Literary Devices Used in Albert Camus' The Plague

The author uses more mysterious diction and phrases in this quote to portray a sense of darkness amongst the city. By using words like blackness and comparing the city to a funeral this shows how the

The plague affected people not only on a physical level but a mental one as well. The mental health of the citizens of Oran was amongst the plague's many victims, it suffered of exhaustion as well as being forced to handle mental confrontations. When the citizens dealt with these issues, some people lost their capacity to love as intently, but overall the general capacity of people to uphold their devotion remained resilient to the challenges the plague provided.

"The Black Death" is known as the worst natural disaster in European history. The plague spread throughout Europe from 1346-1352. Those who survived lived in constant fear of the plague's return and it did not disappear until the 1600s. Not only were the effects devastating at the time of infection, but during the aftermath as well. "The Black Death" of the fourteenth century dramatically altered Europe's social and economic structure.

In ‘I kneel to pick frail melancholy flowers among ashes and loam’ a tone of loneliness and sadness is established as the persona enters. Harwood describes the violets as ‘frail’ and ‘melancholy’, terms that arn’t usually associated with flowers. This is also explored in the juxtaposition of ‘ashes’ and ‘loam’. Ash is symbolic of death and decay which contradicts the ‘loam’, symbolic of life and birth. The persona’s dark and unpleasant perceptions reveal their uncertainty and state of mind. The present tense indicates the persona’s adulthood and their sense of longing and unsatisfaction conveyed through the nostalgic delivery of

The Plague, by Albert Camus, is a story following a man named Dr. Rieux living in the town of Oran on the coast of Algeria, which was a French owned territory in Africa. In this town, a plague begins, similar to that of the Bubonic plague in Europe, and the town is quarantined. The story shows how the residents cope and try to create a cure while surrounded by dying people and a lack of supplies and entertainment. In this novel, he uses the format of a Shakespearean play, with five acts and from the point of view of an audience looking in, rather than from a first-person view. He also points to the Greek myth of Orpheus and Eurydice, where Orpheus goes against all odds to the underworld to rescue his love, Eurydice, who was taken from him by

Abstractly, it almost seems as though the other characters in the book look down on his for this not because he is not mourning, but rather because he is not mourning in the way they are. This sheds light on the overall theme of the novel, that of people being cast out of society because their views and methods do not line up with the accepted ways of society.

The sanitation of Oran is a significant problem in The Plague. Camus portrays the sanitation of the city as being very deficient in the novel where it is mentioned, “The sanitary department is inefficient, understaffed, for one thing, and you're worked off your feet” (Camus 61). Although there were sanitary services present, they encompassed a poor image, so the townspeople started forming their own voluntary “sanitation squads” (Camus 65) to help clean the city. It is mentioned in the novel that there is a notice outlining a general sanitation program that the authorities have drawn up. It includes a systematic extermination of the rat population by injecting poison gas into the sewers, and a strict supervision of the water-supply. The claim made in Camus’ novel of inferior sanitation of the streets is not the central problem faced in Algeria. The prevalent sanitation problem faced by a vast population of Algeria is their water sanitation. Camus mentions the unsanitary water supply, but bases a larger concern for the cleanliness of the streets. The concern for sanitary water is much greater in the authentic Algerian culture and the government has implemented various programs to conduct sanitary practices in the effort of getting clean water. In addition to sanitary programs being implemented, various sanitation strategy studies have been finalized through the Algerian efforts (“Algeria-Water”). The medical treatment practices conveyed through the novel were also conflicting to the authentic culture.

The book When Plague Strikes, is about 3 deadly diseases. It 's about the Black Death, Smallpox, and AIDS. Each of these diseases can cause a serious outrage of death. The book also tells about how doctors try to come up with treatments, medicines, and antibiotics to try and cure these diseases. All these diseases got the best out of everyone. Some people reacted differently than others with these diseases. All the diseases came in play in A. D. 1347, when the Black Death broke out for the first time in what’s today is know. As southern Ukraine.

In the beginning of the short story, as Brother reflects on Doodle’s life, the author uses personification and foreshadowing to create a mood of remorse. As he gazes out of the window into his backyard, Brother states that “the graveyard flowers were blooming. ...speaking softly the names of our dead” (Hurst 1). The flowers provide flashbacks of the past, and foreshadow a loss of life. The loneliness felt by Brother causes readers to consider how they would feel if their loved one was gone. As Brother observes the seasons, it is noted that “summer was dead but autumn had not yet been born” (Hurst 1). The personifications of the seasons as stages in the cycle of life and death creates an unsure and uncertain mood. The shift between seasons creates an idea of change and uncertainty of events to come. Hurst creates a mood of remorse through

When it comes to reading literature the most challenging yet important task is to understand the purpose of the author's writing. In Romantic era literature understanding the emotions and thoughts that are created in the reader's mind are essential to gaining a clear message that the writer is trying to send. In Edgar Allen Poe’s short story “The Masque of the Red Death” the narrator immediately introduces the “Red Death”; a disease that has been spreading throughout Prince Prospero’s country; killing his people within half an hour of contracting the disease. Throughout the story the author continuously uses diction and syntax to create suspense and evoke a grim tone to the reader. In the “Masque of The Red Death” Poe produces fearful imagery in the reader's mind through creating a supernatural presence in the setting.

The Plague (French, La Peste) is a novel written by Albert Camus that is about an epidemic of bubonic plague. The Plague is set in a small Mediterranean town in North Africa called Oran. Dr. Bernard Rieux, one of the main characters, describes it as an ugly town. Oran’s inhabitants are boring people who appear to live, for the most part, habitual lives. The main focus of the town is money. “…everyone is bored, and devotes himself to cultivating habits. Our citizens work hard, but solely with the object of getting rich. Their chief interest is in commerce, and their chief aim in life is, as they call it, 'doing business’” (Camus 4). The citizens’ unawareness of life’s riches and pleasures show their susceptibility to the oncoming plague.

This is expressed by the multiple examples of old men whom regret certain aspects of their lives and defy death even when they know their time is up. The speaker is urging his father to fight against old age and death. The meaning and subject of the poem influence the tone and mood. The tone is one of frustration and insistence. Thomas is slightly angry and demanding. His words are not a request, they are an order. The mood of the poem is is serious and solemn due to the poem focusing mainly on the issue of death. This mood and tone is created by words such as “burn”(2), “Grieved”(11) and “rage”(3) along with phrases such as “crying how bright”(7), “forked no lightning”(5), “near death”(13) and “fierce tears”(17). The insistent feeling is also created by the repetition of the lines “Do not go gentle into that good night”(1), and “Rage, rage against the dying of the light”(3). The figurative language used also affect how the meaning, tone and mood are interpreted.

In the novel, The Stranger, by Albert Camus, Camus uses a variety of literary devices in order to create a moment of inward reflection from readers, in which we reflect on just how absurd our existence is. Camus expresses his critique through one major character, Meursault, and a few minor characters as well. Camus’s use of irony pushed readers to look beyond the surface, and come to the conclusion of where the irony was displayed. Camus also made use of ironic moments in order to contrast the expectations of society, to how Meursault differs from that, all to gradually expose the hypocrisy of mankind. Camus generally uses this literary device in order make us evaluate our own selves and more importantly to display the fact that we as people can be truly happy, only if we accept our fate, instead of fighting it. In a way, he’s suggesting we be more like Meursault. Examples of this would be the funeral caretaker insisting that Meursault view his mother's body, and Meursault continuously refusing. Camus does this to make people think: what exactly is wrong with Meursault not wanting to see his dead mother? Through this technique camus shows societal expectations of how people are supposed to mourn lost, and certain responses to lost are deemed abnormal. Thus Meursault’s lack of grief automatically made him an outsider. Other uses of irony can be shown through Meursault's interactions with the chaplain, and the authority involved in his criminal case played out later on in the

A Journal of the Plague Year is a first person account of what it was like living through the times of the plague. It recollects stories and other accounts of plague times heard by and collected by the Defoe from other involved individuals. Explains many aspects before, during, and after the plague of their ways of life and culture. Tells of tales of survivors of the plague but mostly off different tales of deaths and how they died in many outrageous and tragic ways of people killing their families, themselves, or masses of people. The whole journal is filled with collections of stories, but also with charts showing the deaths in different parishes and how they change as the plague raged on. In the end, it tells how life went back to normal for London and Defoe and his family.

Socrates, a Greek philosopher, once said that “the unexamined life is not worth living” (Apology 38b). Like Socrates, Albert Camus believed that a man needs to live meaningfully.