The Plague, by Albert Camus, is a story following a man named Dr. Rieux living in the town of Oran on the coast of Algeria, which was a French owned territory in Africa. In this town, a plague begins, similar to that of the Bubonic plague in Europe, and the town is quarantined. The story shows how the residents cope and try to create a cure while surrounded by dying people and a lack of supplies and entertainment. In this novel, he uses the format of a Shakespearean play, with five acts and from the point of view of an audience looking in, rather than from a first-person view. He also points to the Greek myth of Orpheus and Eurydice, where Orpheus goes against all odds to the underworld to rescue his love, Eurydice, who was taken from him by …show more content…
Shakespeare’s plays often start out with a narrator describing the scene and the events to come in the story. Unlike most novels, plays somewhat describe the plot in its opening, which can be seen here where the narrator says “our fellow citizens had not the faintest reason to apprehend the incidents that took place,” showing how the narrator is telling of future events. This allows the reader to connect to the characters by being able to follow them through the events that the reader now knows are coming. Another example is when a young boy is dying in a hospital while being surveyed by the main characters to test a possible cure: “Tarrou had been keeping watch and noting, stage by stage, the progress and remissions of the malady” (213). Like a play, Tarrou is watching “stage by stage” the progression of this child’s death; Camus is comparing the boy’s illness to the structure of a story, he is pointing out components within his own novel. His illness starts out slowly, and throughout his stay in the hospital his condition “progresses and remissions” like that of a plot that gains in action and resolution. A final example is when Cottard and Tarrou are at the performance of Orpheus within the novel: “Some rather jerky movements he indulged in gave our connoisseurs of stagecraft an impression of clever, if slightly overdone, effects, intended to bring out the emotion of the words he sang” (200). The actor playing Orpheus over performs his scene, …show more content…
When Orpheus is being done inside the novel, an actor plays his part: “And as though the singer had been waiting for this cue…he chose this moment to stagger grotesquely to the footlights, his arms and legs splayed out under his antique robe, and fall down in the middle of the property sheepfold” (201). In this case, the actor playing Orpheus can be seen as the actual Orpheus in the myth because he goes to do what he loves, acting, even though it is risky for him because it is assumed that he is sick with the plague. Although the actor does die from the plague, he still went to dangerous lengths to achieve his passion, like Orpheus actually does in the myth when he goes to retrieve Eurydice. In addition, the reader can now see that Orpheus and Eurydice represent all of the couples throughout the novel, and is able to see examples earlier in the novel of characters going against extreme conditions, and the possibility of death because of circumstances against their will, to be with their love. An example of this is when the town is first closed off, because citizens are not allowed to leave, only come in, and only one person does decide to enter: “At the height of the epidemic we saw only one case in which natural emotions overcame the fear of death in a particularly painful form…The two were old Dr. Castel and his wife...But this
The plague affected people not only on a physical level but a mental one as well. The mental health of the citizens of Oran was amongst the plague's many victims, it suffered of exhaustion as well as being forced to handle mental confrontations. When the citizens dealt with these issues, some people lost their capacity to love as intently, but overall the general capacity of people to uphold their devotion remained resilient to the challenges the plague provided.
"The Black Death" is known as the worst natural disaster in European history. The plague spread throughout Europe from 1346-1352. Those who survived lived in constant fear of the plague's return and it did not disappear until the 1600s. Not only were the effects devastating at the time of infection, but during the aftermath as well. "The Black Death" of the fourteenth century dramatically altered Europe's social and economic structure.
A book of horrors, fear and death. “The Plague” is a book by Albert Camus which weaves these emotions and events into one suspenseful tale. Each paragraph and section is written and structured in such a way as to give the reader insight into the feelings of the victims of the plague, and to show somewhat of a theme. The passage from section 4, part 4, line number 1 to line number 35 gives us a glimpse of the melancholy of the people of Oran to their dead loved ones to the extent that they do not attend All Souls' Day, for they were thinking of them too much as it was. Albert Camus fills this passage with figurative devices, including, diction, personification, pathetic fallacy, metaphors, irony and a turning point. The first two paragraphs
Sarah Ruhl’s play, Eurydice, is a devastating story battling love, grief, life, and death. Although it is set during the 1950’s, the play manages to encompass the ancient Greek myth of Eurydice and Orpheus. The three most evident themes of this play are recurring death, fleeting happiness, and the power of love. The main conflict in this play is ultimately about the painful choice that comes with death; this is often caused by the King of the Underworld. One of the most impressive parts of this play is the ability to change the way the play is perceived through design.
If you met a man named Orpheus who had a girlfriend, would you assume her name was Eurydice? Many people would, because the myth of Orpheus and Eurydice is from “many, many thousand years ago” and is still passed on today, verbally and through works of literature. In his 1959 film Black Orpheus, Marcel Camus interprets this well-known myth, making changes to the story to make it more dramatic and interesting. Black Orpheus is substantially different from the original myth because Orpheus has a girlfriend before meeting Eurydice, Hermes plays a different role, Orpheus kills Eurydice, Orpheus cannot bring Eurydice back from the underworld, and Orpheus’ death
The book When Plague Strikes, is about 3 deadly diseases. It 's about the Black Death, Smallpox, and AIDS. Each of these diseases can cause a serious outrage of death. The book also tells about how doctors try to come up with treatments, medicines, and antibiotics to try and cure these diseases. All these diseases got the best out of everyone. Some people reacted differently than others with these diseases. All the diseases came in play in A. D. 1347, when the Black Death broke out for the first time in what’s today is know. As southern Ukraine.
The plague, otherwise known as “the Black Death”, brought on much turmoil and suffering for the habitants of Pistoia. Numerous ordinances were put into effect with the primary goal of limiting the spread of the plague as well as to keep the city as healthy as possible. These ordinances typically focused on confinement, i.e. no one goes to Pisa and Luca and no one from Pisa and Luca is allowed to enter Pistoia (ordinance 1), how death and burials are to be processed (ordinances 3-12), and how butchers were to handle their animals and animal carcasses (ordinances 13-19). Essentially, confinement was targeted in hopes of stopping the spread of the infection while keeping the city isolated. Secondly, how the bodies of plague victims and their
The sanitation of Oran is a significant problem in The Plague. Camus portrays the sanitation of the city as being very deficient in the novel where it is mentioned, “The sanitary department is inefficient, understaffed, for one thing, and you're worked off your feet” (Camus 61). Although there were sanitary services present, they encompassed a poor image, so the townspeople started forming their own voluntary “sanitation squads” (Camus 65) to help clean the city. It is mentioned in the novel that there is a notice outlining a general sanitation program that the authorities have drawn up. It includes a systematic extermination of the rat population by injecting poison gas into the sewers, and a strict supervision of the water-supply. The claim made in Camus’ novel of inferior sanitation of the streets is not the central problem faced in Algeria. The prevalent sanitation problem faced by a vast population of Algeria is their water sanitation. Camus mentions the unsanitary water supply, but bases a larger concern for the cleanliness of the streets. The concern for sanitary water is much greater in the authentic Algerian culture and the government has implemented various programs to conduct sanitary practices in the effort of getting clean water. In addition to sanitary programs being implemented, various sanitation strategy studies have been finalized through the Algerian efforts (“Algeria-Water”). The medical treatment practices conveyed through the novel were also conflicting to the authentic culture.
The authors of this article place a focus on Sophocles' Oedipus Rex and its containing of a lethal plague that profoundly affects this work of drama. In attempting to unravel the factors and descriptions of this plague as depicted in the work, the authors attempt to trace the plague throughout the text as well as search for a possible underlying cause. In comparing the plague within Oedipus Rex to the historical plague of Athens, the authors of this article allow the reader a more in-depth look at the time that Sophocles' writing sought to portray.
The story of Orpheus and Eurydice is one that has been passed down through generations for thousands of years. Almost every generation has heard a rendition of how Orpheus and Eurydice fall in love with one another and are eventually parted by death. I say rendition because this myth is passed on by word of mouth, which in return causes the story to change depending on the story teller. This may also have a great deal to do with the different interpretation people form about the story. Black Orpheus, directed by Marcel Camus in 1959, is an interpretation or modern rendition of the Greek myth, Orpheus and Eurydice. Although this film does not adapt the literal meaning of the
The story of Orpheus and Eurydice can entertain many readers. In this case, it can also teach a valuable lesson about controlling your temptations. When Orpheus, a skilled musician, went down to the underworld to save his wife, Eurydice, he made
Time is only running out, and it is one of the most vital and overlooked qualities of life. Albert Camus highlights the theme of time in his 1947 novel, The Plague. Through the use of allegory and point of view, Camus substantiates that when people are not aware of time and its advancing, they are wasting the precious and limited time of their lives. He constantly establishes that the amount of consciousness obtained by a person is the difference between spending time wisely and foolishly.
The myth of Eurydice is a sad story in which two lovers are separated by death. After his love dies, Orpheus journeys into the underworld to retrieve her, but instead loses her for good. Playwright Sarah Ruhl takes the myth of Eurydice and attempts to transform this sad tale into a more light-hearted story. However, despite humorous lines and actions throughout the play, the melancholy situation of the actual tale overwhelms any comicality present. Although meant to be funny, Sarah Ruhl's “Eurydice” can be seen as a modernized tragedy about two lovers who are separated forever by a twist of fate.
Socrates, a Greek philosopher, once said that “the unexamined life is not worth living” (Apology 38b). Like Socrates, Albert Camus believed that a man needs to live meaningfully.
The novel, The Plague, written by Albert Camus, will be the focal point of the Multicultural essay. Further delving into Albert Camus and his life, he was a French philosopher, author, and journalist. At a young age, he lost his father due to an injury suffered during World War I, and was raised under the domineering hand of his grandmother alongside his mother (Lottman 52). Camus did exemplary in school and through his political engagement led him to join the Communist Party. Deeply advocating for individual rights, he became opposed to French colonization and argued for the empowerment of his people in politics and labor, leading him to later joining the French anarchist movement. Camus introduced and elaborated on elements of absurdism