Love And Loss In The Wanderer's The Wanderer

Essentially a monologue set within a frame, this poem creates two personae. The anonymous author gives a brief introduction and conclusion. The Wanderer, an aging warrior, who roams the world seeking shelter and aid. The Wanderer’s monologue divides into two distinct parts, the first being a lament for his exile and the loss of kin, friends, home, and the generosity of his king. In nature, he finds absolutely no comfort, for he has set sail on the winter stricken sea. Poignantly, the speaker dreams that he is among his companions, and embracing his king, only to awaken facing the gray, winter sea, and snowfall mingled with hail.

In “Do Not Go Gentle into that Good Night”, Thomas describes men as wise, good, wild, and grave, and displays their perspective about death. For wise men, “because their words had forked no lightning, they / do not go gentle into that good night” (5-6). The metaphor in the line reflects wise men’s regret in life as their words, the ability of intelligent people, forked no lightning, meaning they did not leave any significant marks in history before dying. Therefore as good night, a metaphor for death, approaches, wise men resist dying to satisfy their discontent, and all other men convey similar perspectives. However, since night will come anyways, Thomas know men cannot escape death, so he agonizes for his incompetence in saving his father. Comparably in “One Art,” Bishop claims “so many things seemed filled with the intent / to be lost that their loss is no disaster” (2-3). The disappeared objects metaphorize Bishop’s loss of precious memory fragment, such as losing the mothers’ watch representing the farewell with her mother. At first, Bishop expresses she is fine with things vanishing. Yet overtime, the materials grow more substantial, and ultimately, when Bishop separates with her beloved, she notes “it may look like (Write it!) a disaster” (19), mentioning loss is indeed a disaster. She knows the farewell was

Anglo-Saxon literature often expressed concepts of survival, battle, exile, male dominance in society, and loyalty to the lord. These aspects are strongly represented in both “The Wanderer” and “The Wife’s Lament”. Both elegies deliver themes of self-exile and the mourning of lost companions. Ideas of longing and alienation are present in these two Anglo-Saxon poems through use of figurative language, structure, point of view, comparison, and various other literary techniques.

The Seafarer, The Wanderer, and The Wife’s Lament all contains faith verses fate. The three poems are very similar and very different. The three poems ranging from a lonely man, to a lost soldier, to a wife’s bedrail. The medieval poems show hurt, confusion, and loneliness.

She seems to be saying that without the pain and the tribulations, a marriage wouldn’t be worth as much. It’s almost like she says that the sacrifices are what makes the marriage worth it. The pain of this marriage results in the ultimate achievement of the objective of marriage. The poem states that all the aches and pains of marriage are worth going through because the love of another is epic.  I found that the two of these poems together were a fascinating combination, because one speaks of the hypocrisy of not doing anything about the flaws in a person’s own characteristics, and the other seems to say to live with the pain that you have to live with the faults; through doing so one will find bliss; it is worth the sacrifice.

Grief is defined as keen mental suffering or distress over affliction or loss, and through the various ways both these characters coped with grief, each character’s thoughts and actions reveal aspects of his personality. In life “Grief can be the garden of compassion. If you keep your heart open through everything, your pain can become your greatest ally in your life's search for love and wisdom”

The poem “The Wanderer” speaks of a man who has been exiled from his clan, and is now forced to roam the land alone. Separation from his fellow kinsmen and lord seems to be the worst fate imaginable. The man speaks of his great loss, remembering the time when he was happy with his liege,

Isolation from society can evoke a deep loneliness and self-reflection. The poem "The Wife's Lament" from the Exeter Book expresses the desolation of exile. The dominant theme is the contrast of a happy past and a bleak present of isolation. The anonymous author of "The Wife's Lament" uses setting, tone, and conflict to develop the theme of great loss. He/she augments a situation in which meditation on life's past joys is the only redemption in a life sentenced to confinement. “The Wife’s Lament” is an excellent example of nostalgia, resentment of the present, and hopelessness about the future.

This is expressed by the multiple examples of old men whom regret certain aspects of their lives and defy death even when they know their time is up. The speaker is urging his father to fight against old age and death. The meaning and subject of the poem influence the tone and mood. The tone is one of frustration and insistence. Thomas is slightly angry and demanding. His words are not a request, they are an order. The mood of the poem is is serious and solemn due to the poem focusing mainly on the issue of death. This mood and tone is created by words such as “burn”(2), “Grieved”(11) and “rage”(3) along with phrases such as “crying how bright”(7), “forked no lightning”(5), “near death”(13) and “fierce tears”(17). The insistent feeling is also created by the repetition of the lines “Do not go gentle into that good night”(1), and “Rage, rage against the dying of the light”(3). The figurative language used also affect how the meaning, tone and mood are interpreted.

In the poems “The Wanderer” and “The Dream of the Rood,” anonymous authors give way to the idea that an Almighty God will solve every problem a person has by doing two things: 1) drawing upon the memories of a warrior who has lost everything near and dear to him due to war, and 2) entering the dream of a man who has been exiled and isolated. Each piece takes its reader through the trials and tribulations that one may not relate to in this era, yet the reader is still there alongside the character wanting them to find peace with their world and themselves. Initially, it is believed that the characters will overcome their hardships and achieve the happiness they seek. However, as the reader delves deeper into the character’s story, there is an overwhelming sense of incompleteness. What actually happens at the end of each piece is not written in stone - telling us the story is not whole - nor has a conclusion been reached. The intrapersonal thoughts being shared with the reader reveal the obstacles that keep an overall wholeness from occurring.

In the three poems “The Wife’s Lament”, “The Wanderer”, and “The Seafarer” from The Exeter Book, it’s clear that travel and exile are recurring and important themes. Is there a possibility that these themes and elements have a significance that goes above and beyond their literal meaning? Though they may experience it differently, all three of the speakers from these poems in The Exeter Book deal with the great pain of exile, or being driven out, resulting in the need or desire for travel. This takes place due to the fact exile was one of the most tragic fates that an anglo-saxon man or woman could endure at the time. It makes sense that these themes would play a huge part in these poems because during this time period, exile was the

To begin, the speaker, in a very calm manner, describes a moment in time where she and a man called Death share a carriage together as if they were in a relationship with one another. Not only does the speaker leave with Death without any questions, but also states that she is obligated to leave her household to work for her new husband Death in lines five through nine. Due to the fact that the speaker so carelessly goes along with Death, shows just how strong her connection is with him. She is completely unaware and blinded at the fact that leaving with Death is something that is forever.

she expresses great love and a great sense of loss, but she does it in

While “The Seafarer” and “The Wanderer” have similar key themes, there are also quite a few unique differences between one another. Both men struggle in their lives, but the seafarer chooses to live the kind of life he wants, yet the wanderer does not have a choice. The seafarer claims to continue travelling since the sea gives him an adrenaline rush and embraces the sea. He feels that it is his duty to travel the sea. The wanderer has no choice in experiencing what he is experiencing as he has been forced into exile, which makes others feel even worse for him. It says in line 9 of “The Wanderer” that “[being] lonely and wretched, [he] wailed [his] woe,” which very much implies that he currently hates his life and would never wish it upon anyone else. A second difference between the two poems are the poems’ individual opinions on time. The seafarer believes that life gets increasingly difficult as time goes on due to the loss of glory and honor overtime. The seafarer also believes this could be due to one being closer to eternal life with God as time goes on. The wanderer, however, has an opposite opinion. Towards the end of the poem, he looks optimistic on life and knows that life can and will always get better. He himself is the only

The Wanderer, by speaking of all his pains, is going against what his society tells him is acceptable to be wise. Huppé argues that “the wanderer utters his sorrow but retains his dignity through the anonymity which the impersonal discourse gives his personal expression of grief.” Huppé would argue that the reasoning behind this change from personal to impersonal discourse allows the Wanderer a separation from his own problems, treating his own laments as the laments of all, allowing him to feel content that he may still be clear sighted in the face of his tribulations. While it is entirely possible that