Live Orchestra Performance

Shostakovich’s compositions were literally a matter of life or death. Under Soviet rule, composers whose work was not seen as towing the party line could be liquidated, a fate met by many of his colleagues. One of these cases was a Jewish friend of his, actor Solomon Mikhoels, and he feared the same would happen to him. Despite his need for perfection, Shostakovich was known to write at an astonishing speed, and his Festive Overture was no exception. One of his most popular pieces, Festive Overture was written for a concert in November 1954 for the 37th anniversary of the Russian Revolution. The story behind its creation is quite astonishing; Shostakovich was visited in his apartment one day in autumn 1954 by

Peter Ilyich Tchaikovsky is the author of six symphonies and the finest and most popular operas in the Russian repertory. Tchaikovsky was also one of the founders of the school of Russian music. He was a brilliant composer with a creative imagination that helped his career throughout many years. He was completely attached to his art. His life and art were inseparably woven together. "I literally cannot live without working," Tchaikovsky once wrote, "for as soon as one piece of work is finished and one would wish to relax, I desire to tackle some new work without delay." The purpose of this paper is to give you a background concerning Tchaikovsky's biography, as well as to discuss his various works of

Tchaikovsky is one of the most popular of all composers. The reasons are several and understandable. His music is extremely tuneful, opulently and colourfully scored, and filled with emotional passion. Undoubtedly the emotional temperature of the music reflected the composer's nature. He was afflicted by both repressed homosexuality and by the tendency to extreme fluctuations between ecstasy and depression. Tchaikovsky was neurotic and deeply sensitive, and his life was often painful, but through the agony shone a genius that created some of the most beautiful of all romantic melodies. With his rich gifts for melody and special flair for writing memorable dance tunes, with his ready response to the atmosphere of a theatrical situation

On Friday, July 10th, I chose virtually to attend an online YouTube Symphony Orchestra Concert-2011. Many beautiful pieces were performed by a magnificent orchestra that included more than sixty participants and consisted of instruments such as: flutes, oboes, horn, clarinets, bassoons, trumpets, percussions and strings. Concert’s selections varied in length, temperament, mood and dynamics. Orchestra Symphony gave an overpowering, extraordinary presentation and delivery.

One of the most prominent influences of art throughout history has been politics. The 50s through 70s in America are a great example of this, for so many of this era’s songs were arguments against America’s involvement in the Vietnam War and criticisms of American politics at the time. However, this phenomenon was prominent long before the Vietnam War and was not just an American trend; in fact, two of the most influential and famous pieces of the early 20th century were products of political oppression on the other side of the world. Both Paul Hindemith, under the Nazi Regime, and Dmitri Shostakovich, under the communist reign of Stalin, managed to fight political oppression through their music. The two composers had very different ways of doing so. Hindemith wrote two separate pieces, one that directly opposed the Nazi regime, and another that was so nationalistic he was forgiven for his previous ‘mistakes’, whereas Shostakovich wrote a single piece which seemed just as nationalistic as Hindemith’s symphony yet it had a deeper, much more rebellious underlying message. Even though their methods’ differed, both Hindemith and Shostakovich were able to express their true feelings about the totalitarian governments that were repressing their artistic ability.

Scholars and artists commonly describe music as a reflection of the human condition. The period in history from the mid-1930s onward marked a tragic phase in twentieth century music and this reflection: the total politicizing of the art by totalitarianism means. Dictators, including Joseph Stalin of the Soviet Union, were manipulating popular culture to take control of their people. Stalin supported the idea of a “Soviet modernism,” a school of art that would embody the power of the new proletarian state. He monitored every recording made in the country, writing judgments of “good,” “so-so,” and “bad” on their sleeves. Stalin believed music to be the engineer of the human souls, and hoped to use this as a way to influence his people that Soviet life was improving. Fearing a phone call from the dictator or being arrested in the night, Soviet composers such as Dmitri Shostakovich wrote music with chained hands in an effort to please their leader. A study of Shostakovich’s Symphony No. 5 and Symphony No. 7 will reveal the influence of communism in the Soviet Union on his music as well as his dynamic relationship with Joseph Stalin.

During the latter part of his life, rumors emerged of Tchaikovsky being a homosexual. This effected how his works were received, mainly in the Western part of the world. According to Poznansky, “His music began to be criticized as sentimental, romantically excessive, charged with many imperfections and even pathological” (Poznansky, 2012). It is now known that although Tchaikovsky was married to Antonina Miliukova in July 1877, their marriage lasted less than three months. Tchaikovky admits to having homosexual escapades in 1861 and even to falling in love with a student, Losif Kotek. It is quite obvious that these events have no bearing on the popularity of his work now.

Today, classical music by many can be seen as a dying genre of music. Not often do people attend concerts to be moved emotionally, for entertainment, or as a means of socializing. Though groups such as 2Cellos, Piano Guys, and the YouTube Symphony Orchestra have recently driven people back to concert halls and have them watching classical performances online. The YouTube Symphony Orchestra has made a significant movement to this genre of music by live streaming their performances (one in 2009 and the other in 2011).

After Dvorak left the Organ School in 1859, he basically disappeared from the public eye for twelve years until 1871, which is when he emerged back into the public as a composer. For those twelve years he spent in seclusion, he was occupied with extensive writing in the classical form (8). To much grief and disappointment Dvorak’s first son died in September and his second daughter in October of 1877. These tragic losses were experienced within his grandiose oratorio “Stabat Mater.” For the next twenty years, Dvorak was invited to other European countries to conduct performances of his own works while enduring a struggling relationship with his publisher Hitherto Simrock (7).

The overall concert offered a wide verity of choir song, from classical pieces composed by Mozart to musical show tunes. The combination of which resulted in an overall enjoyable experience. The concert was not the first choir concert I had ever attended so I went in expecting it to be similar to the high school choir performances I have seen before. I was not expecting the scale of the concert to be so large. Instead of being one choir and an hour-long program there were four groups along with a much longer program. Each of the choir groups had a different dynamic, sound and feel to it. The differences made it interesting.

The performance that I attended was of the Ottawa Symphony Orchestra playing the Overture to The creatures of Prometheus, by Beethoven, the Concerto for Orchestra by Kodaly, and Harold in Italy, by Berlioz. The orchestra was conducted by David Currie, and I think that they played very well overall.

During his years in Moscow, Tchaikovsky was able to teach, compose, write, travel, and associate with other composers of the time. With one of those, Balakirev, a member of a group of Russian composers known as "the Five", he formed a close friendship, and from him he gained the idea for the fantasy overture Romeo and Juliet. But the relationship between him and the Five soured, and he even later parodied in one of ballets their use of certain folk melodies over and over again. Although Tchaikovsky was enjoying life in Moscow among his composer friends, he found himself constantly in periods of deep depressions and unhappiness. The largest contributor to his bouts of depression and sadness was his self-hatred and guilt that he had from carrying a heavy secret: Tchaikovsky was gay.

The general plan of Tchaikovsky’s symphonies includes a very 'pessimistic' first movement, a sad, peaceful second movement, an allegro movement (often in dance form) and a fourth movement full of vigor.  His 6th symphony, the Pathetique, is an exception.  The themes are broad, decorative, and striking. The orchestration is rich - but without any attempt at spectacular effects.  The last movement is slow and mournful, and recent research reveals the reason.  The Pathetique was only partly finished when news spread of a homosexual 'encounter' Tchaikovsky had with a fellow student. Some believe that the composer finished the symphony as a farewell to life. The scoring is for the standard symphonic orchestra with winds, brass, strings, timpani, and other percussion instruments. It was premiered in St. Petersburg with Tchaikovsky himself leading the orchestra.

The stage design was basically musicians sitting in their chairs with the sheet music on a stand in front of them. The conductor placed on a platform in the center of the stage so everyone would be able to see him. The lighting was constant throughout the whole stage. Everyone had the same level of importance The stage set-up was based on what instrument each musician played. There were woodwind, brass, percussion, violin instrumental groups on the stage. In the middle front of everyone on stage was the conductor on a platform. In the Whitewater Symphony Orchestra, starting from the left corner from my perspective was timpani. The middle back of the stage was the clarinet, bassoons, flutes, and oboes. In the middle of the stage was the

This semester I have experience many live musical performances. Some of these performances have let me down but for the most part, these performances have been everything I ever expected. My two favorite performances this semester were Festival Vallenato and Ultra Music Festival. Although these two types of music are different in every way possible, the people and the performers are exactly where I feel I am in the right place.