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Margaret Mitchell Biography

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The tragedy of Margaret Mitchell. One day Margaret and her husband walked to the movies. Although she tried to get out of its way, the car had swerved and hit her. Five days later she died of brain injuries at the hospital. She had so many people who cared for her and wanted to show their supports at her funeral that tickets were being distributed (“Overview of Margaret Mitchell” par. 27).
Mitchell started writing Gone with the Wind in 1926 and didn’t finish until 1929 (“Margaret Mitchell Bio” par. 5). She was doubtful about her novel, she was only writing for her own amusement (Flora et al. 308). In the creation of her book she manage to master the South on her terms and rules. She defined the terms and rules of southern experience for the …show more content…

“Tomorrow is another day” was one of the most famous quotes (Flora et al. 309). Her book gives great information about slavery and what war was really like (Baziotes 1735). She focused her attention on the southern myths and southern value systems through the eyes of Scarlett O’Hara, who is the main character in the book (Hanson 51). Macmillan actually had changed the main character. She was going to be named “Pansy” but was changed to Scarlett because, Pansy was a slang term for a make homosexual in the North (“Overview of Margaret Mitchell” par. 15). Scarlett is the daughter of a cultured French mother and a temperamental, hard-scrabble Irish father (Sova 132). Scarlett was assaulted by the “experience” of Atlanta that made her make choices which reflected the temper of her city and time. She considered it one of her responsibilities to fight superficial and prejudiced valuation of the south (Hanson 52 & 58). Scarlett is battered and bruised by the historical events of the period, but she continues throughout it in her selfish personal pursuits (“Overview of Margaret Mitchell” par.52). What was so fundamental to Mitchell was crucial to Scarlett (Hanson 58). The first feature in her series favorably depicted four strong women who did not fit contemporary standards for femininity, including one who disguised herself as a man to fight in the war

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