britain’s best known female writers, She was a conservative women. Although she was not the part of “the women question” a movement started in mid nineteenth century and gave rise to what we today called feminism, But still

Gloria Naylor’s novels provide a close portrait of everyday black folk and reveal the richness of the black culture and inherent strengths of the black community whose lives are sometimes reduced merely to the struggle for survival. Naylor has included African belief systems and rituals still central to Afro-American life and has used folklore to explore the web of complexities within her culture through nature. It records the progress of black folk culture in depth through the illustrations of Willow Springs and its residents in one of her most representative world Mama Day. Her characters George, Cocoa and Mama Day present a larger social framework based on the between Eurocentric culture and Afro-American folk culture. The southern land

There are many female writers, some known better than other. Female writes most of the time focused their stories in experiences or personal point of view on what is going on around them. Other women write fiction of unusual worlds and character that people can relate to with the struggle or experiences. Margaret Atwood the “Canadian nationalist poetess is a prominebt figure concerned with the need for a new language to explore relations between subjects and society“ (Omid, Pyeaam 1). Atwood wrote her first novel called, “The Edible Woman”; this first novel categorized her as feminist, based on the main character of a strong woman. In an interview with Emma Brockes, Atwood affirms, "First of all, what is feminism? Second, which branch of

Many female writers see themselves as advocates for other creative females to help find their voice as a woman. Although this may be true, writer Virginia Woolf made her life mission to help women find their voice as a writer, no gender attached. She believed women had the creativity and power to write, not better than men, but as equals. Yet throughout history, women have been neglected in a sense, and Woolf attempted to find them. In her essay, A Room of One’s Own, she focuses on what is meant by connecting the terms, women and fiction. Woolf divided this thought into three categories: what women are like throughout history, women and the fiction they write, and women and the fiction written about them. When one thinks of women and

The most recent and current third wave of feminism began in the mid-90’s and has destabilized many past constructs including “universal womanhood,” gender, body, hetreronormativity, and sexuality. A peculiar and important point of the latest wave that

This classification is constructed by discourse with the objective of recreating hegemonic paradigms and perpetuating current power relations. Defining Women and Men as universal categories disguises the interests it serves. Therefore, anything that is defined as natural or universal should be studied critically. She writes, “Signification is not a founding act, but rather a regulated process of repetition that both conceals itself and enforces its rules precisely through the production of substantializing effects” (185). The assumption that there is a pre-discursive body with a pre-determined sexuality and gender sustains oppression against subjugated and marginalized subjects. Disconnected from the body, she suggests, gender can include more than two versions. The analysis of these concepts--or deconstruction-- provides tools to the socially oppressed to fight against the existent social