The poem, “Out-Out--”, by Robert Frost, is a rather peculiar poem that primarily may be tricky to understand. Nonetheless, it is intriguing and full of key examples of complex poetic terms, vocabulary, and structure. A key part of any literary work, the purpose, can be drawn from Out-Out--, that being to show that death calls to many people at any given time, and that no one dwells on the death of people or cares about others at all, and should. The first part of the purpose of the poem Out-Out-- is to show that death calls to many people at any time. Evidence for this can be easily located on lines 1, 7, and 8 of the poem, where it says, “ The buzz saw snarled and rattled in the yard… the saw snarled and rattled snarled and rattled As it ran light, or had to bear a load.” (Frost 1, 7, and 8). This bit from the poem shows a repetition pattern that the buzz saw is being worked hard and is under stress, and rattling is a sign that something isn’t working right in any tool. This could allude or lead up to a deadly accident, key word being dead(death), showing that the saw could be an allusion to a death, or the calling of death. More evidence can be seen on lines 15-20, and 31-32 where it says, “... To tell them "Supper." At the word, the saw As if it meant to prove saws knew what supper meant, Leaped out at the boy's hand, or seemed to leap - He must have given the hand… Neither refused the meeting… Half in appeal, But half as if to keep the life from spilling… since they
Life is so very fragile and flickering. It is something that we as humans hold on to so desperately. When Robert Frost Wrote the poem “Out, Out -” he wrote about to fragility of life itself and how quickly a life can end so suddenly and without warning. The title of Robert Frost’s poem is a direct reference to a speech in Shakespeare’s original story of Macbeth. Similarities between the two pieces of literature and their views are blatantly evident and they can be used together to help a reader understand the other.
An unknown author once wrote “Never take life too seriously; after all, no one gets out of it alive”. When reading this quote, there can almost be an immediate connection between two very good works of writing: Macbeth’s “Tomorrow and Tomorrow and Tomorrow” speech from Shakespeare’s tragedy, Macbeth, and the poem “Out, Out --” by Robert Frost. Both allude to the idea that a single life, in its totality, denotes nothing, and eventually, everyone’s candle of life is blown out. However, each poet approaches this idea from opposite perspectives. Frost writes of a young, innocent boy whose life ends suddenly and unexpectedly. His poem is dry and lacks emotion from anyone
The last line in the poem “and since they were not the ones dead, turned to their own affairs” lacks the emotions the reader would expect a person to feel after a death of a close family member. But instead, it carries a neutral tone which implies that death doesn’t even matter anymore because it happened too often that the value of life became really low, these people are too poor so in order to survive, they must move on so that their lives can continue. A horrible sensory image was presented in the poem when the “saw leaped out at the boy’s hand” and is continued throughout the poem when “the boy’s first outcry was a rueful laugh…the hand was gone already…and that ended it”, this shows emphasis to the numbness the child felt. The poem continues with the same cold tone without any expression of emotion or feelings included except for pain, which emphasizes the lack of sympathy given. Not only did the death of this child placed no effect on anyone in the society but he was also immediately forgotten as he has left nothing special enough behind for people to remember him, so “since they were not the one dead, turned to their affairs”. This proves that life still carries on the same way whether he is present or not, as he is insignificant and that his death
In the Robert Frost poem ‘’The Road Not Taken’’ there is a pervasive and in many ways intrinsic sense of journey throughout. In such, the poem explores an aspect associated with human decision, or indecision, relative to the oxymoron, that choices with the least the difference should bear the most indifference, but realistically, carry the most difficulty. This is conveyed through the use of several pivotal techniques. Where the first such instance is the use of an extended metaphor, where the poem as a whole becomes a literary embodiment of something more, the journey of life. The second technique used is the writing style of first person. Where in using this, the reader can depict a clear train of thought from the walker and understand
In Robert Frost’s poem “To the Thawing Wind,” in the literal sense, he is asking the Southwest wind to come, melt the snow and bring spring, but symbolically he is tired of the winter and wants warm weather. He wants to burst out of his cabin and have a good time, not thinking about poetry. The poet has been confined in his winter cabin and is wanting the wind and rain to melt the snow, so it will change his winter isolation. He has been longing for the “thawing wind” because that is when spring is coming. He is anticipating spring to come because it will bring him inspiration and the freedom needed to be able to do new things and enjoy everything good that comes with this season.
The two poems “Stopping By Woods on a Snowy Evening” and “Acquainted with the Night” written by Robert Frost are very similar to each other because of the simplistic form of language used and the uses of metaphors. When we first read the poem, it looks like an ordinary poem but once we go in depth and understand the meaning, it becomes so much more. Both of the poem has a very dark, gloomy and lonely setting with a really mysterious tone. There are different metaphors used in each poem to symbolize death; “Sleep” in “Stopping By Woods on a Snowy Evening” and “Night” in “Acquainted with the Night.” The characters in the two poem are both in a journey and has come
"Out, Out" is a great example of a typical Robert Frost poem. This narrative poem tells a story of human tragedy through the death of a young boy. The poem shows how fragile life can be and how it can be taken from people in an instant. The boy's tragic death is illuminated for the reader by a commentator watching the incident from the outside looking in. There is a lot of detail given to the reader early on describing the saw and the way it "snarled and rattled." These details and the emphases on the boy's age and his wanting to leave work early made the situation destined for tragedy. It was as if Frost was preparing us for the tragedy to come, "And nothing happened: day was all but done"(9). This suggests that something is definitely going to happen. Another clue that something awful is about to happen is the way the saw is personified it: " leaped out of the boy's hand" (16). As it is described, the saw jumped out of the boy's hand when he is called for supper, "As if to prove that saw knew what supper meant" (15). Through the use of onomatopoeia, the saw is also made to sound vicious like an attack dog when it is heard to snarl and rattle. The personification and description of the noises of the saw makes defiantly it seem like a major character in the poem.
Robert Frost takes our imagination to a journey through wintertime with 
his two poems "Desert Places" and "Stopping by Woods on a Snowy Evening". These two poems reflect the beautiful scenery that is present in the snow covered woods and awakens us to new feelings. Even though these poems both have winter settings they contain very different tones. One has a feeling of depressing loneliness and the other a feeling of welcome solitude. They show how the same setting can have totally different impacts on a person depending on 
their mindset at the time. These poems are both made up of simple stanzas and diction but they are not straightforward poems.
In Robert Pack’s poem “To an Empty Page”, the narrator is uncertain about what comes with death. He worries about his future and what may happen to him. As he asks questions into the emptiness, he finds answers in the echoes of his voice. Robert Pack uses literary devices such as rhetorical questions, selection of detail, metaphors, and juxtaposition to construct the meaning of his poem.
Robert Frost’s poem “Out, Out –“ is about a boy who has his arm sawed off during work and asks his sister not to let the doctor amputate his arm, he then realizes he’s lost too much blood and then dies while doctors try to save him. After his death everyone else continues on with their work and lives. Frost uses a lot of end-stopped lines, enjambment, repetition and personification among others in his lines of poetry.
In Robert Frost’s poem “Out, Out-” the poet uses literary devices to describe the setting and thorough meaning of the poem. Frost has created a character during World War 1, and the character gets injured and dies from that injury. Frost reveals imagery, diction, and figurative language.
Frost incorporates his personal experiences with loss and his views on society into the narrative
Everyone feels burdened by life at some point. Everyone wishes they could just close their eyes and make all the problems and struggles of life disappear. Some see death as a release from the chains and ropes with which the trials and tribulations of life bind the human race. Death is a powerful theme in literature, symbolized in a plethora of ways. In "Stopping by Woods on a Snowy Eve" Robert Frost uses subtle imagery, symbolism, rhythm and rhyme to invoke the yearning for death that the weary traveler of life feels.
A Comparison of The death of a hired man and Out, Out- by Robert Frost
Robert Frost tells a disturbing story in 'Out, Out, --', in which a little boy loses his life. The title of the poem leaves the reader to substitute the last word of the title, which some would assume would be out because of the repetition. The title is referring to the boy exiting the living world. Frost drags the reader's mind into the poem with the imagistic description of the tools and atmosphere the little boy is surrounded by.