Maggie: A Girl Of The Streets

Have you ever noticed how some people just stand out from the crowd? Like the clouds in the sky and blades of grass, people are all different. “Everyday Use” by Alice Walker has a good example of an interesting, unique character. Maggie is a young girl who is not only physically but also mentally scarred. The way the burning house, her stuck-up sister, and society affects Maggie makes her different from everyone else.

The idea of killing someone never would have crossed the children’s minds until the natural instinct to survive replaced the want to do right. The children in sense became barbaric when they let their natural instincts override their domestic upbringing.

The novel, Maggie: A Girl Of The Streets, by Stephen Crane, takes place in the slums of New York City during the 1890’s. It is about a girl, Maggie Johnson, who is forced to grow up in a tenement house. She had a brother, Jimmie, an abusive mother, Mary, and a father who died when Maggie was young. When Maggie grew up, she met her boyfriend, Pete. In Maggie’s eyes, Pete was a sophisticated young man who impressed Maggie because he treated her better than she had been treated to all of her life. Once Maggie’s mother and brother found out that Maggie was sleeping with this man, Mary threw Maggie out into the streets, condemning her to a life of evil. Eventually, Pete decided he no longer wished to see Maggie.

In There are No Children Here, by Alex Kotlowitz, the way of life in Chicago's Henry Horner projects has a profound effect on all the residents who live there. The children become desensitized by the constant violence that they are forced to witness every day. Children are forced to walk home from school through the urban war zone of these housing projects. It is not unusual for the children to run home from school to avoid becoming casualties of the ongoing battle between rival gangs. The violence has affected Lafeyette and Pharaoh as much as anyone in the projects.

"Children are great imitators. So give them something great to imitate. (Anonymous)” In the 1980 Chicago slums this quote couldn’t be truer. The slums were/are a terrible place for not just children, but everyone to live. The Henry Horner homes in particular are full of death, drugs, and poverty. This may not seem like the greatest place for children to be raised, but for some, they know nothing different. The constant gang trouble, drug trafficking, and hiding from stray bullets are an everyday occurrence for people living in these government housing complexes. The devastation is a never-ending cycle. The parents get into drugs and violence, and the children have no choice but to imitate their parents

¨Dad however, wouldn’t talk about Mary Charlene...He was the one who found her body in the crib, and Mom, couldn't believe how much it shook him up…‘he was in shock or something, cradling her stiff little body in his arms... he screamed like a wounded animal’...He started having dark moods,staying out late and coming home drunk and losing jobs,¨(Walls 28).

“Maggie: A Girl of the Streets,” is a novella written by Stephen Crane and published in the year 1893. This work was published during the time of the Industrial Revolution, when factories were appearing everywhere. Their workers were often not paid enough to lead a decent life, and suffered from their situation. They were not very civilized and sometimes aggressive in their behavior. Perhaps because of this radical change from a more agricultural lifestyle to one of industry and factories, some pieces of literature were starting to transition from the classification of Realistic writings to works that are now categorized as works of Naturalism. While the two categories are

who the monster really is and how he acts when he encounters the monster. Mary shows that

Maggie: A Girl of the Streets, a novella written in 1893 by Stephen Crane, focuses on a poverty stricken family living in the Bowery district of New York City. This novella is regarded as one of the first works of naturalism in American literature and it helped shape the naturalistic principle that a character is set into a world where there is no escape from one’s biological heredity and the circumstances that the characters find themselves in will dominate their behavior and deprive them of individual responsibility. Throughout the story, the primary goal of the main characters is to escape the lives they lead and to find more comfortable lives away from their current problems, which differs from the romantic ideal that the main characters usually turn inwards to solve their problems.

Without taking note of how many people make up Maggie or Huck’s, their poorly functioning homes are almost exact when considering their chaotic and unpredictable nature. With a mother like Mary and a father like hers, it can hardly be surprising, the novel implies, Maggie grow up as they do. Nonetheless, Maggie and Huck are seldom aware of what mood the drunk/abusive parent might be in.

Crane’s “Maggie: A Girl in the Streets” is a story of unyielding realism. The story follows Maggie, a girl who resides within the Bowery with her physically and emotionally abusive parents and brothers, Jimmy and Tommie. The story focuses on the life and struggles of Maggie and her family within the slums. Maggie desperately tries to escape the life within the Bowery, but eventually succumbs to it and passes away a broken woman.

Stephen Crane wrote many short stories, one of which was Maggie: A Girl of the Streets. His stories contained various aspects of Naturalism, a literary movement that sought to replicate a believable everyday reality, as opposed to Romanticism or Surrealism, in which subjects may receive highly symbolic, idealistic, or even supernatural treatment. Poverty, abuse and a survival of the fittest way of life created an environment which Maggie was negatively influenced by. Her environment is made up of many circumstances that affect her, one of which is poverty.

Edith Wharton’s House of Mirth chronicles the tale of Lily Bart, a young socialite stuck at the crossroads of rejection her society to pursue her ambitions or relenting to societal expectations placed on her. In literature, naturalism, a philosophy that frequently overlaps with the theory of Social Darwinism, applies “scientific principles of objective observation to the study of human behavior and characters within the context of their surroundings” (“American Literary Naturalism” Twentieth-Century). In short, naturalistic novels explore the interactions between humans and their environment as the human tries to navigate it. House of Mirth is a naturalistic novel in that it explores Lily’s attempt to survive in her own cruel environment.

After the Civil War, realism became a dominant form of writing in the United States, with writers attempting to write about everyday life. After realism came naturalism, a form of writing similar to realism, but with more pessimism. One of the reasons for this pessimism stems from free will and the question of whether people possess it or not. In realism, it is definitely true, while in naturalism it seems less so, but the options are often less than ideal. Because choices do exist for characters, free will is still there, which indicates that naturalism is a derivative form of realism. In Stephen Crane’s “Maggie: A Girl of the Streets,” the characters may have little chance to escape the world they inhabit, like Maggie, Jimmie, and

Crane’s Maggie: A Girl of the Streets opening scene features violence, which is a taboo subject during the time period he wrote the piece; “His coat had been torn to shreds in a scuffle, and his hat was gone. He had bruises on twenty parts of his body, and blood was dripping from a cut in his head”(946). The three children experience abuse, both physical and emotional, from the mother and the father in the early chapters of this work. Stephen Crane states, [ Youse allus fightn’, Jimmie, an’yeh knows it puts mudder out when yehs come home half dead, an’ it’s like we’ll all get a poundin’ (949).] Furthermore, this abuse is evidenced by the following quote from Stephen Crane [The mother’s massive shoulders heaved with anger. Grasping the urchin by the neck and shoulder she shook him until he rattled(949).] Violence is a