Atonement Literary Techniques Essay

Atonement was written by Ian McEwan in 2002. The novel tells the story of thirteen year old Briony Tallis and her journey to reach atonement for the mistake she made in her childhood that sent Robbie Turner to prison, who later is identified as an innocent man. Ian McEwan takes Briony on a journey during which she goes through guilt, deceit, coming of age, and the struggle to reach atonement for that all began on the hottest night of the summer of nineteen thirty-five, when she sent an innocent man to prison, which spanned a period over sixty-four years.

The narrator talks about his many ‘encounters’ with girls, singling out ‘Briony Nevis’ as a particular highlight whom he kissed once at a party and is ‘flat out beautiful with long black hair like some kind of Indian’. There is a definite male domination that is alluded to throughout the story. The introduction of the character Meg again displays poor treatment or women, describing her as ‘thick as a box of hammers’.

Thus, he treats her like a child and “laughs at [her]… ” and calls her a “‘...little girl’” (Gilman 90, 94). For these two female characters in “A Rose for Emily” and “The Yellow Wallpaper”, their struggles are a direct result of male dominance, and their coping mechanism escorts them away from the world that devalues them.

In contrast, by appearance of a horny sexual character, Joyce, viewers are positioned to see the danger of a woman as she rallies support which turns into a mob after she fails to proceed what she wants – sexual intercourse. However, the actions of main character, Edward, and the clothes worn him and more importantly, an awkward looks of him with scissors for hands positions the viewers to see him as a person who can't and never will fit in ordinary suburbia. Burton’s use of these characters is to convince viewer that whether conformity is good or bad, distinct individual is always to be left behind.

In the novel Atonement, McEwan juxtaposes the unique but conflicting ways that his characters perceive and understand their world. McEwan intentionally

It was a bright cold day in Salem, where the sun seeped through overcast skies above and the mist danced around in the street. The wind hissed and howled, and swept through the narrow streets. In the centre of the town, stood the proud house of Reverend Parris. But that day, Reverend Parris was not a proud man as the accusations of witchcraft drifted through the town, overwhelming him completely.

Atonement, by Ian McEwan, explores the theme of love through a variety of techniques such as symbolism, metaphors and repetition delve into various aspects of love, such as misspent, newfound and unavailable love. Uniquely, McEwan intertwines these techniques with foreshadowing and imagery to convey complex emotions such as love, guilt and jealousy. Additionally, the theme of reality and the imagination is established through repetition and Cecilia’s characterisation.

Redemption is a core concept within Khaled Hosseini’s The Kite Runner and Arthur Miller’s The Crucible, and the protagonists of both tales suffer through numerous trials and tribulations in order to receive their absolution. The two authors create worlds which feature supporting ideas to enable the development of the characters and their search for redemption. Regret is common to both texts which is advanced by means of narrative perspective and stage directions, freindship is also used in conjunction through dialogue and characterisation, and finally religion plays a role through symbolism.

Forgiveness is essential to daily life. An important person does the unthinkable, and finally that person earns forgiveness. It is important to forgive oneself, so one can forgive others, too. In The Kite Runner, novelist Khaled Hosseini tells about the past of the Afghan refugee, Amir, and about the importance of forgiveness regarding to what happens in Afghanistan a long time before Amir arrives in America. Amir grows up in Kabul with his prosperous father, Baba, who has two servants, Ali, and his son, Hassan. Amir and Hassan are best friends until Hassan is raped, and Amir doesn’t help him. Amir can’t get over his guilt, so he takes it out on Hassan and treats him very badly. Thus, Hassan and Ali leave

How, after years of guilt, self-disgust, and deception, is it possible for one person to become good again? Entrapped in a cage of cowardice for so long, can they ever develop and grow as a normal human being? Amir, the anti-hero in Khaled Hosseini’s The Kite Runner, seeks to answer these questions in his own search for atonement through various existential events in his life.

"Atonement" by Ian McEwan Atonement comes from an "at onement", the idea being that penance and suffering allows us to be "at one" with God or ourselves. The central theme of atonement is that of seeking forgiveness. This is manifested through the characters and their actions. In the book "Atonement" by Ian McEwan, the act carried out by Briony sets of a chain of events, for which either atonement is sought or society seeks atonement from. Briony's character is described as being compulsively orderly, "She was one of those children possessed by a desire to have the world just so."

In McEwan’s Atonement ventures into the lives of the Tallis sisters and the complexities that naivety and selfishness can inflict. Briony Tallis’ perjury against Robbie Turner, in her cousin Lola’s criminal rape case, disrupts the Tallis family dynamic and the budding romance between Cecelia Tallis and Robbie. Briony’s maturation and realization of her wrongdoing implores her to become a nurse during WWII. In Atonement, McEwan depicts a family in turmoil over the lies of young Briony during World War II. The imagery and symbolism portray Briony’s characterization through her attempts to serve penance for her betrayal with symbolism and imagery. Briony’s limited point of view effects the tone of the novel through an unreliable eyewitness

Briony Tallis: Briony Tallis is the protagonist of Atonement. Though Briony has two older siblings, Leon and Cecilia, they are both at least ten years her senior. Therefore, Briony grows up virtually as an only child and as a result is quite self-centered. Briony is introduced to readers when she is working on her play The Trials of Arabella. Through Briony’s writing process and inner thoughts, readers are made aware of her obsession with order and control. This obsession combined with her self-absorbed mindset fosters Briony’s unaware naïveté. Briony believes that she understands everything that occurs around her, when in reality, she cannot understand adult concepts and ideas that do not yet pertain to her. It is this obliviousness that leads to her rape accusations against Robbie—Briony is unable to see the love between her older sister Cecilia and Robbie, the servant’s son. Once Briony matures, she begins to realize the depth of the consequences of her actions, and throws herself into atoning her “sins.” In doing so, she writes her own novel involving a couple that represents Robbie and Cecilia, and feels that she can relieve herself of guilt by admitting to her wrongdoings and rewriting the fates of the two lovers. However, the novel simply paints Briony’s naïveté in a new light—though she has grown up, she is still unaware of the dire

In his essay “Who Killed Robbie and Cecilia? Reading and Misreading Ian McEwan’s Atonement,” Martin Jacobi argues that Ian McEwan dramatizes misreading and warns readers against misreading, but also causes his readers to incorrectly read his novel. Jacobi shows us how easy it is to misread in Atonement and this makes readers more likely to sympathize with Briony’s misreading. He further discusses how the narrative encourages us to believe that Robbie and Cecilia’s love story must end tragically even though there is no reason to do so. Even though the readers see what terrible results Briony’s misreadings have on both Robbie and Cecilia, we are then tempted to make the same kinds of misinterpretations about how they turn out. In his literary analysis of these aspects of Ian MacEwan’s Atonement, Jacobi makes it clear to readers that they are wrong to assume that Robbie and Cecilia die, so if they decide that they have died, the readers are the ones who kill them. While I agree with Jacobi’s claim that the narrative does not clearly tell us whether Robbie and Cecilia die, in this essay I will argue that assuming that Robbie and Cecilia die is a very reasonable supposition and it is a more logical assumption than that the couple does not die. Jacobi himself states that “the most dominant interpretation for reviewers and critics is indeed that Robbie and Cecilia die during the war” (Jacobi 57). Perhaps Jacobi overanalyzed the text to create an opposition that there was no need

In this analytic essay, I will be exploring the use of literary language in the novel Saturday by Ian McEwan and how with the use of narration and imagery can under shadow a simple piece of literature.