species of tree found in the area, Wabanaki were able to catch fish brought to them by the rivers. Another example of this would be birch bark from which tribes were able to create cooking utensils, or animal skins that were used as weather proof clothing, or even birch bark canoes. All of these items, fashioned directly from natural resources that surrounded them, distinguished the connection Wabanaki had to the landscape of Maine. That is to say it makes the Wabanaki a part of their landscape through their human need for the trees to create tools; tools that they rely on to continue living within the environment and perpetuate their work as part of, and in a respect for, their environment. How might humans be working as the arms of Maine …show more content…
While Maine is physically just a land it is now also a physical being, and as a being Maine should be considered capable of reasoning and living, forming a living landscape. While this is the case there is still a major component missing from this living being though, the piece that defines the work that it accomplishes, Maine still needs a brain. Whether Maine can be considered as having conscious thought, may or may not be an answerable question, but the key to understanding this brain is with how the actions of Maine are accomplished through humans. In fact, this action can also portray the very thoughts of nature through knowing that humans, as parts of their landscape, enact their wishes and desires: meaning human wishes and thoughts are portraying the will and mind of the landscape. Often playing out as the needs and wants of human society, first being food, then shelter, then warmth, and so on. These are then transformed into reality as we work to achieve goals of bettering our society, seen in the learning and construction of the Wabanaki wigwams, or in the specially designed fire wood ranges of the twentieth century. As its been discussed these actions are the very work of Maine herself, and therefore the reasoning behind these actions for people can then also be transferred over. …show more content…
Years of looking at a tree and seeing a photosynthesizing plant and returning to our air-conditioned homes, has lead us to feeling that we are separate, even fundamentally different from our natural landscapes. When taking the chance to consider Maine as more then a place, to consider it a her, then the once 2-dimensional landscape becomes three dimensional as all the systems and processes of ecosystems also act as the organs of a human would. Trees center this landscape for Maine by working as her physical and spiritual heart, acting as the connection between all of the natural non-living systems, and the rest of the body. That remaining piece of the body being the humans in the landscape, the arbiter of action for the entire entity. As this concept expands, it encompasses all parts of our world, and placing us humans at the head of an evolving story. One that only we can control, and one that will decide whether Maine, as well as our planet will continue living with a beating heart or will slowly wither
In “Tree Hugger: The Tyranny Viewpoint,” attorney Gerry Spence argues that society wrongfully ignores the rights of nature because they are not viewed as living human things. According to Spence the reason being is due to the many ideologies humans are enslaved by. These ideas encircle the power of religion, corporations having rights but not living trees, and saying that humans must eat certain foods at certain times of the day.
In the essay, “A Literature of Place”, Barry Lopez expresses the importance of nature as it applies to human life. Through this he states that humans’ imagination are inspired by the scenery around them. Lopez revolves around a central perspective; Ancient american literature has always been rooted in nature. By acknowledging that modern human identity has been interpreted by nature, Lopez describes how the landscape of an area can shape the structure of the communities and how it can help with spiritual collapse. Nature writing has often been summarised by being one of the oldest threads in american literature. With our nation's aging one needs to reflect on their literary past; therefore, Lopez insists that we find our path to nature that
John Muir, a brilliant Transcendentalist, has written hundreds of enlightening environmental essay to emphasize the adamant need to save these sacred kings of the forests, the Redwoods. Within Muir’s vivid and emotional entries, specifically “Save the Redwoods”, John utilizes rhetorical devices such as personification, analogy, and Religious allusion in order to express the vital need to save the trees.
Humans are born from and return to earth at death; human beings and nature are bound up each other. Yet, the technological modern world has shaped humans to be oblivious of nature and the ethnocentrism has positioned human beings above all other things. Nature has become resources for people and nothing more than that. David Abram, the author of the Ecology of magic, travels into the wild, traditional land in search of the relation between magic and nature; the meaning nature holds in the traditional cultures. Abram intends to communicate his realization of the magical awareness of the countless nonhuman entities and the necessity of the balance between the human communities and the nature to the readers, hoping the Western technologized
These great sceneries have the power to inspire a great many of people to conserve and protect the natural environment that Florida has to offer. These trees and waterways have a great potential, in that they have the ability to inspire the next generation of scientists and policy writers, simply because they enjoyed walking through the park during their childhoods. This is extremely important, as ecology directly involves how people interact with their environment based off of the knowledge and respect they have for it.
“Could it be that we are supposed to be talking to the plants and animals, interacting with them, accepting the gifts they offer, and using them in ways that further their growth?”(Starhawk, 162). I feel this quote from “Our Place in Nature” is a great way to start the topic of how artists uses plant life in their work. It shows how artists might try to interact with the environment for ideas on the works that they come up. I feel also that they are trying to be one with the environment. I feel if you spend enough time in nature, you will build a strong connection with everything around you. This comment is justified when Starhawk said, “I can walk into any forest where the trees are strange and understand something about the relationships
Throughout today’s society there are several different cultural perspectives which form theoretical and practical understandings of natural environments, creating various human-nature relationship types. In this essay, I will describe and evaluate different ways of knowing nature and the impact of these views on human-nature relationships. From this, I will then explore my own human-nature relationship and reflect on how my personal experiences, beliefs and values has led me to this view, whilst highlighting the strengths and weaknesses of each and reflecting upon Martin’s (1996) continuum.
The beautiful blossoms that bloom in Californian spring, the summer daisies alongside the cooling lake, long after the summer the trees have lost their leaves entering autumn to fresh white snow out in the mountains. Nature is able to show us its true beauty without any falseness and modifications. After all, is it not ironic how people go to museums to look at paintings of colorful flowers, green hills, and clear water streams; those are beauties that can easily be observed in real life outside of the urban environment which are surrounded by them, or how people buy recordings of the calming sounds of nature, similar to what you would listen to at night in the woods or smell nature aromas of the candles. What we are doing is trying to mislead our minds and pretend to think that we are in the woods but are instead cornered inside our small, well-furnished, and full -with-technology apartment.
“The Earth does not belong to us: We belong to the Earth”-Marlee Matlin. In Aldo Leopold’s essay, “The Land Ethic”, there are several overwhelming examples that illustrate why we as humans would believe we own the Earth when we really don’t. Paradoxically, looking at Virginia Woolf’s work, “The Death of a Moth”, one would come to believe that none of that matters because all living beings will suffer the fate of death. However, both works show that there can be a reconciliation between a certain kind of symbiosis: man vs man, land vs land, or man vs land. “The Death of a Moth” may show that all life form end eventually,but “The Land Ethic” convinces readers that there can be ways to maintain balance in the land that can prevent death or ameliorate life for all before death. In both works, we can observe the considerable similarities and differences, the balance between what is ethical and logical in how humans use the land, and the management of life and assurance of death for all life forms.
The biggest technique that the author incorporated into her entry is the simile about mangrove trees and how they are similar to our universe’s evolution; in the sense that our planet is extremely resilient and has coped with various changes over a large period of time. Therefore, readers are lead to contemplate
From the Riverside Park in Easton, PA, the Delaware River looks serene and uninhabited. There are lots of trees around; the water is flowing gently. I see a few ducks swimming in the water and some birds flying overhead. I listen to the sounds: the birds chirping, the water flowing, the wind blowing, and then I hear the cars passing by on the road nearby. I look up and am suddenly reminded that I am not alone with nature. Still, the only indications of human civilization are the two bridges, the road, and the scattering of buildings on the other side. Despite the natural scape being surrounded by human development, it still looked peaceful and harmless. One would have never guessed that this seemingly innocuous waterscape was once the source
Today I awoke at the early hours of dawn. Upon stepping out of my tent, I was taken back at the beautiful scenery that lies at my very own feet. The nature of Walden Pond is a blessing to one’s eye. The landscape surrounding me is full of massive trees and innocent wildlife. The smell of the fresh morning air is soothing to one’s soul. As I walk from my tent to the edge of the pond, I can feel the morning dew beneath my feet and see drops of it tricking down the plants around me. Standing by the pond, I can see the sun rising, its rays reflecting off the water making it sparkle. I enjoy relaxing on the bank watching the sunrise and seeing the animals interact with one another; it one of the many luxuries of being encompassed by nature. The
The land ethic is a way of living that shows us how our actions can have a positive and negative impact on our surroundings. It is the idea of putting every single element in nature together as one. Aldo Leopold explains how we have seen the trees as something “entitled to us and from which we can get just an economical benefit” (Leopold 9). The author portrays in this line that we do not care about our tress. Following the ideas of Jack Ewing in “Deforestation, Reforestation, Regeneration”, “How Much is a Tree Worth” and “Close Encounter in the Slow Line”, as well as Aldo Leopold “ Good Oak” and Janes Goodall “Seeds of Hope”, show us the importance of the effects that we have on the trees and the effects that tress has on us. By realizing
As I left behind the somber forest, I now recognized an appreciation for nature that I did not realize I had. I now knew there was more to nature than just trees and animals, but also I found the
A photograph of Earth reveals a great deal, but it does not convey the complexity of our environment. Our environment (a term that comes from the French environner, “to surround”) is more than water, land, and air; it is the sum total of our surroundings. It includes all of the biotic factors, or living things, with which we interact. It also includes the abiotic factors, or nonliving things, with which we interact. Our environment includes the continents, oceans, clouds, and ice caps you can see in the photo of Earth from space, as well as the animals, plants, forests, and farms that comprise the landscapes around us. In a more inclusive sense, it also encompasses our built