On October 14th, 1893 I was brought into this world by a woman named Mary Robinson Gish and a man named James Leigh de Guiche, but I would know them as mom and dad . I would follow by the name Lillian Diana Gish. When I was an infant, my father was in the grocery business then became a candy salesman. (Lillian Gish Facts) When I was four-years-old, my mother announced to my father and I that she was pregnant with a second child, a child that would be named Dorothy Elizabeth Gish. That birth earned me the title of the elder daughter (Biography). When I was a toddler, my sister an infant, our father relocated us to Baltimore, Maryland. He would then abandon us there to more to New York City. My mother, now a “single” mother, had to support …show more content…
We shared a room with a young actress named Gladys Smith and her mother (Lillian Gish Facts). The mother grew very fond of my sister and me. My mother soon joined the acting profession. Not much longer, my sister and I would join the theatrical business. We started out posing for pictures, then we moved on to acting in melodramas where I earned $10 a week (Lillian Gish). In 1901 or 1902, I made my acting debut in a touring production of In Convict Stripes when I was eight or nine years old. This role led to me performing in other (Biography). In 1902, I appeared in The Little Red Schoolhouse. I really never received training as an actress. The only bit of advice I was told when it came to acting was, “speak loud and clear.” or they would, “they'll get another little girl”. I wouldn’t have doubted them to find another girl (Lillian Gish Facts).
In 1912, my sister and I met fellow child actress Mary Pickford, and she got us extra work with Biograph films. I would continue on to be in multiple films such as The Birth of a Nation (1915); Broken Blossoms (1919); and Orphans of the Storm (1921). I would be referred to as, “The First Lady of the Silent Screen” (Biography). I tried a hand at directing a movie called Remodeling Her Husband (1920) starring my
It is easy to see why Mary Pitchford is so important to film history as she shows the development of the first major star in cinema. Mary began starring in many biograph films in a time where film wasn’t popular nor did it pay very
The previously known Anita Lorraine Lynch, born on November 2nd 1959, married her husband John Cobby on March 27th 1982 whilst studying to be a Registered Nurse. Although at the time of the murder, Anita was living with her parents in Blacktown, NSW.
I was the baby of the family. I had four older siblings. I had two brothers: David and Stephen and two sisters: Dorothea and Sally.
Mary Haydock, now formally known as Mary Reibey was born on the 12th May 1777 (source 1) and was raised by her grandmother after both her parents died when Mary was of a young age. Mary was convicted of horse stealing at the age of 13 and was to be sent to Australia for seven years (source 1). Being sent away from her family and in particular her grandmother, meant that Mary was alone and isolated from the people that she would have felt most comfortable around. This lack of belongingness may have caused Mary Reibey depression which was common for convicts of such a young age.
Her first professional role with Educational Studios was in Baby Burlesques, a series of mock Hollywood hits in which toddlers played the roles of adults (Sonneborn). Instead of exposing her daughter to the publicity and press that comes with movie stardom, Temple’s mother allowed her to express her own opinions and protected her from the pressures of fame (Dubas 30-32). As Temple was quickly thrust into a career as a young actress, her family continued to support her.
I was born in Portland, Victoria on April 13th 1869 and I was the oldest child in my family. My sisters and I were educated by a private governess and I went to the Presbyterian Ladies’ College. My 2 sisters, Lina and Elsie got married, but Aileen didn’t get married.
I was born on December 6, 1806 in Drummond town, Virginia. My father, John Wise died in 1812 and a year later, my mother, Sara Wise died leaving me an orphan. After my parents death’s my two aunts and my grandfather raised me. In 1822 I attended Washington university in southwestern Pennsylvania studying law and in 1825 I finished college. A few years later I moved to Nashville, Tennessee there I married Ann Eliza Jennings and we had four kids and in 1837 my wife Ann Eliza Jennings died.
Personally, I am of German and Scottish descent. An overwhelming heavy majority of my ancestry is German, while a miniscule amount is Scottish. My father is 100% German in ancestry, while my mother is almost completely German as well, but keeps a tad of Scottish ancestry. Both my last name, Janke, and my mother’s maiden name, Pfeil, are originally of German descent and meaning. Particularly, the name Pfeil is a direct translation from the German language meaning “arrow”. Although I do not know my blood family’s genealogical lineage at this time, I do know that of my step-father. My step-father’s great grandmother, Helena Giese, came to the United States of America in the early 1890s. Helena Giese came to America at the age of 13 from her dear
My grandmother’s father, my great-grandpa, left the family when she was six years old. They had since moved to Detroit and
Roosevelt referred to me as "Little Miss Miracle" for raising the public's morale during the hard times of The Great Depression, even going so far as to say, "As long as our country has Shirley Temple, we will be all right." My song-and-dance routine to the tune "On the Good Ship Lollipop" in 1934's Bright Eyes earned me a special Academy Award, for "Outstanding Personality of 1934." By 1940, I had 43 films under my belt.
I was born in Boston, but raised in Boston and New York. Growing up I was an only child, and my mother had family in all over Queens, New York. My mother is originally from Haiti. When she came to America, she didn’t have much family support. She stayed at my grandparents’ house in Brockton. She was looked down upon by my grandfather for having a child before being married. Instead, she would take a trip to New York every weekend, where her sister lived, to avoid the negativity. Growing
When I was a three week old newborn, Social Services decided that my mother and father were no longer fit to raise my sister and I. My mother was an alcoholic who would soon be in prison, my father was not yet an American citizen, and my parents were in the midst of a divorce. Instead of allowing my sister and I to be split up and sent to separate foster homes, my grandparents brought us into their home for what was intended to be a temporary length of time. This temporary length of
Hannah Senesh was born in Budapest, Hungary, on July 17, 1921. She had a younger brother and her parents were an author and a journalist. She was always very talented in writing. Throughout her life, she kept a diary and wrote many poems. She was Jewish, and in 1939, she moved to Israel with her brother because of anti-semitism in Hungary. In Israel, she attended an agricultural school, and later settled at the Kibbutz Sdot Yam. Hannah Senesh was brave, and stood her ground for what she thought was right. She did what she knew what good for other people, even if it hurt her.
Shirley Jane Temple became the leading child film actress during the Great Depression. Shirley’s start of fame at first was not exactly a cup of tea. Low budget movies were what jump started Temple’s career. During this time
Stella grew up along her parents and played the roles of both boys and girls. When studying her acting she didn’t have much time for school but she did attend a public school in New York. Her first debut was in London, England when she was 18 as Naiome in Elisa Ben Avia with her father’s company. She made her first debut in the English-language was on Broadway in 1922 as the butterfly in The World We Live In. In 1940’s she started teaching acting at the New School for Social Research in New City. She kept teaching at that studio until 1949 and decided to start her own studio known as the Stella Adler Conservatory of Acting (before that it was the Stella Adler Theatre Studio). While teaching at her own school, she also taught at Yale University’s School of Drama for a year and a half. Adler mentored many accomplished personalities such as Marlon Brando, Judy Garland, Elizabeth Taylor, Dolores del Rìo, Robert De Niro, Elaine Stritch, Martin Sheen, Manu Tupou, Harvey Keitel, Melaine Griffith, Peter Bogdanovich, and Warren Beatty by teaching them the many principles of contemperary theatre like characterization and script. As her career and she started getting older she stopped performing in 1961. Also with her acting she also was an associate producer for MGM (Metro-Goldwyn-Mayer studio. She also directed commercial theatre and she also wrote The Technique of