Lily Bart Quotes

When Lily and Rosaleen join August Boatwright’s house, August is warm and welcoming, and Lily can breathe a

Through use of indirect characterization, Lily’s words and actions reveal a pivotal part of her character: her clever intelligence. This first becomes evident after her African American friend, Rosaleen, spills a cup of her snuff spit on the shoes of a racist white man that was provoking her. The minister at her church is

The Secret Life of Bees by Sue Monk Kidd introduces Lily Owens as a very kind and caring person. The book takes place in the 1950’s when there was a lot of discrimination, and Lily believed everyone should be equal. When Lily runs away from her abusive father, it represents her bravery and shows that Lily stands up when there is a problem and doesn't let it just happen. Lily leaves with Rosaleen because Rosaleen was in trouble. This shows that Lily would also do anything for the people she cares about. Lily has a few qualities that are similar to mine. One is that when she believes in something she stands up for it and doesn't just sit back and watch it happen. This is something i strongly believe. If there is something you can do to help someone why not do it?

Even though Lily has a low self esteem due to her appearance and the way she feels

This is not a good sign for Lily because she does not have love, respect, or acceptance from anyone.

Lily starts off stuck living in an unloving, abusive household and decides to free herself from the negative atmosphere that she had been living in her whole life. Lily is perpetually abused by her father. He forces her to kneel on Martha White's, gets exasperated every time she speaks, and yells at her for no reason. Lily is not the only one noticing the terrible treatment, Rosaleen does too. Once after Lily had to kneel on the Martha White's Rosaleen said to her, “Look at you, child. Look what he’s done to you” (Kidd 25). Noticing the unloving treatment Lily gets, Rosaleen knew that their household was demoralizing place for Lily to be in, which is why she didn’t question when Lily when she later runs away. Lily one day realizes she needs to do something about her horrible life at home. While sitting in her room she hears a voice in her

This relates back to imagery by the author, painting a very clear picture of what Lily is going through in her home life and the saddest part is that she has learned to accept it. Characterization shows up throughout the book when talking about maternal figures and family life. “Later I would remember that, how she set out, a marked woman from the beginning.” This applies to all of the women and maternal figures Lily has met through her life and her time with the boatwrights. All of these women that Lily has seen are trailblazers in their own right.

To Catch A Killer is a story that follows Erin, who is a girl who is known by everyone she encounters. As a young girl she was left alone for three days aside her mother, who had been murdered. No one knows who had killed her mother and just let Erin live. She is now fourteen, Erin finds herself in the center of another murder when she finds her biology teacher dead. While she is a little frighten of what happen, Erin thinks this might be connected to her mother's murder. At the scene of the murder she had spotter her long-time crush which becomes a fellow suspect with Erin. Being very intelligent, she uses her self-taught forensic skills as well as her uncles FBI know-how, to strive to solve her mother's murder, find her father, and clear her own name. Through this book Erin Blake changed a lot, when the climax hit that when she made a full circle and changed.

First, a distinction must be made between direct and indirect transaction. Lily can happily live in a world where wealth circulates obliquely and freely. When Lily stays as a guest at Bellomont eating fine food at her hosts expense, she is not receiving payment for goods or services. Instead, her charm has earned her the benefits of friendship with the rich. Lily is not exactly being paid to be charming; instead, being charming attracts the generous hospitality and entertainment of wealthy friends. The distinction between this type of benefit and direct compensation is enormous. When the reader encounters Lily in Chapter Ten of Book Two, Lily has fled from the world of Norma Hatch to the milliners shop--and it was an offer of direct reward that made it necessary for Lily to escape. Wharton writes, "The sense of being involved in a transaction she would not have cared to examine too closely had soon afterward defined itself in the light of a hint from Mr. Stancy that if she saw them through, she would have no reason to be sorry" (293-3). Lily has no qualms about living as a guest of her rich friends, but the idea of selling her charm and becoming a sort of social mercenary holds no appeal for her: "The implication that such loyalty would meet with a direct

Mullen describes Lily’s situation as “Lily Bart has been predominantly framed as a tragic victim caught within the irresistible market forces of capitalism and the fatal contradictions of gender and class politics” (45). The novel, “The House of Mirth” filled with nuances of gender and class politics. Mullen points out a weakness in Lily’s character, her position in the forces of the capitalist circle. The females in the novel face the pressures from the social circle as well. Lily is a product of her culture and upbringing. Success is measured by the capital worth and how one would survive in their social class. Unfortunately, Lily didn’t have to chance to remain in her former social class circle, after trying to pay off her debts. She died the night that she received her

Her father is described as a neutral figure and her memory of him is hazy at best. This lack of a father figure led to Lily’s attitude towards men. Because of this Lily always denies herself suitable marriages because she always feels she can do better. Lily is conflicted between the man she loves and the man with money. She loves Seldon but she deems him too poor for her perfect marriage. After much thought, Lily decides to marry Peter Gryce who is exceedingly wealthy but is too late as he is already engaged at the time of her decision. Lily cannot decide between love and money both of which are important aspects of her life. She is unwilling to compromise between the two which eventually leads to her downfall. Lily needs to marry a man with wealth and a stable status in high New York society because she needs a source of income to supplement her own unstable wealth.

Lily comes to know three incredible women called the Boatwrights. Their names are August, June, and May. Lily became closest to August although she was close to May and June, also. Lily felt as though August had a comforting and consoling way about her. August once told Lily “Actually, you can be bad at something...but if you love doing it, that will be enough.” (Kidd 111). Her motivational life advice helped to guide Lily. Furthermore, August had to be the one to tell Lily that they had lost May; May had killed herself. Lily did not take the news so well. Lily claimed she had started to “shiver…[she] could feel the teeth in [her] mout, crashing against each other.” (Kidd 193).

Yet, this very society that demand its women be superficial creatures that merit worth only by appearance is also one which immediately rejects a woman who seems intent on marrying a man with wealth-the one course open to women who wish to be accepted in society.  This may be where one of Lily's character qualities prevents her from being able to join such a society.  She is no good at hiding her desire to marry a man of wealth.  In fact, she even tells Selden, her true love, that she "is very expensive" and "must have a great deal of money" (Wharton  31).  These kinds of admissions make Lily appear to be the one thing this superficial society cannot bear-a scheming adventuress out to snag a rich

Indeed, Lily finds herself distinctly above Gerty in the social ladder. As she mulls about her “hateful fate,” she distinguishes herself from Gerty, posing the question “What choice had she? To be herself, or a Gerty Farish” (Wharton 19). Within this clear social food chain, Lawrence Selden, almost exclusively, has the ability to traverse the tiers on his own accord as he “had preserved a certain social detachment, a happy air of viewing the show objectively, of having points of contact outside the great gilt cage” (Wharton 41). He is unique in his abilities to maintain his position in the chain and elevate himself when he so chooses, which Lily often envies. However, Lily also wishes to ascend permanently on the social hierarchy because “her whole being dilated in an atmosphere of luxury; it was the background she required, the only climate she could breathe in” (Wharton 19). Truly, as shown later in the novel, once Lily falls from her natural system, she fails to adapt and survive. Lily’s society, of which she is a product, acts as a harsh environment that Lily must navigate, as a character does in a naturalistic novel.

Edith Wharton develops Lady Bart as a character who is a product of her environment, preyed upon by circumstance and fate. Lily's name, referring to a highly ornamental flower, immediately creates the image of a delicate creature who is grown in the rich soils of society and who, if uprooted from this societal soil, would wither and perish. Lily, as any living organism, is not simply a static figure in her environment. Instead, she is a true naturalistic character, responsive and subject to the conditions of her surroundings. For example, when Lily and Selden meet at Bellomont, "Lily's beauty expanded like a flower in sunlight" (108) and, "her face turned toward him with the soft motion of a flower" (109). Thus, although it can be argued that Lily is not a naturalistic character because of Wharton's emphasis on